{ "model": { "rank": 942, "code": "thing-q11629", "model_id": "vr.tr.painting", "name": "painting", "purpose": "Let an agent handle painting as an activity by medium, technique, tradition and safety, and link to paintings as works.", "family": "Thing Registry", "category": "Activities and processes", "status": "research-draft", "kind": "thing", "plane": "ACT", "domain": "ACT.ACT", "industry": "", "version": "", "url": "/models/thing/q11629/", "tier": 2, "score": 215, "payload": { "layer": "wikidata", "aliases": [ "decorative wall painting", "Ancient corinthianizing etruscan Olpe attributed to the Painter of the Bearded Sphinx", "facepainting", "Shantiniketan Batik", "bark painting", "Prasi", "shigajiku", "mural artistry", "mural painting", "paper marbling", "comic wall", "Ebru", "Suminagashi", "gessoraphy", "landscape painting", "Cobweb painting", "village scape", "cityscape", "genga", "forest landscape", "marine painting", "ideal landscape", "topographical landscape", "topographic landscape", "architectural landscape", "Veduta", "landscape painting in Scotland", "Haerlempjes", "winter landscape", "aerial landscape art", "shan shui", "White Mountain art", "cityscape photography", "cityprofile", "manga drawing", "rickshaw art", "Islamic painting", "naïve painting", "religious painting", "Western painting" ], "aliasCount": 153, "merged": 154, "knownIn": 215, "facets": null, "markers": [], "lexicalClass": "", "senseRank": null, "alsoRegisteredAs": null, "source": { "dataset": "wikidata", "item": "Q11629", "url": "https://www.wikidata.org/wiki/Q11629", "license": "CC0 1.0" } }, "research": { "vercy": "1.0-draft", "publication": { "status": "research-draft", "adjudicationStatus": "unreviewed", "publishableCanonical": false, "generatedAt": "2026-09-11T07:46:04Z", "providers": [ "Claude" ], "breadth": "written by Claude from model knowledge without web access - no source was read, every claim is a lead to verify", "pass": 2, "wave": 1, "engine": "claude" }, "metaModel": { "id": "THING-Q11629", "registryId": "vr.tr.painting", "name": "painting", "version": "0.2.0-wave.1", "entryKind": "thing", "family": "Thing Registry", "domain": [ "ACT.ACT" ], "status": "research-draft" }, "canonicalUrl": "https://ver.cy/models/thing/q11629/", "model": { "registry_id": "vr.tr.painting", "name": "painting", "purpose": "Let an agent handle painting as an activity by medium, technique, tradition and safety, and link to paintings as works.", "definition": "The practice of applying paint, pigment or other media to a surface such as canvas, paper, wood or walls to create images or decoration, including fine art, decorative, wall, bark and face painting.", "what_it_is_for": "Artistic expression, decoration, documentation and tradition.", "affordances": [ "learn techniques", "choose media and surfaces", "conserve paintings", "use materials safely" ], "distinguishing_features": [ "Applying pigment to surfaces", "Many media and traditions", "Fine and decorative", "Some materials are toxic" ], "appearance": "Brushes, palettes, pigments and painted surfaces.", "visual_identification": [ "Media such as oil, acrylic, watercolour, tempera", "Traditions such as bark painting or batik", "Paintings as objects are works" ], "physical_properties": [], "families_and_kinds": [ "oil painting", "watercolour and gouache", "acrylic painting", "wall and mural painting", "traditional forms such as bark painting" ], "related_models": [ { "relation": "is a kind of", "target": "visual arts", "why": "category" }, { "relation": "produces", "target": "painting (work)", "why": "output" }, { "relation": "uses", "target": "paint and pigment", "why": "materials" }, { "relation": "is practised by", "target": "painter", "why": "practitioner" } ], "identifiers": [], "standards_and_regulation": [ "ASTM D4236 art materials labelling", "EU REACH restrictions on hazardous pigments" ], "failure_modes_and_hazards": [ "Toxic pigments such as lead or cadmium", "Solvent fumes", "Damage to heritage paintings" ], "in_scope": [], "out_of_scope": [], "characteristics": [] }, "sources": [], "structure": { "bundles": [ { "id": "medium", "name": "Medium", "description": "Materials.", "rationale": "Medium shapes technique.", "layers": [ { "id": "paint", "name": "Paint", "description": "Oil, acrylic.", "findings": [ { "id": "paint-finding", "name": "Paint", "description": "Medium.", "questions": [ { "text": "Which medium is used?", "kind": "definition" }, { "text": "On which surface?", "kind": "definition" } ] } ] }, { "id": "tools", "name": "Tools", "description": "Brushes and knives.", "findings": [ { "id": "tools-finding", "name": "Tools", "description": "Tools.", "questions": [ { "text": "Which tools are used?", "kind": "definition" }, { "text": "How are they cleaned?", "kind": "action" } ] } ] } ] }, { "id": "technique", "name": "Technique", "description": "Methods.", "rationale": "Techniques define styles.", "layers": [ { "id": "methods", "name": "Methods", "description": "Glazing, impasto.", "findings": [ { "id": "methods-finding", "name": "Methods", "description": "Techniques.", "questions": [ { "text": "Which techniques are used?", "kind": "definition" }, { "text": "How can they be learned?", "kind": "action" } ] } ] }, { "id": "tradition", "name": "Tradition", "description": "Cultural forms.", "findings": [ { "id": "tradition-finding", "name": "Tradition", "description": "Traditions.", "questions": [ { "text": "Which tradition does it belong to?", "kind": "provenance" }, { "text": "Who are its custodians?", "kind": "provenance" } ] } ] } ] }, { "id": "safety", "name": "Safety", "description": "Materials.", "rationale": "Some materials are hazardous.", "layers": [ { "id": "pigments", "name": "Pigments", "description": "Toxicity.", "findings": [ { "id": "pigments-finding", "name": "Pigments", "description": "Pigment safety.", "questions": [ { "text": "Does the pigment contain toxic metals?", "kind": "boundary" }, { "text": "What precautions apply?", "kind": "action" } ] } ] }, { "id": "solvents", "name": "Solvents", "description": "Ventilation.", "findings": [ { "id": "solvents-finding", "name": "Solvents", "description": "Solvent safety.", "questions": [ { "text": "Is ventilation adequate for solvents?", "kind": "boundary" }, { "text": "How are rags disposed of safely?", "kind": "action" } ] } ] } ] }, { "id": "works", "name": "Works", "description": "Paintings.", "rationale": "Paintings need care.", "layers": [ { "id": "conservation", "name": "Conservation", "description": "Care.", "findings": [ { "id": "conservation-finding", "name": "Conservation", "description": "Conservation.", "questions": [ { "text": "How should a painting be displayed and stored?", "kind": "action" }, { "text": "When is a conservator needed?", "kind": "boundary" } ] } ] }, { "id": "attribution", "name": "Attribution", "description": "Authorship.", "findings": [ { "id": "attribution-finding", "name": "Attribution", "description": "Attribution.", "questions": [ { "text": "Who painted it, and how secure is the attribution?", "kind": "provenance" }, { "text": "Is provenance documented?", "kind": "provenance" } ] } ] } ] } ] }, "openQuestions": [ "Should media be separate entries?", "How should works be linked?", "How should traditional forms be credited?" ], "statistics": { "bundles": 4, "layers": 8, "findings": 8, "questions": 16 } }, "draft": { "generator": "vr.draft.v3", "status": "draft-generated", "researched": false, "archetype": "abstract concept", "method": "Written from the archetype playbook - what this kind of thing needs beyond identity and provenance - and from the structure that recurred across 6,333 models already researched by two engines. Applied to this entry by rule. No source was read for this thing and no claim here is researched. This entry carries no facets of its own, so they were inferred from its domain - a guess about a whole domain applied to one thing.", "facetsInferred": true, "nextPass": "A researcher replaces this draft with a sourced specification. Treat every sentence below as a proposal to argue with.", "purpose": "Give an agent a durable, checkable way to recognise a painting, record what state it is in, and decide what may be done with it.", "whatItIs": "Let an agent handle painting as an activity by medium, technique, tradition and safety, and link to paintings as works.", "characteristics": { "substance": "activity", "origin": "conceptual", "agency": "inert" }, "whatYouCanDoWithIt": [ "observed and measured" ], "distinguishingFeatures": [ "Names folded into this entry, which a task may need to split apart again: decorative wall