{"schema":"https://ver.cy/schemas/card/1.0.0","id":"vr.tr.memphis-rap","code":"thing-q6010117","url":"https://ver.cy/models/thing/q6010117/","name":"Memphis rap","alternateNames":["dungeon rap"],"kind":"thing","status":"published","version":"0.1.0-research.1","language":"en","classifiers":{"family":"Thing Registry","category":"Information and virtual systems","entryKind":"thing","plane":"INF","domain":["INF.MED"],"industry":[],"navPath":"","tags":[],"facets":{}},"whatItIs":"Memphis rap is a regional tradition of hip-hop originating in Memphis, Tennessee, especially associated with an early-1990s underground cassette scene whose characteristic sounds include drum-machine rhythms, repetitive bass-heavy loops, dark samples, and chanted or rapid rhythmic vocals.","purpose":"Enable an agent to recognise, describe and responsibly contextualise Memphis rap while distinguishing documented scene participation from stylistic resemblance and later influence.","scope":{"in":["Evidence supporting or disputing classification as Memphis rap","Relationships among Memphis scene participation, place, period and musical style","Production, vocal and lyrical practices used to compare candidate recordings","Local circulation, attribution and the provenance of surviving recordings","Distinctions between scene membership, revival, sampling and stylistic influence","Evidence and permissions needed for discovery, description and reuse"],"out":["Complete biographies and career histories of associated artists","Individual compositions, performances, masters, releases and physical copies as independent entities","The broader history and classification of Southern hip-hop","Phonk, horrorcore, crunk and trap except where their relationship to Memphis rap needs qualification","General histories of Memphis neighbourhoods and institutions","Comprehensive rights administration for individual recordings and compositions"],"boundaries":[]},"distinguishingFeatures":["Require evidence of a relationship to the Memphis rap tradition or scene; an artist's birthplace or a Memphis location tag alone does not settle membership.","Assess combinations of production, vocal delivery, language and circulation history; a dark atmosphere, drum-machine sound or degraded recording alone is insufficient.","Distinguish horror-themed lyrical content from scene identity: investigate horrorcore overlap without treating the categories as interchangeable.","Separate a later track's use of a Memphis-associated vocal sample from evidence that its creator participates in Memphis rap.","Distinguish the historical underground repertoire from the broader category of rap made in Memphis, recording which interpretation a classification uses."],"structure":{"bundles":[{"id":"scene-identity-and-boundaries","name":"Scene identity and boundaries","description":"Establish what a Memphis rap classification means and what evidence supports it.","layers":[{"id":"membership-evidence","name":"Membership evidence","description":"Assess candidate membership through documented participation and attribution.","findings":[{"id":"scene-affiliation","name":"Scene affiliation","description":"Record the evidence connecting a candidate to Memphis rap, including who makes the connection and when.","questions":[{"text":"Which dated collaborations, crew memberships, releases or participant accounts connect this candidate to the Memphis rap scene?","id":"scene-affiliation-q01","kind":"provenance"},{"text":"Does the classification reflect participant identification, contemporary description or a later listener's stylistic judgement?","id":"scene-affiliation-q02","kind":"boundary"}]}]},{"id":"category-interpretation","name":"Category interpretation","description":"Make geographic, historical and stylistic uses of the name explicit.","findings":[{"id":"membership-versus-overlap","name":"Membership versus overlap","description":"Distinguish belonging to the Memphis rap tradition from overlapping with neighbouring genres or merely being made in Memphis.","questions":[{"text":"Does Memphis rap here mean the city's rap output broadly, a particular underground repertoire or a style extending beyond the city?","id":"membership-versus-overlap-q01","kind":"definition"},{"text":"What evidence separates this candidate's Memphis rap membership from classification as horrorcore, phonk, crunk or trap?","id":"membership-versus-overlap-q02","kind":"boundary"}]}]}]},{"id":"audible-practices","name":"Audible practices","description":"Describe production and performance features as observable evidence rather than a fixed genre checklist.","layers":[{"id":"rhythm-and-production","name":"Rhythm and production","description":"Examine beat construction, bass, sampling and repetition in the candidate audio.","findings":[{"id":"production-profile","name":"Production profile","description":"Document audible patterns and distinguish direct observation from claims about equipment or