film
Let an agent handle films by title, credits, release, rating, availability and rights, with sourced data.
Research draft, second pass
A second pass drafted this model: the structure a model of this thing needs, and what is known about it in the world. The line under this one says how the second half was obtained - researched against sources, or recalled without web access, in which case nothing here was read anywhere and every claim is a lead to verify. Unreviewed either way.
written by Claude from model knowledge without web access - no source was read, every claim is a lead to verify
Researched by: Claude
Purpose and description
Let an agent handle films by title, credits, release, rating, availability and rights, with sourced data.
A work of visual art that simulates experiences through moving images, usually with sound, recorded on film or digitally and shown in cinemas, on television or online; also the medium as a whole.
What it is for: Storytelling, art, documentation, education, advertising and entertainment.
It can be watch it through legal channels; check age ratings; cite credits and release data; license or archive it.
Distinguishing features
Moving image work
Credits identify makers
Rated for age by classification boards
Protected by copyright
What it looks like
Moving images with sound, shown on screens.
Physical character
feature length: over 40 minutes - common definitions vary
frame rate: 24 frames per second - cinema standard
How it is recognised
Title and credits
Genre and format such as short or feature
Photographic film stock is a separate sense
Related models
is a kind of - category
is made by - makers
is rated by - rating
is confused with - material
In practice
Families and kinds
feature films
short films
documentaries
animated films
advertising and propaganda films
Identifiers
ISAN International Standard Audiovisual Number audiovisual works
EIDR Entertainment Identifier Registry id film and TV
Standards and regulation
Copyright law
National film classification such as BBFC or MPA
Accessibility rules for subtitles and audio description
Failure modes and hazards
Piracy and unlicensed copies
Unsuitable content for children
Loss of film heritage
Also called
+447
Where this came from
wikidata · CC0 1.0
Also registered as vr.tr.film-3
Drafted structure
Bundle to layer to finding to question, as the second pass will find it: 4 bundles · 8 layers · 8 findings · 16 questions.
Identity Which film.
Titles repeat.
Title
Name and year.
Title
Identification.
- What is the title, year and director? provenance
- Which identifier resolves it? provenance
Credits
Makers.
Credits
Credits.
- Who made and appears in it? provenance
- From which credit source? provenance
Viewing Where and for whom.
Viewing should be legal and suitable.
Availability
Legal channels.
Availability
Availability.
- Where can it be watched legally? action
- In which regions? boundary
Rating
Age classification.
Rating
Age rating.
- What is its age rating, and why? provenance
- Is it suitable for this viewer? boundary
Accessibility Subtitles.
Films should be accessible.
Subtitles
Languages.
Subtitles
Subtitles and dubbing.
- Which subtitles and dubs exist? definition
- Is there audio description? definition
Formats
Versions.
Formats
Versions.
- Which cut or version is this? provenance
- How long is it? measurement
Rights Copyright and heritage.
Rights govern use.
Copyright
Owners.
Copyright
Rights.
- Who holds the rights? provenance
- Is it in the public domain anywhere? boundary
Archive
Preservation.
Archive
Preservation.
- Is it preserved in a film archive? provenance
- Is a restoration available? provenance
What the second pass must settle
- Should films be instances with identifiers?
- How should ratings across countries be recorded?
- How should the film stock sense be split off?