{"schema":"https://ver.cy/schemas/card/1.0.0","id":"vr.tr.music-of-the-czech-republic","code":"thing-q2981079","url":"https://ver.cy/models/thing/q2981079/","name":"music of the Czech Republic","alternateNames":["Brno alternative scene","česká alternativní scéna","Czech hip hop","Czech folk music","music of Moravia","music of Germans from the Czech lands"],"kind":"thing","status":"published","version":"0.1.0-research.1","language":"en","classifiers":{"family":"Thing Registry","category":"Information and virtual systems","entryKind":"thing","plane":"INF","domain":["INF.MED"],"industry":[],"navPath":"","tags":[],"facets":{}},"whatItIs":"Music of the Czech Republic comprises the musical traditions, works and practices associated with its territory and cultural communities, including historical traditions of Bohemia, Moravia and Czech Silesia.","purpose":"Enable an agent to recognise, contextualise and responsibly use musical works, practices and recordings associated with the Czech Republic while preserving the evidence and limits of that association.","scope":{"in":["Evidence connecting musical activity to the territory, communities or institutions of the Czech Republic","Historical continuity and discontinuity between present-day Czech musical life and music associated with predecessor territories and states","Regional, linguistic and community distinctions within the national musical field","Relationships among repertoire, musical practices, performers, venues, education and distribution","Attribution, documentation quality and permitted uses of linked musical materials"],"out":["Complete catalogues and internal descriptions of individual compositions, recordings or editions","Full biographies of composers, performers and other contributors","General Czech political history beyond its documented effects on musical activity","All Czech-language music worldwide without an evidenced relationship to this musical field","Music merely available to listeners in the Czech Republic without further local association","Detailed administration of cultural institutions or legal adjudication of rights"],"boundaries":[]},"distinguishingFeatures":["An included work or practice has an explicit association basis, such as creation, sustained performance, community transmission or institutional production; availability in the country alone is insufficient.","Territorial association, Czech-language expression, citizenship and self-described cultural affiliation are recorded separately rather than treated as interchangeable.","Historical material is connected through dated places and political contexts rather than automatically attributed to the present-day state.","The entry represents a musical field containing multiple repertoires and communities, not a genre with a mandatory sound or instrumentation.","A composition, arrangement, performance, recording and physical or digital release remain distinct linked entities even when all contribute to the same repertoire."],"structure":{"bundles":[{"id":"czech-association-and-historical-scope","name":"Czech association and historical scope","description":"Defines what connects musical material to this entry and how that connection changes across places and periods.","layers":[{"id":"grounds-for-inclusion","name":"Grounds for inclusion","description":"Separates the different kinds of evidence that justify an association with the Czech Republic.","findings":[{"id":"explicit-association-basis","name":"Explicit association basis","description":"Record each candidate's territorial, community, contributor or institutional connection without assuming that any one connection proves the others.","questions":[{"text":"What documented connection makes this work, practice or recording part of music of the Czech Republic?","id":"explicit-association-basis-q01","kind":"definition"},{"text":"Would the candidate still qualify if Czech language, contributor citizenship or local availability were its only connection?","id":"explicit-association-basis-q02","kind":"boundary"}]}]},{"id":"historical-geographies","name":"Historical geographies","description":"Qualifies historical repertoire through dated territorial and institutional relationships.","findings":[{"id":"dated-territorial-attribution","name":"Dated territorial attribution","description":"Preserve the original geographic and political context alongside any later classification under Czech music.","questions":[{"text":"Which dated locality and jurisdiction describe the musical activity at the time it occurred?","id":"dated-territorial-attribution-q01","kind":"provenance"},{"text":"On what evidence is material described as Bohemian, Moravian, Silesian or Czechoslovak also included under this entry?","id":"dated-territorial-attribution-q02","kind":"boundary"}]}]}]},{"id":"regional-and-community-plurality","name":"Regional and community plurality","description":"Represents regional practices and overlapping cultural affiliations within the Czech musical field.","layers":[{"id":"regional-practices","name":"Regional practices","description":"Connects repertoire and performance conventions to documented local contexts.","findings":[{"id":"regional-specificity","name":"Regional specificity","description":"Record the locality, occasion and practitioner evidence supporting a regional label; do not infer the label from a title or instrument alone.","questions":[{"text":"Which sources or practitioners associate this practice with a particular locality in Bohemia, Moravia or Czech