technique.","questions":[{"text":"At which timestamps can the agent demonstrate drum programming, bass movement, repeated figures or vocal-sample placement relevant to the comparison?","id":"production-profile-q01","kind":"measurement"},{"text":"Which sources establish the production method or equipment, and which descriptions remain listening-based hypotheses?","id":"production-profile-q02","kind":"provenance"}]}]},{"id":"voice-and-lyrical-framing","name":"Voice and lyrical framing","description":"Examine delivery and textual framing without making a lyrical theme a membership requirement.","findings":[{"id":"delivery-and-persona","name":"Delivery and persona","description":"Record flow, collective or solo presentation, repeated phrases and lyrical personas with evidence and context.","questions":[{"text":"Which passages demonstrate cadence, phrase repetition, vocal layering or exchanges among performers, and how are those observations described?","id":"delivery-and-persona-q01","kind":"measurement"},{"text":"Where horror imagery, threats or street narratives occur, what supports interpreting them as performance or persona rather than biographical evidence?","id":"delivery-and-persona-q02","kind":"boundary"}]}]}]},{"id":"recording-and-circulation-lineage","name":"Recording and circulation lineage","description":"Track how candidate audio reached listeners and what changed between surviving versions.","layers":[{"id":"release-and-copy-history","name":"Release and copy history","description":"Link recordings to releases and surviving copies without collapsing their identities.","findings":[{"id":"earliest-supported-circulation","name":"Earliest supported circulation","description":"Establish the earliest evidenced circulation while retaining uncertain dates and variant titles.","questions":[{"text":"What cassette packaging, catalogue record, advertisement or participant account supports the earliest known circulation date?","id":"earliest-supported-circulation-q01","kind":"provenance"},{"text":"Does a candidate title identify a track, tape compilation, reissue, digitised copy or uploader-created collection?","id":"earliest-supported-circulation-q02","kind":"boundary"}]}]},{"id":"version-and-transfer-integrity","name":"Version and transfer integrity","description":"Distinguish production choices from copy degradation and subsequent editing.","findings":[{"id":"audible-transformation-history","name":"Audible transformation history","description":"Track speed changes, edits, remastering and transfer artefacts so later alterations do not become assumed original features.","questions":[{"text":"Which comparisons support attributing hiss, distortion, pitch or timing differences to production, duplication, digitisation or later processing?","id":"audible-transformation-history-q01","kind":"provenance"},{"text":"Should the agent link this audio as an alternate transfer, edited version or separate derivative recording, and what evidence supports that action?","id":"audible-transformation-history-q02","kind":"action"}]}]}]},{"id":"contributors-and-permitted-use","name":"Contributors and permitted use","description":"Connect repertoire to credited contributors and evidence governing proposed uses.","layers":[{"id":"credit-reconstruction","name":"Credit reconstruction","description":"Resolve aliases, crew credits and production roles through evidence.","findings":[{"id":"contributor-attribution","name":"Contributor attribution","description":"Keep performers, producers, compilers and uploaders distinct, preserving conflicting attributions.","questions":[{"text":"Which packaging, release credits or participant statements identify the vocalists and producers on this particular recording?","id":"contributor-attribution-q01","kind":"provenance"},{"text":"What evidence connects alternate names or crew credits to a contributor without assuming similarly named people are identical?","id":"contributor-attribution-q02","kind":"boundary"}]}]},{"id":"use-specific-permissions","name":"Use-specific permissions","description":"Evaluate a proposed action against linked recording, composition and sample permissions.","findings":[{"id":"permission-supported-action","name":"Permission-supported action","description":"Record permission evidence for the specific material and action without treating online availability as authorisation.","questions":[{"text":"What permission or other documented basis supports the proposed playback, redistribution, sampling or publication of this recording?","id":"permission-supported-action-q01","kind":"action"},{"text":"Which permissions concern the master, composition or incorporated samples, and which remain unresolved?","id":"permission-supported-action-q02","kind":"boundary"}]}]}]},{"id":"transmission-and-reinterpretation","name":"Transmission and reinterpretation","description":"Trace how Memphis rap is referenced, transformed and recategorised across later