{ "model": { "rank": 1240, "code": "thing-q11634", "model_id": "vr.tr.art-of-sculpture", "name": "art of sculpture", "purpose": "Let an agent handle sculpture by technique, material, history, artists, conservation and safe practice, with sourced information.", "family": "Thing Registry", "category": "Activities and processes", "status": "research-draft", "kind": "thing", "plane": "ACT", "domain": "ACT.ACT", "industry": "", "version": "", "url": "/models/thing/q11634/", "tier": 2, "score": 164, "payload": { "layer": "wikidata", "aliases": [ "Sugar painting", "chainsaw carving", "glass sculpture", "Blaschka glass models", "bone carving", "religious sculpture as genre", "colonial sculpture of Guatemala", "Assyrian sculpture", "Nepalese sculpture", "Albanian sculpture", "Maya sculpture", "female nudity in Greek art", "ancient Greek sculpture", "Byzantine sculpture", "Aztec sculpture", "Inca sculpture", "sculpture of Costa Rica", "sculpture of Ancient Egypt", "Roman sculpture", "sculpture of Bangladesh", "Iberian sculpture", "Etruscan sculpture", "Inuit sculpture", "Celtic sculpture", "Renaissance sculpture", "Neoclassical sculpture", "Baroque sculpture", "medieval sculpture", "Canadian sculpture", "Macedonian sculpture", "Serbian sculpture", "French sculpture", "Ukrainian sculpture", "Austrian sculpture", "Swiss sculpture", "Romanian sculpture", "Lithuanian sculpture", "Montenegrin sculpture", "Syrian sculpture", "Spanish sculpture" ], "aliasCount": 112, "merged": 112, "knownIn": 164, "facets": null, "markers": [], "lexicalClass": "", "senseRank": null, "alsoRegisteredAs": null, "source": { "dataset": "wikidata", "item": "Q11634", "url": "https://www.wikidata.org/wiki/Q11634", "license": "CC0 1.0" } }, "research": { "vercy": "1.0-draft", "publication": { "status": "research-draft", "adjudicationStatus": "unreviewed", "publishableCanonical": false, "generatedAt": "2026-09-11T13:55:32Z", "providers": [ "Claude" ], "breadth": "written by Claude from model knowledge without web access - no source was read, every claim is a lead to verify", "pass": 2, "wave": 1, "engine": "claude" }, "metaModel": { "id": "THING-Q11634", "registryId": "vr.tr.art-of-sculpture", "name": "art of sculpture", "version": "0.2.0-wave.1", "entryKind": "thing", "family": "Thing Registry", "domain": [ "ACT.ACT" ], "status": "research-draft" }, "canonicalUrl": "https://ver.cy/models/thing/q11634/", "model": { "registry_id": "vr.tr.art-of-sculpture", "name": "art of sculpture", "purpose": "Let an agent handle sculpture by technique, material, history, artists, conservation and safe practice, with sourced information.", "definition": "The art of making three-dimensional works by carving, modelling, casting, constructing or assembling materials such as stone, bronze, wood, clay, glass, bone and even sugar or ice, ranging from religious and public monuments to contemporary installations.", "what_it_is_for": "Artistic expression, commemoration and decoration.", "affordances": [ "explain sculptural techniques and materials", "find information on sculptors and works", "find classes and safe workshop practice", "understand conservation and public art rules" ], "distinguishing_features": [ "Three-dimensional art", "Many techniques", "Wide range of materials", "Often public" ], "appearance": "Three-dimensional artworks in stone, metal, wood, clay, glass and other materials.", "visual_identification": [ "Carved, modelled or cast forms", "Plinths and public monuments", "Reliefs project from a background" ], "physical_properties": [], "families_and_kinds": [ "carving", "modelling and casting", "assemblage and installation", "relief sculpture", "religious and public sculpture" ], "related_models": [ { "relation": "is a kind of", "target": "artistic creation", "why": "category" }, { "relation": "produces", "target": "sculpture", "why": "work" }, { "relation": "uses", "target": "bronze casting", "why": "technique" }, { "relation": "is displayed in", "target": "museum and public space", "why": "setting" } ], "identifiers": [], "standards_and_regulation": [ "Copyright and moral rights of artists", "Public art commissioning rules", "Workshop health and safety rules" ], "failure_modes_and_hazards": [ "Tool injuries such as chainsaw carving accidents", "Dust from stone and silica", "Unsourced attributions" ], "in_scope": [], "out_of_scope": [], "characteristics": [] }, "sources": [], "structure": { "bundles": [ { "id": "technique", "name": "Technique", "description": "Making