painting, Ancient corinthianizing etruscan Olpe attributed to the Painter of the Bearded Sphinx, facepainting, Shantiniketan Batik, bark painting, Prasi, shigajiku, mural artistry, mural painting, paper marbling, comic wall, Ebru.", "154 finer distinctions are held as aliases rather than separate entries, because telling them apart needs a task that asks for it.", "Described in 215 Wikipedia languages, which is a measure of how widely the thing is known, not of how important it is." ], "openQuestionsForResearch": [ "Which of the bundles below does a real task actually need, and which are ceremony?", "What does this thing have that the facets do not capture at all?", "Which neighbouring kind is most often confused with a painting, and on what evidence are they told apart?" ], "whatItIsMadeOf": "something that happens over time", "physicalCharacter": [ "Does nothing on its own; everything it does, something else did to it.", "These come from the domain this entry sits in rather than from the entry itself, so treat them as a first guess about the whole domain applied to one thing." ], "whatCanBeDoneWithIt": [ "observe it, measure it, record its state" ], "howItIsRecognised": [ "Nothing to see. What is recognised is an instance of it, and which instances count is exactly what is argued about." ], "relatedModels": [ { "relation": "covers", "note": "Finer kinds folded into this entry because telling them apart needs a task that asks for it. Each is a model waiting to be split out when one does.", "targets": [ "decorative wall painting", "Ancient corinthianizing etruscan Olpe attributed to the Painter of the Bearded Sphinx", "facepainting", "Shantiniketan Batik", "bark painting", "Prasi", "shigajiku", "mural artistry", "mural painting", "paper marbling", "comic wall", "Ebru" ] } ], "standing": "Described in 215 Wikipedia languages, which measures how widely it is written about rather than how important or how common it is. 154 finer distinctions are held inside this entry as names rather than as separate models.", "structure": { "bundles": [ { "id": "identity-and-classification", "name": "Identity, naming and classification", "description": "How an agent tells one painting from another, and a painting from things that resemble it.", "rationale": "Recognition comes before every other claim. Without stable identity nothing else in the model can be trusted to be about the same thing twice.", "layers": [ { "id": "naming-and-identifiers", "name": "Names and identifiers", "description": "The names this thing goes by and the identifiers that survive translation and time.", "findings": [ { "id": "preferred-name-and-aliases", "name": "Preferred name, aliases and local names", "description": "Which name to use, which names mean the same thing, and which merely sound similar.", "questions": [ { "id": "preferred-name-and-aliases-q01", "text": "What identifies and describes the name of a painting, and in what units or vocabulary?", "kind": "definition", "answer_data": [ "identifiers", "types and classes", "values with units", "explicit unknowns" ] }, { "id": "preferred-name-and-aliases-q02", "text": "Who or what asserted this about the name of a painting, by which method, and when was it true?", "kind": "provenance", "answer_data": [ "authority", "method", "evidence", "event time", "knowledge time" ] }, { "id": "preferred-name-and-aliases-q03", "text": "What may an agent decide or do once the name of a painting is known, and what must it refuse?", "kind": "action", "answer_data": [ "permitted actions", "preconditions", "refusals", "escalation" ] } ] }, { "id": "stable-identifiers", "name": "Stable identifiers and external keys", "description": "Identifiers that keep pointing at this kind of thing across systems and languages.", "questions": [ { "id": "stable-identifiers-q01", "text": "What identifies and describes an identifier for a painting, and in what units or vocabulary?", "kind": "definition", "answer_data": [ "identifiers", "types and classes", "values with units", "explicit unknowns" ] }, { "id": "stable-identifiers-q02", "text": "Who or what asserted this about an identifier for a painting, by which method, and when was it true?", "kind": "provenance", "answer_data": [ "authority", "method", "evidence", "event time", "knowledge