contexts.","layers":[{"id":"influence-and-sample-links","name":"Influence and sample links","description":"Represent specific transmission relationships instead of assuming influence from sonic similarity.","findings":[{"id":"documented-musical-transmission","name":"Documented musical transmission","description":"Separate source-audio reuse, interpolation, acknowledged influence and resemblance.","questions":[{"text":"Can a later work's Memphis rap connection be traced to identified source audio, credits or an attributable creator statement?","id":"documented-musical-transmission-q01","kind":"provenance"},{"text":"Does that connection justify scene membership, or should the later work remain linked as sampling, influenced by or reviving Memphis rap?","id":"documented-musical-transmission-q02","kind":"boundary"}]}]},{"id":"reception-and-label-change","name":"Reception and label change","description":"Track changes in descriptions without projecting later labels onto earlier participants.","findings":[{"id":"dated-category-attribution","name":"Dated category attribution","description":"Record who applied a label, when they applied it and whether participants support or dispute it.","questions":[{"text":"Which terms did participants and contemporary publications use, and which entered through later reissues, platforms or listener communities?","id":"dated-category-attribution-q01","kind":"provenance"},{"text":"When a later label conflicts with contemporary evidence, how should the agent display both interpretations and qualify its classification?","id":"dated-category-attribution-q02","kind":"action"}]}]}]},{"id":"evidence-and-external-alignment","name":"Evidence and external alignment","description":"What the world already says about this thing, gathered so the model can be checked against it.","layers":[{"id":"reported-evidence","name":"Reported evidence","description":"Findings from the breadth pass, kept separate from the structural claims.","findings":[{"id":"evidence-confidence-notes","name":"Check these first","description":"Recalled without web access and unsourced; every item is a lead to verify.","questions":[{"text":"Which of these check these first hold for the sense of Memphis rap this model covers, and on what evidence?","id":"evidence-confidence-notes-q01","kind":"provenance"}]},{"id":"evidence-real-world-use","name":"Real-world use","description":"Recalled without web access and unsourced; every item is a lead to verify.","questions":[{"text":"Which of these real-world use hold for the sense of Memphis rap this model covers, and on what evidence?","id":"evidence-real-world-use-q01","kind":"provenance"}]},{"id":"evidence-failure-modes-and-hazards","name":"Failure modes and hazards","description":"Recalled without web access and unsourced; every item is a lead to verify.","questions":[{"text":"Which of these failure modes and hazards hold for the sense of Memphis rap this model covers, and on what evidence?","id":"evidence-failure-modes-and-hazards-q01","kind":"provenance"}]},{"id":"evidence-regional-variation","name":"Regional variation","description":"Recalled without web access and unsourced; every item is a lead to verify.","questions":[{"text":"Which of these regional variation hold for the sense of Memphis rap this model covers, and on what evidence?","id":"evidence-regional-variation-q01","kind":"provenance"}]},{"id":"evidence-neighbours","name":"Neighbouring kinds and how to tell them apart","description":"Recalled without web access and unsourced; every item is a lead to verify.","questions":[{"text":"Which of these neighbouring kinds and how to tell them apart hold for the sense of Memphis rap this model covers, and on what evidence?","id":"evidence-neighbours-q01","kind":"provenance"}]}]}]}]},"agentConduct":{"may":["Describe the history, artists and sound of Memphis rap from cited sources.","Credit original artists and producers when the style or its samples are discussed."],"mustNot":["Distribute recordings or samples without the rights holders' permission.","Attribute violent or criminal lyrics to the artists as personal confessions.","Strip credit from original artists when describing later music that borrowed the sound.","Use the genre to stereotype people from Memphis or Black communities."],"requiresHuman":["Publishing archival tapes or unreleased material from the underground scene."]