sculpture.", "rationale": "Techniques differ.", "layers": [ { "id": "methods", "name": "Methods", "description": "Carving to casting.", "findings": [ { "id": "methods-finding", "name": "Methods", "description": "Methods.", "questions": [ { "text": "How is this sculpture made, by carving, modelling, casting or assembly?", "kind": "definition" }, { "text": "Which tools are used?", "kind": "provenance" } ] } ] }, { "id": "materials", "name": "Materials", "description": "Materials.", "findings": [ { "id": "materials-finding", "name": "Materials", "description": "Materials.", "questions": [ { "text": "Which material suits this project, and how durable is it?", "kind": "provenance" }, { "text": "How is it finished?", "kind": "action" } ] } ] } ] }, { "id": "works", "name": "Works", "description": "Artists and history.", "rationale": "Attribution needs sources.", "layers": [ { "id": "artist", "name": "Artist", "description": "Sculptors.", "findings": [ { "id": "artist-finding", "name": "Artist", "description": "Artists.", "questions": [ { "text": "Who made this sculpture, according to museum or catalogue records?", "kind": "provenance" }, { "text": "When and where?", "kind": "provenance" } ] } ] }, { "id": "history", "name": "History", "description": "Periods.", "findings": [ { "id": "history-finding", "name": "History", "description": "History.", "questions": [ { "text": "How did sculpture develop in this period or region, according to art historians?", "kind": "provenance" }, { "text": "Which works are key examples?", "kind": "provenance" } ] } ] } ] }, { "id": "practice", "name": "Practice", "description": "Safe workshops.", "rationale": "Safety matters.", "layers": [ { "id": "safety", "name": "Safety", "description": "Tools and dust.", "findings": [ { "id": "safety-finding", "name": "Safety", "description": "Workshop safety.", "questions": [ { "text": "Which protective equipment and dust controls are needed for this material?", "kind": "provenance" }, { "text": "Is there an injury needing emergency care?", "kind": "boundary" } ] } ] }, { "id": "classes", "name": "Classes", "description": "Learning.", "findings": [ { "id": "classes-finding", "name": "Classes", "description": "Classes.", "questions": [ { "text": "Where can beginners take sculpture classes?", "kind": "provenance" }, { "text": "What materials are good for starting?", "kind": "action" } ] } ] } ] }, { "id": "public", "name": "Public", "description": "Public art.", "rationale": "Public art needs care.", "layers": [ { "id": "conservation", "name": "Conservation", "description": "Care of works.", "findings": [ { "id": "conservation-finding", "name": "Conservation", "description": "Conservation.", "questions": [ { "text": "How is this sculpture conserved, and who is responsible?", "kind": "provenance" }, { "text": "How can damage be reported?", "kind": "action" } ] } ] }, { "id": "contested", "name": "Contested", "description": "Contested monuments.", "findings": [ { "id": "contested-finding", "name": "Contested", "description": "Contested monuments.", "questions": [ { "text": "What positions exist on this contested monument, and who holds them?", "kind": "provenance" }, { "text": "Is the summary balanced and attributed?", "kind": "boundary" } ] } ] } ] } ] }, "openQuestions": [ "Should techniques be separate entries?", "How should works and artists be linked?", "How should contested monuments be handled?" ], "statistics": { "bundles": 4, "layers": 8, "findings": 8, "questions": 16 } }, "draft": { "generator": "vr.draft.v3", "status": "draft-generated", "researched": false, "archetype": "abstract concept", "method": "Written from the archetype playbook - what this kind of thing needs beyond identity and provenance - and from the structure that recurred across 6,333 models already researched by two engines. Applied to this entry by rule. No source was read for this thing and no claim here is researched. This entry carries no facets of its own, so they were inferred from its domain - a guess about a whole domain applied to one thing.", "facetsInferred": true, "nextPass": "A researcher replaces this draft with a sourced specification. Treat every sentence below as a proposal to argue with.", "purpose": "Give an agent a durable, checkable way to recognise a art of sculpture, record what state it is in, and decide what may be done with it.", "whatItIs": "Let an agent handle sculpture by technique, material, history, artists, conservation and safe practice, with