Silesia?","id":"regional-specificity-q01","kind":"provenance"},{"text":"Which musical features, social occasions or transmission practices distinguish the local form from neighbouring forms?","id":"regional-specificity-q02","kind":"definition"}]}]},{"id":"language-and-cultural-affiliation","name":"Language and cultural affiliation","description":"Keeps language, community participation and cultural self-identification independently attributable.","findings":[{"id":"overlapping-community-membership","name":"Overlapping community membership","description":"Allow multiple evidenced affiliations, including minority and diaspora contexts, without forcing exclusive national ownership.","questions":[{"text":"How do practitioners and reliable documentation describe the cultural affiliation of this repertoire, and does that differ from its language?","id":"overlapping-community-membership-q01","kind":"provenance"},{"text":"What relationship brings a minority or diaspora practice within this entry while preserving its distinct community identity?","id":"overlapping-community-membership-q02","kind":"boundary"}]}]}]},{"id":"repertoire-and-musical-identity","name":"Repertoire and musical identity","description":"Organises musical practices and distinguishes the entities through which repertoire is expressed.","layers":[{"id":"practice-and-repertoire-classification","name":"Practice and repertoire classification","description":"Uses contextual classifications for traditional, concert, sacred, popular and other musical activity where supported.","findings":[{"id":"contextual-musical-categories","name":"Contextual musical categories","description":"Record who applies a genre or repertoire label, its period of use and its relationship to performance setting.","questions":[{"text":"Which repertoire or genre labels are supported for this Czech musical activity, and who uses them?","id":"contextual-musical-categories-q01","kind":"definition"},{"text":"Does the classification describe musical form, a social setting, a commercial category or a later interpretation?","id":"contextual-musical-categories-q02","kind":"boundary"}]}]},{"id":"works-versions-and-recordings","name":"Works, versions and recordings","description":"Links compositions and traditional repertoire to arrangements, performances and released materials.","findings":[{"id":"identity-across-musical-materials","name":"Identity across musical materials","description":"Keep Czech and translated titles, catalogue references and entity-specific identifiers attached to the entities they actually identify.","questions":[{"text":"Do the Czech title, translated title and catalogue reference identify the same work, a distinct arrangement or a particular recording?","id":"identity-across-musical-materials-q01","kind":"boundary"},{"text":"Which catalogue, edition or archive establishes the relationship between this musical material and the underlying repertoire?","id":"identity-across-musical-materials-q02","kind":"provenance"}]}]}]},{"id":"musical-life-and-transmission","name":"Musical life and transmission","description":"Connects repertoire with the people, settings and pathways that sustain or reinterpret it.","layers":[{"id":"performance-and-institutional-context","name":"Performance and institutional context","description":"Records dated links to ensembles, venues, festivals, broadcasters and other relevant settings.","findings":[{"id":"documented-local-participation","name":"Documented local participation","description":"Distinguish sustained participation in Czech musical life from isolated appearances or distribution.","questions":[{"text":"Which documented Czech venues, ensembles, festivals or media organisations create, perform or circulate this repertoire?","id":"documented-local-participation-q01","kind":"provenance"},{"text":"What dated evidence distinguishes a continuing local practice from a single visiting performance or release?","id":"documented-local-participation-q02","kind":"measurement"}]}]},{"id":"learning-continuity-and-revival","name":"Learning, continuity and revival","description":"Tracks how practices are learned and whether continuity or revival is documented.","findings":[{"id":"evidenced-transmission-state","name":"Evidenced transmission state","description":"Assess transmission through community participation, teaching, notation, recordings or reconstruction, with dated evidence and explicit uncertainty.","questions":[{"text":"Through which Czech community, family, educational or archival pathways is this practice transmitted?","id":"evidenced-transmission-state-q01","kind":"provenance"},{"text":"What recent evidence supports describing the practice as active, intermittent, revived or historically documented only?","id":"evidenced-transmission-state-q02","kind":"measurement"}]}]}]},{"id":"evidence-attribution-and-use","name":"Evidence, attribution and use","description":"Supports defensible claims about Czech musical association and responsible actions on linked materials.","layers":[{"id":"sources-and-contested-attribution","name":"Sources and contested attribution","description":"Retains source context and competing interpretations of origin, authorship and belonging.","findings":[{"id":"traceable-cultural-claims","name":"Traceable cultural claims","description":"Attach evidence to each attribution and distinguish archival description, practitioner testimony and later national classification.","questions":[{"text":"Which inspected source supports the claimed Czech, regional or community association, and what exactly does it