time" ] }, { "id": "stable-identifiers-q03", "text": "What may an agent decide or do once an identifier for a painting is known, and what must it refuse?", "kind": "action", "answer_data": [ "permitted actions", "preconditions", "refusals", "escalation" ] } ] } ] }, { "id": "classification-and-granularity", "name": "Classification and granularity", "description": "Where a painting sits among kinds, and how finely a task needs to cut it.", "findings": [ { "id": "kind-and-parents", "name": "Kind, parents and neighbouring kinds", "description": "The classes this thing belongs to and the ones it is next to.", "questions": [ { "id": "kind-and-parents-q01", "text": "What identifies and describes the kind of a painting, and in what units or vocabulary?", "kind": "definition", "answer_data": [ "identifiers", "types and classes", "values with units", "explicit unknowns" ] }, { "id": "kind-and-parents-q02", "text": "Who or what asserted this about the kind of a painting, by which method, and when was it true?", "kind": "provenance", "answer_data": [ "authority", "method", "evidence", "event time", "knowledge time" ] }, { "id": "kind-and-parents-q03", "text": "What may an agent decide or do once the kind of a painting is known, and what must it refuse?", "kind": "action", "answer_data": [ "permitted actions", "preconditions", "refusals", "escalation" ] } ] }, { "id": "distinguishing-features", "name": "Distinguishing features", "description": "What separates a painting from the things most often confused with it.", "questions": [ { "id": "distinguishing-features-q01", "text": "What identifies and describes what distinguishes a painting, and in what units or vocabulary?", "kind": "definition", "answer_data": [ "identifiers", "types and classes", "values with units", "explicit unknowns" ] }, { "id": "distinguishing-features-q02", "text": "Who or what asserted this about what distinguishes a painting, by which method, and when was it true?", "kind": "provenance", "answer_data": [ "authority", "method", "evidence", "event time", "knowledge time" ] }, { "id": "distinguishing-features-q03", "text": "What may an agent decide or do once what distinguishes a painting is known, and what must it refuse?", "kind": "action", "answer_data": [ "permitted actions", "preconditions", "refusals", "escalation" ] } ] } ] } ] }, { "id": "state-and-lifecycle", "name": "State and lifecycle", "description": "The states a painting passes through and the events that move it between them.", "rationale": "Most decisions about a thing depend on what state it is in now, which is a claim with a time on it, not a property.", "layers": [ { "id": "lifecycle-stages", "name": "Lifecycle stages", "description": "From coming into existence to ceasing to be one of these.", "findings": [ { "id": "stages-and-transitions", "name": "Stages and transitions", "description": "The stages worth naming and what moves a painting between them.", "questions": [ { "id": "stages-and-transitions-q01", "text": "What identifies and describes the lifecycle of a painting, and in what units or vocabulary?", "kind": "definition", "answer_data": [ "identifiers", "types and classes", "values with units", "explicit unknowns" ] }, { "id": "stages-and-transitions-q02", "text": "Who or what asserted this about the lifecycle of a painting, by which method, and when was it true?", "kind": "provenance", "answer_data": [ "authority", "method", "evidence", "event time", "knowledge time" ] }, { "id": "stages-and-transitions-q03", "text": "What may an agent decide or do once the lifecycle of a painting is known, and what must it refuse?", "kind": "action", "answer_data": [ "permitted actions", "preconditions", "refusals", "escalation" ] } ] } ] }, { "id": "observations-and-status", "name": "Observations and current status", "description": "What is observed about a painting, how often and by whom.", "findings": [ { "id": "observation-record", "name": "Observation record", "description": "How an observation of a painting is recorded so that it can be superseded rather than overwritten.", "questions": [ { "id": "observation-record-q01", "text": "What identifies and describes an observation of a painting, and in what units or vocabulary?", "kind": "definition", "answer_data": [ "identifiers", "types and classes", "values with units", "explicit