sourced information.", "characteristics": { "substance": "activity", "origin": "conceptual", "agency": "inert" }, "whatYouCanDoWithIt": [ "observed and measured" ], "distinguishingFeatures": [ "Names folded into this entry, which a task may need to split apart again: Sugar painting, chainsaw carving, glass sculpture, Blaschka glass models, bone carving, religious sculpture as genre, colonial sculpture of Guatemala, Assyrian sculpture, Nepalese sculpture, Albanian sculpture, Maya sculpture, female nudity in Greek art.", "112 finer distinctions are held as aliases rather than separate entries, because telling them apart needs a task that asks for it.", "Described in 164 Wikipedia languages, which is a measure of how widely the thing is known, not of how important it is." ], "openQuestionsForResearch": [ "Which of the bundles below does a real task actually need, and which are ceremony?", "What does this thing have that the facets do not capture at all?", "Which neighbouring kind is most often confused with a art of sculpture, and on what evidence are they told apart?" ], "whatItIsMadeOf": "something that happens over time", "physicalCharacter": [ "Does nothing on its own; everything it does, something else did to it.", "These come from the domain this entry sits in rather than from the entry itself, so treat them as a first guess about the whole domain applied to one thing." ], "whatCanBeDoneWithIt": [ "observe it, measure it, record its state" ], "howItIsRecognised": [ "Nothing to see. What is recognised is an instance of it, and which instances count is exactly what is argued about." ], "relatedModels": [ { "relation": "covers", "note": "Finer kinds folded into this entry because telling them apart needs a task that asks for it. Each is a model waiting to be split out when one does.", "targets": [ "Sugar painting", "chainsaw carving", "glass sculpture", "Blaschka glass models", "bone carving", "religious sculpture as genre", "colonial sculpture of Guatemala", "Assyrian sculpture", "Nepalese sculpture", "Albanian sculpture", "Maya sculpture", "female nudity in Greek art" ] } ], "standing": "Described in 164 Wikipedia languages, which measures how widely it is written about rather than how important or how common it is. 112 finer distinctions are held inside this entry as names rather than as separate models.", "structure": { "bundles": [ { "id": "identity-and-classification", "name": "Identity, naming and classification", "description": "How an agent tells one art of sculpture from another, and a art of sculpture from things that resemble it.", "rationale": "Recognition comes before every other claim. Without stable identity nothing else in the model can be trusted to be about the same thing twice.", "layers": [ { "id": "naming-and-identifiers", "name": "Names and identifiers", "description": "The names this thing goes by and the identifiers that survive translation and time.", "findings": [ { "id": "preferred-name-and-aliases", "name": "Preferred name, aliases and local names", "description": "Which name to use, which names mean the same thing, and which merely sound similar.", "questions": [ { "id": "preferred-name-and-aliases-q01", "text": "What identifies and describes the name of a art of sculpture, and in what units or vocabulary?", "kind": "definition", "answer_data": [ "identifiers", "types and classes", "values with units", "explicit unknowns" ] }, { "id": "preferred-name-and-aliases-q02", "text": "Who or what asserted this about the name of a art of sculpture, by which method, and when was it true?", "kind": "provenance", "answer_data": [ "authority", "method", "evidence", "event time", "knowledge time" ] }, { "id": "preferred-name-and-aliases-q03", "text": "What may an agent decide or do once the name of a art of sculpture is known, and what must it refuse?", "kind": "action", "answer_data": [ "permitted actions", "preconditions", "refusals", "escalation" ] } ] }, { "id": "stable-identifiers", "name": "Stable identifiers and external keys", "description": "Identifiers that keep pointing at this kind of thing across systems and languages.", "questions": [ { "id": "stable-identifiers-q01", "text": "What identifies and describes an identifier for a art of sculpture, and in what units or vocabulary?", "kind": "definition", "answer_data": [ "identifiers", "types and classes", "values with units", "explicit unknowns" ] }, { "id": "stable-identifiers-q02", "text": "Who or what asserted this about an identifier