establish?","id":"traceable-cultural-claims-q01","kind":"provenance"},{"text":"Which competing attribution must an agent retain when describing this music's origin or cultural belonging?","id":"traceable-cultural-claims-q02","kind":"boundary"}]}]},{"id":"permissions-for-musical-materials","name":"Permissions for musical materials","description":"Evaluates proposed uses of scores, performances, recordings and community documentation separately.","findings":[{"id":"material-specific-use-decision","name":"Material-specific use decision","description":"Record the applicable rights evidence and documented access or community conditions rather than inferring permission from heritage status.","questions":[{"text":"For the proposed use in the Czech Republic or another territory, which composition, arrangement, edition, performance and recording permissions require assessment?","id":"material-specific-use-decision-q01","kind":"action"},{"text":"What licence, rights record, archive condition or documented community protocol supports the intended reproduction, adaptation or sharing?","id":"material-specific-use-decision-q02","kind":"provenance"}]}]}]},{"id":"evidence-and-external-alignment","name":"Evidence and external alignment","description":"What the world already says about this thing, gathered so the model can be checked against it.","layers":[{"id":"reported-evidence","name":"Reported evidence","description":"Findings from the breadth pass, kept separate from the structural claims.","findings":[{"id":"evidence-confidence-notes","name":"Check these first","description":"Recalled without web access and unsourced; every item is a lead to verify.","questions":[{"text":"Which of these check these first hold for the sense of music of the Czech Republic this model covers, and on what evidence?","id":"evidence-confidence-notes-q01","kind":"provenance"}]},{"id":"evidence-kinds","name":"Kinds and varieties","description":"Recalled without web access and unsourced; every item is a lead to verify.","questions":[{"text":"Which of these kinds and varieties hold for the sense of music of the Czech Republic this model covers, and on what evidence?","id":"evidence-kinds-q01","kind":"provenance"}]},{"id":"evidence-identifiers","name":"Identifiers and schemes","description":"Recalled without web access and unsourced; every item is a lead to verify.","questions":[{"text":"Which of these identifiers and schemes hold for the sense of music of the Czech Republic this model covers, and on what evidence?","id":"evidence-identifiers-q01","kind":"provenance"}]},{"id":"evidence-standards-and-regulation","name":"Standards and regulation","description":"Recalled without web access and unsourced; every item is a lead to verify.","questions":[{"text":"Which of these standards and regulation hold for the sense of music of the Czech Republic this model covers, and on what evidence?","id":"evidence-standards-and-regulation-q01","kind":"provenance"}]},{"id":"evidence-real-world-use","name":"Real-world use","description":"Recalled without web access and unsourced; every item is a lead to verify.","questions":[{"text":"Which of these real-world use hold for the sense of music of the Czech Republic this model covers, and on what evidence?","id":"evidence-real-world-use-q01","kind":"provenance"}]},{"id":"evidence-failure-modes-and-hazards","name":"Failure modes and hazards","description":"Recalled without web access and unsourced; every item is a lead to verify.","questions":[{"text":"Which of these failure modes and hazards hold for the sense of music of the Czech Republic this model covers, and on what evidence?","id":"evidence-failure-modes-and-hazards-q01","kind":"provenance"}]},{"id":"evidence-regional-variation","name":"Regional variation","description":"Recalled without web access and unsourced; every item is a lead to verify.","questions":[{"text":"Which of these regional variation hold for the sense of music of the Czech Republic this model covers, and on what evidence?","id":"evidence-regional-variation-q01","kind":"provenance"}]},{"id":"evidence-neighbours","name":"Neighbouring kinds and how to tell them apart","description":"Recalled without web access and unsourced; every item is a lead to verify.","questions":[{"text":"Which of these neighbouring kinds and how to tell them apart hold for the sense of music of the Czech Republic this model covers, and on what evidence?","id":"evidence-neighbours-q01","kind":"provenance"}]}]}]}]},"agentConduct":{"may":["Describe Czech musical traditions, composers and works from reliable sources.","Play or share recordings and scores within their licences, with credit to composers and performers."],"mustNot":["Present folk songs or works under the wrong composer, region or community.","Share copyrighted recordings or scores without permission.","Generate imitations in the style of a living composer and pass them off as theirs.","Use music to promote national or ethnic hostility."],"requiresHuman":["Licensing or publishing archival recordings of traditional performers."]