unknowns" ] }, { "id": "observation-record-q02", "text": "Who or what asserted this about an observation of a painting, by which method, and when was it true?", "kind": "provenance", "answer_data": [ "authority", "method", "evidence", "event time", "knowledge time" ] }, { "id": "observation-record-q03", "text": "What may an agent decide or do once an observation of a painting is known, and what must it refuse?", "kind": "action", "answer_data": [ "permitted actions", "preconditions", "refusals", "escalation" ] } ] } ] } ] }, { "id": "process-and-outcome", "name": "Process, inputs and outcome", "description": "How a painting proceeds, what it needs and what it leaves behind.", "rationale": "An activity is known by its steps and its results, and both have to be recordable while it is still running.", "layers": [ { "id": "steps-and-sequence", "name": "Steps and sequence", "description": "The steps of a painting, their order and what may run in parallel.", "findings": [ { "id": "steps-and-preconditions", "name": "Steps, preconditions and completion", "description": "What has to be true before each step of a painting and what marks it done.", "questions": [ { "id": "steps-and-preconditions-q01", "text": "What identifies and describes a step of a painting, and in what units or vocabulary?", "kind": "definition", "answer_data": [ "identifiers", "types and classes", "values with units", "explicit unknowns" ] }, { "id": "steps-and-preconditions-q02", "text": "Who or what asserted this about a step of a painting, by which method, and when was it true?", "kind": "provenance", "answer_data": [ "authority", "method", "evidence", "event time", "knowledge time" ] }, { "id": "steps-and-preconditions-q03", "text": "What may an agent decide or do once a step of a painting is known, and what must it refuse?", "kind": "action", "answer_data": [ "permitted actions", "preconditions", "refusals", "escalation" ] } ] } ] }, { "id": "inputs-and-results", "name": "Inputs, resources and results", "description": "What a painting consumes and what it produces.", "findings": [ { "id": "inputs-and-outputs", "name": "Inputs, outputs and side effects", "description": "The resources a painting takes and the results it leaves, wanted or not.", "questions": [ { "id": "inputs-and-outputs-q01", "text": "What identifies and describes the inputs and results of a painting, and in what units or vocabulary?", "kind": "definition", "answer_data": [ "identifiers", "types and classes", "values with units", "explicit unknowns" ] }, { "id": "inputs-and-outputs-q02", "text": "Who or what asserted this about the inputs and results of a painting, by which method, and when was it true?", "kind": "provenance", "answer_data": [ "authority", "method", "evidence", "event time", "knowledge time" ] }, { "id": "inputs-and-outputs-q03", "text": "What may an agent decide or do once the inputs and results of a painting is known, and what must it refuse?", "kind": "action", "answer_data": [ "permitted actions", "preconditions", "refusals", "escalation" ] } ] } ] } ] }, { "id": "definitions-in-contest", "name": "Definitions and who holds them", "description": "What painting is taken to mean, and by whom.", "rationale": "When a field disagrees about a concept, the disagreement is the content. A model that picks one definition silently destroys the information.", "layers": [ { "id": "competing-definitions", "name": "Competing definitions", "description": "The main readings and the traditions behind them.", "findings": [ { "id": "definition-map", "name": "Definitions and their holders", "description": "Each definition with the school or body that holds it.", "questions": [ { "id": "definition-map-q01", "text": "Which definitions of painting are in use, and which tradition or body holds each?", "kind": "definition" }, { "id": "definition-map-q02", "text": "What turns on the difference between them in practice?", "kind": "boundary" } ] } ] }, { "id": "operationalisation", "name": "Operationalisation", "description": "How it is measured or applied when it has to be.", "findings": [ { "id": "operational-record", "name": "Measures and proxies", "description": "Instruments and indicators used to stand in for it.", "questions": [ { "id": "operational-record-q01", "text": "How is painting operationalised or