for a art of sculpture, by which method, and when was it true?", "kind": "provenance", "answer_data": [ "authority", "method", "evidence", "event time", "knowledge time" ] }, { "id": "stable-identifiers-q03", "text": "What may an agent decide or do once an identifier for a art of sculpture is known, and what must it refuse?", "kind": "action", "answer_data": [ "permitted actions", "preconditions", "refusals", "escalation" ] } ] } ] }, { "id": "classification-and-granularity", "name": "Classification and granularity", "description": "Where a art of sculpture sits among kinds, and how finely a task needs to cut it.", "findings": [ { "id": "kind-and-parents", "name": "Kind, parents and neighbouring kinds", "description": "The classes this thing belongs to and the ones it is next to.", "questions": [ { "id": "kind-and-parents-q01", "text": "What identifies and describes the kind of a art of sculpture, and in what units or vocabulary?", "kind": "definition", "answer_data": [ "identifiers", "types and classes", "values with units", "explicit unknowns" ] }, { "id": "kind-and-parents-q02", "text": "Who or what asserted this about the kind of a art of sculpture, by which method, and when was it true?", "kind": "provenance", "answer_data": [ "authority", "method", "evidence", "event time", "knowledge time" ] }, { "id": "kind-and-parents-q03", "text": "What may an agent decide or do once the kind of a art of sculpture is known, and what must it refuse?", "kind": "action", "answer_data": [ "permitted actions", "preconditions", "refusals", "escalation" ] } ] }, { "id": "distinguishing-features", "name": "Distinguishing features", "description": "What separates a art of sculpture from the things most often confused with it.", "questions": [ { "id": "distinguishing-features-q01", "text": "What identifies and describes what distinguishes a art of sculpture, and in what units or vocabulary?", "kind": "definition", "answer_data": [ "identifiers", "types and classes", "values with units", "explicit unknowns" ] }, { "id": "distinguishing-features-q02", "text": "Who or what asserted this about what distinguishes a art of sculpture, by which method, and when was it true?", "kind": "provenance", "answer_data": [ "authority", "method", "evidence", "event time", "knowledge time" ] }, { "id": "distinguishing-features-q03", "text": "What may an agent decide or do once what distinguishes a art of sculpture is known, and what must it refuse?", "kind": "action", "answer_data": [ "permitted actions", "preconditions", "refusals", "escalation" ] } ] } ] } ] }, { "id": "state-and-lifecycle", "name": "State and lifecycle", "description": "The states a art of sculpture passes through and the events that move it between them.", "rationale": "Most decisions about a thing depend on what state it is in now, which is a claim with a time on it, not a property.", "layers": [ { "id": "lifecycle-stages", "name": "Lifecycle stages", "description": "From coming into existence to ceasing to be one of these.", "findings": [ { "id": "stages-and-transitions", "name": "Stages and transitions", "description": "The stages worth naming and what moves a art of sculpture between them.", "questions": [ { "id": "stages-and-transitions-q01", "text": "What identifies and describes the lifecycle of a art of sculpture, and in what units or vocabulary?", "kind": "definition", "answer_data": [ "identifiers", "types and classes", "values with units", "explicit unknowns" ] }, { "id": "stages-and-transitions-q02", "text": "Who or what asserted this about the lifecycle of a art of sculpture, by which method, and when was it true?", "kind": "provenance", "answer_data": [ "authority", "method", "evidence", "event time", "knowledge time" ] }, { "id": "stages-and-transitions-q03", "text": "What may an agent decide or do once the lifecycle of a art of sculpture is known, and what must it refuse?", "kind": "action", "answer_data": [ "permitted actions", "preconditions", "refusals", "escalation" ] } ] } ] }, { "id": "observations-and-status", "name": "Observations and current status", "description": "What is observed about a art of sculpture, how often and by whom.", "findings": [ { "id": "observation-record", "name": "Observation record", "description": "How an observation of a art of sculpture is recorded so that it can be superseded rather than overwritten.", "questions": [ { "id": "observation-record-q01", "text": "What identifies and describes an observation of a art of sculpture, and