},"ethics":{"considerations":["Many original artists went uncredited and unpaid when their sound was copied later.","Lyrics read as autobiography have been used against artists unfairly."],"affectedParties":["Original artists and producers","The Memphis community","Listeners"]},"owners":{"steward":"The public: the tradition is held in common; rights holders answer for individual recordings.","roles":[],"masterSystems":[]},"relations":[{"target":"Q114880124","type":"parent","note":"registry parent class"},{"target":"Q3135787","type":"parent","note":"registry parent class"},{"target":"Q6942292","type":"parent","note":"registry parent class"}],"interaction":{"identity":{"applicability":"required","items":["Vercy registry: vr.tr.memphis-rap","Wikidata: Q6010117 (https://www.wikidata.org/wiki/Q6010117)"]},"properties":{"applicability":"not-applicable","items":["Classification basis: scene participation; participant identification; contemporary attribution; retrospective attribution; stylistic resemblance; disputed","Scene relationship: Documented relationships to artists, crews, producers, venues, labels or distributors, with dates and evidence","Historical placement: Calendar year or date interval, distinguishing recording, first circulation, reissue and upload","Audible practice profile: Evidence-backed descriptions of rhythm, bass, samples, repetition, vocal delivery and texture, with listening timestamps","Recording lineage confidence: documented; partly reconstructed; conflicting; unknown","Relationship to later music: sample; interpolation; acknowledged influence; collaboration; revival identification; resemblance only","Reuse evidence status: permission documented for specified use; permission required; conflicting claims; unknown"]},"recognition":{"applicability":"optional","items":["Recognised by sound rather than sight, with lo-fi drum machine beats, dark samples and chanted hooks.","Early material circulated on dubbed cassettes with handmade covers."]},"capabilities":{"applicability":"required","items":["Classify a candidate recording with an explicit Memphis rap boundary, evidence trail and uncertainty statement.","Compare recordings through timestamped production and vocal observations without treating one technique as definitive.","Reconstruct links among scene participants, recordings, releases and circulation channels.","Identify possible alternate versions, misattributions and later transformations for review.","Trace sampling and influence relationships while preserving the distinction between source tradition and derivative work.","Recommend a discovery, preservation or reuse action supported by provenance and permission evidence."]},"hazards":{"applicability":"required","items":["Uncleared sampling leads to rights disputes.","Misattribution erases original creators."]},"interfaces":{"applicability":"not-applicable","items":[]},"context":{"applicability":"required","items":["Memphis rap is used in music histories, archives and catalogues to describe a regional hip-hop tradition and its associated recordings.","The classification supports study of local scene participation, production practices and later influence, with provenance helping distinguish regional affiliation from stylistic resemblance."]}},"sources":[{"title":"Wikidata item Q6010117: Memphis rap","url":"https://www.wikidata.org/wiki/Q6010117","note":"identity and sense of the item"},{"title":"Wikipedia: Memphis rap","url":"https://en.wikipedia.org/wiki/Memphis_rap","note":"general description of the item"}],"openQuestions":["Should this registry entry primarily denote a historical underground tradition, the wider Memphis rap scene or both through explicitly distinguished interpretations?","Which participant accounts and archival sources best establish the tradition's chronology and geographic boundaries without imposing an unsupported single origin?","Which musical practices recur across a sufficiently broad repertoire to aid recognition, and which are specific to particular artists or periods?","How much of the texture associated with surviving recordings reflects original production versus cassette duplication, transfer quality or later processing?","Where do participants and researchers draw contested boundaries between Memphis rap, horrorcore, phonk, crunk, trap and contemporary Memphis output?"],"resources":{"spec":"/models/things/publications/thing-q6010117/spec.json"},"provenance":{"origin":"thing registry research (pass 2)","builtFrom":["models/things/publications/thing-q6010117/spec.json"],"providers":["Codex"],"researchStatus":"unreviewed","generatedAt":"2026-09-12T11:14:45Z","builder":"tools/build_cards.py@1.0.0"},"completeness":{"sections":{"classifiers":"filled","whatItIs":"filled","purpose":"filled","distinguishingFeatures":"filled","structure":"filled","agentConduct":"filled","ethics":"filled","owners":"filled","relations":"filled","interaction.identity":"filled","interaction.properties":"not-applicable","interaction.recognition":"filled","interaction.capabilities":"filled","interaction.hazards":"filled","interaction.interfaces":"not-applicable","interaction.context":"filled","sources":"filled"},"notes":{"_gate":"Published through the thing publication gate 1.0 on 2026-10-07T10:10:32+00:00: completeness 1.00; sense: Wikidata description; 2 live sources; review by codex: pass","interaction.properties":"Plane INF: no invented physical properties.","interaction.interfaces":"No formal standard, law or official classification defines membership in Memphis rap as a musical genre."},"score":1.0}}