},"ethics":{"considerations":["Musical traditions of Bohemia, Moravia and Silesia, and of Roma, German and Jewish communities, deserve accurate credit.","Living musicians depend on fair payment for their work."],"affectedParties":["Composers and performers","Communities whose traditions are recorded","Listeners"]},"owners":{"steward":"The public: held in common; rights holders own individual works and recordings.","roles":[],"masterSystems":["National music archives and library catalogues"]},"relations":[{"target":"Q106507381","type":"parent","note":"registry parent class"}],"interaction":{"identity":{"applicability":"required","items":["Vercy registry: vr.tr.music-of-the-czech-republic","Wikidata: Q2981079 (https://www.wikidata.org/wiki/Q2981079)"]},"properties":{"applicability":"not-applicable","items":["Association basis: Creation location; sustained local practice; community transmission; institutional production; contributor affiliation; documented reception","Geographic and temporal attribution: Linked locality or region, applicable date interval and historical jurisdiction","Regional and community affiliation: Evidence-backed links to regional, linguistic, religious, minority or diaspora communities; multiple affiliations allowed","Musical practice classification: Source-attributed repertoire, genre, performance setting and transmission mode; multiple classifications allowed","Musical entity level: Tradition; work; arrangement or expression; performance; recording; release or edition; item","Practice vitality: Actively practised; intermittently practised; revival activity documented; historically documented only; unknown, with assessment date","Attribution confidence: Supported; provisional; contested; unresolved, with supporting and conflicting sources","Use permission: Assessed separately for each material, intended action, jurisdiction and date; permitted, conditional, restricted or unassessed"]},"recognition":{"applicability":"not-applicable","items":[]},"capabilities":{"applicability":"required","items":["Assess a candidate's inclusion using explicit Czech territorial, community or institutional connections.","Explore repertoire by region, period, community and musical practice while retaining overlapping affiliations.","Trace relationships between a musical work, its arrangements, performances, recordings and releases.","Locate documented practitioners, archives, venues or teaching contexts connected to a selected practice.","Identify attribution disputes and documentation gaps before presenting a national or regional claim.","Evaluate the evidence needed for a proposed use of a particular score, recording or documented tradition."]},"hazards":{"applicability":"required","items":["Traditional regional music can fade when not recorded or passed on.","Misattribution blurs the contributions of minority communities."]},"interfaces":{"applicability":"required","items":["The Berne Convention for the Protection of Literary and Artistic Works, administered by the World Intellectual Property Organization, provides a copyright framework for protected musical works.","Act No. 121/2000 Coll., enacted by the Parliament of the Czech Republic, governs copyright and related rights relevant to musical works, performances and recordings."]},"context":{"applicability":"required","items":["This subject is encountered in music education, cultural history, archives, performance programming and recording catalogues.","It supports study of musical traditions associated with the Czech lands and their communities across different periods.","Associations may depend on language, place, community or artistic practice and need not imply a single national identity."]}},"sources":[{"title":"Wikidata item Q2981079: music of the Czech Republic","url":"https://www.wikidata.org/wiki/Q2981079","note":"identity and sense of the item"},{"title":"Wikipedia: Music of the Czech Republic","url":"https://en.wikipedia.org/wiki/Music_of_the_Czech_Republic","note":"general description of the item"}],"openQuestions":["Does the registry intend a present-day territorial musical field, a historical Czech cultural tradition or both, and how should these scopes be labelled?","Which existing Vercy models already cover Czech music or overlapping historical musical fields and should serve as the source of truth?","Which sources establish defensible inclusion boundaries for predecessor-state repertoire, diaspora activity and cross-border regional traditions?","Which regional and community classifications are supported by practitioner accounts and specialist research, including conflicting classifications?","Which catalogues, archives and contemporary activity records provide sufficient coverage to assess repertoire identity and practice vitality without overrepresenting prominent institutions?"],"resources":{"spec":"/models/things/publications/thing-q2981079/spec.json"},"provenance":{"origin":"thing registry research (pass 2)","builtFrom":["models/things/publications/thing-q2981079/spec.json"],"providers":["Codex"],"researchStatus":"unreviewed","generatedAt":"2026-09-12T11:28:11Z","builder":"tools/build_cards.py@1.0.0"},"completeness":{"sections":{"classifiers":"filled","whatItIs":"filled","purpose":"filled","distinguishingFeatures":"filled","structure":"filled","agentConduct":"filled","ethics":"filled","owners":"filled","relations":"filled","interaction.identity":"filled","interaction.properties":"not-applicable","interaction.recognition":"not-applicable","interaction.capabilities":"filled","interaction.hazards":"filled","interaction.interfaces":"filled","interaction.context":"filled","sources":"filled"},"notes":{"_gate":"Published through the thing publication gate 1.0 on 2026-10-07T10:10:29+00:00: completeness 1.00; sense: Wikidata description; 2 live sources; review by codex: pass","interaction.properties":"Plane INF: no invented physical properties.","interaction.recognition":"An overview of musical traditions is an abstract subject with no visual features that reliably establish cultural association."},"score":1.0}}