in what units or vocabulary?", "kind": "definition", "answer_data": [ "identifiers", "types and classes", "values with units", "explicit unknowns" ] }, { "id": "observation-record-q02", "text": "Who or what asserted this about an observation of a art of sculpture, by which method, and when was it true?", "kind": "provenance", "answer_data": [ "authority", "method", "evidence", "event time", "knowledge time" ] }, { "id": "observation-record-q03", "text": "What may an agent decide or do once an observation of a art of sculpture is known, and what must it refuse?", "kind": "action", "answer_data": [ "permitted actions", "preconditions", "refusals", "escalation" ] } ] } ] } ] }, { "id": "process-and-outcome", "name": "Process, inputs and outcome", "description": "How a art of sculpture proceeds, what it needs and what it leaves behind.", "rationale": "An activity is known by its steps and its results, and both have to be recordable while it is still running.", "layers": [ { "id": "steps-and-sequence", "name": "Steps and sequence", "description": "The steps of a art of sculpture, their order and what may run in parallel.", "findings": [ { "id": "steps-and-preconditions", "name": "Steps, preconditions and completion", "description": "What has to be true before each step of a art of sculpture and what marks it done.", "questions": [ { "id": "steps-and-preconditions-q01", "text": "What identifies and describes a step of a art of sculpture, and in what units or vocabulary?", "kind": "definition", "answer_data": [ "identifiers", "types and classes", "values with units", "explicit unknowns" ] }, { "id": "steps-and-preconditions-q02", "text": "Who or what asserted this about a step of a art of sculpture, by which method, and when was it true?", "kind": "provenance", "answer_data": [ "authority", "method", "evidence", "event time", "knowledge time" ] }, { "id": "steps-and-preconditions-q03", "text": "What may an agent decide or do once a step of a art of sculpture is known, and what must it refuse?", "kind": "action", "answer_data": [ "permitted actions", "preconditions", "refusals", "escalation" ] } ] } ] }, { "id": "inputs-and-results", "name": "Inputs, resources and results", "description": "What a art of sculpture consumes and what it produces.", "findings": [ { "id": "inputs-and-outputs", "name": "Inputs, outputs and side effects", "description": "The resources a art of sculpture takes and the results it leaves, wanted or not.", "questions": [ { "id": "inputs-and-outputs-q01", "text": "What identifies and describes the inputs and results of a art of sculpture, and in what units or vocabulary?", "kind": "definition", "answer_data": [ "identifiers", "types and classes", "values with units", "explicit unknowns" ] }, { "id": "inputs-and-outputs-q02", "text": "Who or what asserted this about the inputs and results of a art of sculpture, by which method, and when was it true?", "kind": "provenance", "answer_data": [ "authority", "method", "evidence", "event time", "knowledge time" ] }, { "id": "inputs-and-outputs-q03", "text": "What may an agent decide or do once the inputs and results of a art of sculpture is known, and what must it refuse?", "kind": "action", "answer_data": [ "permitted actions", "preconditions", "refusals", "escalation" ] } ] } ] } ] }, { "id": "definitions-in-contest", "name": "Definitions and who holds them", "description": "What art of sculpture is taken to mean, and by whom.", "rationale": "When a field disagrees about a concept, the disagreement is the content. A model that picks one definition silently destroys the information.", "layers": [ { "id": "competing-definitions", "name": "Competing definitions", "description": "The main readings and the traditions behind them.", "findings": [ { "id": "definition-map", "name": "Definitions and their holders", "description": "Each definition with the school or body that holds it.", "questions": [ { "id": "definition-map-q01", "text": "Which definitions of art of sculpture are in use, and which tradition or body holds each?", "kind": "definition" }, { "id": "definition-map-q02", "text": "What turns on the difference between them in practice?", "kind": "boundary" } ] } ] }, { "id": "operationalisation", "name": "Operationalisation", "description": "How it is measured or applied when it has to be.", "findings": [ { "id": "operational-record", "name": "Measures and proxies", "description": "Instruments and indicators used to stand in for it.", "questions": [ { "id": "operational-record-q01", "text": "How is art of sculpture operationalised or measured in practice, and by what instrument?", "kind": "measurement" }, { "id": "operational-record-q02", "text": "What does that operationalisation leave out, and when does that matter?", "kind": "boundary" } ] } ] } ] }, { "id": "instances-and-use", "name": "Instances, use and consequence", "description": "What counts as an instance of art of sculpture and what follows from calling something that.", "rationale": "Applying a concept is an act with consequences, so a model must say what the label licenses and what it does not.", "layers": [ { "id": "instances", "name": "What counts as an instance", "description": "Clear cases, borderline cases and non-cases.", "findings": [ { "id": "instance-tests", "name": "Tests for an instance", "description": "What would settle whether something falls under it.", "questions": [ { "id": "instance-tests-q01", "text": "What would settle whether something is an instance of art of sculpture?", "kind": "boundary" }, { "id": "instance-tests-q02", "text": "Which borderline cases are argued about, and on what grounds?", "kind": "definition" } ] } ] }, { "id": "consequence", "name": "Consequence of application", "description": "Rights, duties or decisions that follow from the label.", "findings": [ { "id": "consequence-record", "name": "What the label licenses", "description": "What an agent may do once something is classified this way.", "questions": [ { "id": "consequence-record-q01", "text": "What follows practically once something is treated as art of sculpture?", "kind": "action" }, { "id": "consequence-record-q02", "text": "What must an agent not infer from the label alone?", "kind": "action" } ] } ] } ] }, { "id": "provenance-and-evidence", "name": "Provenance, evidence and time", "description": "Where every claim about a art of sculpture came from and when it held.", "rationale": "A claim without a source and a time cannot be superseded, only overwritten, and an agent that overwrites loses the ability to explain itself.", "layers": [ { "id": "source-and-authority", "name": "Source and authority", "description": "Who said it, on what evidence, and how strongly.", "findings": [ { "id": "claim-provenance", "name": "Claim provenance and confidence", "description": "The authority behind each claim about a art of sculpture and how confident it is.", "questions": [ { "id": "claim-provenance-q01", "text": "What identifies and describes a claim about a art of sculpture, and in what units or vocabulary?", "kind": "definition", "answer_data": [ "identifiers", "types and classes", "values with units", "explicit unknowns" ] }, { "id": "claim-provenance-q02", "text": "Who or what asserted this about a claim about a art of sculpture, by which method, and when was it true?", "kind": "provenance", "answer_data": [ "authority", "method", "evidence", "event time", "knowledge time" ] }, { "id": "claim-provenance-q03", "text": "What may an agent decide or do once a claim about a art of sculpture is known, and what must it refuse?", "kind": "action", "answer_data": [ "permitted actions", "preconditions", "refusals", "escalation" ] } ] } ] }, { "id": "time-and-versions", "name": "Time, versions and supersession", "description": "When a claim was true, when it was learnt, and what replaced it.", "findings": [ { "id": "validity-and-supersession", "name": "Validity period and supersession", "description": "How an old claim about a art of sculpture is retired without being erased.", "questions": [ { "id": "validity-and-supersession-q01", "text": "What identifies and describes the validity of a claim about a art of sculpture, and in what units or vocabulary?", "kind": "definition", "answer_data": [ "identifiers", "types and classes", "values with units", "explicit unknowns" ] }, { "id": "validity-and-supersession-q02", "text": "Who or what asserted this about the validity of a claim about a art of sculpture, by which method, and when was it true?", "kind": "provenance", "answer_data": [ "authority", "method", "evidence", "event time", "knowledge time" ] }, { "id": "validity-and-supersession-q03", "text": "What may an agent decide or do once the validity of a claim about a art of sculpture is known, and what must it refuse?", "kind": "action", "answer_data": [ "permitted actions", "preconditions", "refusals", "escalation" ] } ] } ] } ] } ] }, "statistics": { "bundles": 6, "layers": 12, "findings": 14, "questions": 38 } } } }