measured in practice, and by what instrument?", "kind": "measurement" }, { "id": "operational-record-q02", "text": "What does that operationalisation leave out, and when does that matter?", "kind": "boundary" } ] } ] } ] }, { "id": "instances-and-use", "name": "Instances, use and consequence", "description": "What counts as an instance of painting and what follows from calling something that.", "rationale": "Applying a concept is an act with consequences, so a model must say what the label licenses and what it does not.", "layers": [ { "id": "instances", "name": "What counts as an instance", "description": "Clear cases, borderline cases and non-cases.", "findings": [ { "id": "instance-tests", "name": "Tests for an instance", "description": "What would settle whether something falls under it.", "questions": [ { "id": "instance-tests-q01", "text": "What would settle whether something is an instance of painting?", "kind": "boundary" }, { "id": "instance-tests-q02", "text": "Which borderline cases are argued about, and on what grounds?", "kind": "definition" } ] } ] }, { "id": "consequence", "name": "Consequence of application", "description": "Rights, duties or decisions that follow from the label.", "findings": [ { "id": "consequence-record", "name": "What the label licenses", "description": "What an agent may do once something is classified this way.", "questions": [ { "id": "consequence-record-q01", "text": "What follows practically once something is treated as painting?", "kind": "action" }, { "id": "consequence-record-q02", "text": "What must an agent not infer from the label alone?", "kind": "action" } ] } ] } ] }, { "id": "provenance-and-evidence", "name": "Provenance, evidence and time", "description": "Where every claim about a painting came from and when it held.", "rationale": "A claim without a source and a time cannot be superseded, only overwritten, and an agent that overwrites loses the ability to explain itself.", "layers": [ { "id": "source-and-authority", "name": "Source and authority", "description": "Who said it, on what evidence, and how strongly.", "findings": [ { "id": "claim-provenance", "name": "Claim provenance and confidence", "description": "The authority behind each claim about a painting and how confident it is.", "questions": [ { "id": "claim-provenance-q01", "text": "What identifies and describes a claim about a painting, and in what units or vocabulary?", "kind": "definition", "answer_data": [ "identifiers", "types and classes", "values with units", "explicit unknowns" ] }, { "id": "claim-provenance-q02", "text": "Who or what asserted this about a claim about a painting, by which method, and when was it true?", "kind": "provenance", "answer_data": [ "authority", "method", "evidence", "event time", "knowledge time" ] }, { "id": "claim-provenance-q03", "text": "What may an agent decide or do once a claim about a painting is known, and what must it refuse?", "kind": "action", "answer_data": [ "permitted actions", "preconditions", "refusals", "escalation" ] } ] } ] }, { "id": "time-and-versions", "name": "Time, versions and supersession", "description": "When a claim was true, when it was learnt, and what replaced it.", "findings": [ { "id": "validity-and-supersession", "name": "Validity period and supersession", "description": "How an old claim about a painting is retired without being erased.", "questions": [ { "id": "validity-and-supersession-q01", "text": "What identifies and describes the validity of a claim about a painting, and in what units or vocabulary?", "kind": "definition", "answer_data": [ "identifiers", "types and classes", "values with units", "explicit unknowns" ] }, { "id": "validity-and-supersession-q02", "text": "Who or what asserted this about the validity of a claim about a painting, by which method, and when was it true?", "kind": "provenance", "answer_data": [ "authority", "method", "evidence", "event time", "knowledge time" ] }, { "id": "validity-and-supersession-q03", "text": "What may an agent decide or do once the validity of a claim about a painting is known, and what must it refuse?", "kind": "action", "answer_data": [ "permitted actions", "preconditions", "refusals", "escalation" ] } ] } ] } ] } ] }, "statistics": { "bundles": 6, "layers": 12, "findings": 14, "questions": 38 } } } }