{ "model": { "rank": 3179, "code": "thing-q128115", "model_id": "vr.tr.abstract-art", "name": "abstract art", "purpose": "Let an agent explain abstract art and its development, relay movements, artists and theories from art historical sources with attribution, describe abstract sculpture and regional traditions, and distinguish abstract art from figurative art, decorative pattern and non-Western traditions that were never representational.", "family": "Thing Registry", "category": "Information and virtual systems", "status": "research-draft", "kind": "thing", "plane": "INF", "domain": "INF.KNW", "industry": "", "version": "", "url": "/models/thing/q128115/", "tier": 2, "score": 89, "payload": { "layer": "wikidata", "aliases": [ "abstract sculpture", "concrete art", "Allusive Abstractionists", "Palestinian landscape painting", "Palestinian abstract art", "abstract expressionism", "absolute art", "geometric abstraction", "serial art", "Rayonism", "all-over painting" ], "aliasCount": 11, "merged": 11, "knownIn": 89, "facets": null, "markers": [], "lexicalClass": "", "senseRank": null, "alsoRegisteredAs": null, "source": { "dataset": "wikidata", "item": "Q128115", "url": "https://www.wikidata.org/wiki/Q128115", "license": "CC0 1.0" } }, "research": { "vercy": "1.0-draft", "publication": { "status": "research-draft", "adjudicationStatus": "unreviewed", "publishableCanonical": false, "generatedAt": "2026-09-13T05:23:21Z", "providers": [ "Claude" ], "breadth": "written by Claude from model knowledge without web access - no source was read, every claim is a lead to verify", "pass": 2, "wave": 3, "engine": "claude" }, "metaModel": { "id": "THING-Q128115", "registryId": "vr.tr.abstract-art", "name": "abstract art", "version": "0.2.0-wave.3", "entryKind": "thing", "family": "Thing Registry", "domain": [ "INF.KNW" ], "status": "research-draft" }, "canonicalUrl": "https://ver.cy/models/thing/q128115/", "model": { "registry_id": "vr.tr.abstract-art", "name": "abstract art", "purpose": "Let an agent explain abstract art and its development, relay movements, artists and theories from art historical sources with attribution, describe abstract sculpture and regional traditions, and distinguish abstract art from figurative art, decorative pattern and non-Western traditions that were never representational.", "definition": "Art that does not attempt to represent an accurate depiction of visual reality but uses shapes, colours, forms and gestural marks to achieve its effect, emerging in the early 20th century with artists such as Kandinsky, Malevich and Mondrian and developing through movements including Suprematism, De Stijl, concrete art, Abstract Expressionism and later tendencies, in painting and abstract sculpture, and practised worldwide including in regional traditions such as Palestinian abstract art; abstraction ranges from partial to complete and is debated in theory and criticism.", "what_it_is_for": "Not applicable; an art category.", "affordances": [ "explain the concept", "relay movements and artists", "describe sculpture and regions", "distinguish from figurative art" ], "distinguishing_features": [ "Non-representation", "Form and colour as content", "Many movements", "Theoretical debate" ], "appearance": "Works of shape, colour and form without recognisable subjects.", "visual_identification": [ "Non-representational art", "Suprematism, De Stijl, concrete art, Abstract Expressionism, abstract sculpture, Palestinian abstract art", "Figurative art depicts subjects; decorative pattern lacks the fine art frame; Islamic geometric art has its own tradition" ], "physical_properties": [ { "quantity": "early abstract works", "typical_range": "about 1910-1915", "unit": "period", "note": "Kandinsky, Malevich, af Klint" }, { "quantity": "Abstract Expressionism", "typical_range": "1940s-1950s", "unit": "period", "note": "New York" } ], "families_and_kinds": [ "early abstraction including Kandinsky, Malevich and Hilma af Klint", "geometric abstraction including Suprematism, De Stijl and concrete art", "Abstract Expressionism and lyrical abstraction", "abstract sculpture", "post-painterly, minimal and contemporary abstraction", "regional traditions such as Palestinian abstract art and groups such as the Allusive Abstractionists" ], "related_models": [ { "relation": "is a kind of", "target": "modern art", "why": "in registry terms" }, { "relation": "was pioneered by", "target": "Wassily Kandinsky", "why": "among others" }, { "relation": "includes", "target": "Abstract Expressionism", "why": "as a major movement" }, { "relation": "is contrasted with", "target": "figurative art", "why": "which depicts subjects" } ], "identifiers": [], "standards_and_regulation": [ "No regulation; museum and art market conventions" ], "failure_modes_and_hazards": [ "Treating abstraction as a single style", "Ignoring women and non-Western pioneers", "Presenting contested origins as settled", "Registry alias for landscape painting appears misfiled" ], "in_scope": [], "out_of_scope": [], "characteristics": [] }, "sources": [], "structure": { "bundles": [ { "id": "understand", "name": "Understand", "description": "What abstract art is.", "rationale": "Attribution.", "layers": [ { "id": "definition", "name": "Definition", "description": "Definition.", "findings": [ { "id": "definition-finding", "name": "Definition", "description": "Definition.", "questions": [ { "text": "What is abstract art, and how does it differ from figurative art and decorative pattern?", "kind": "definition" }, { "text": "Is the question about abstract art in general, a movement, an artist or a region?", "kind": "boundary" } ] } ] }, { "id": "kinds", "name": "Kinds", "description": "Kinds.", "findings": [ { "id": "kinds-finding", "name": "Kinds", "description": "Kinds.", "questions": [ { "text": "How do geometric, lyrical, expressionist and concrete abstraction and abstract sculpture differ?", "kind": "definition" }, { "text": "Which entry fits the specific kind?", "kind": "action" } ] } ] } ] }, { "id": "history", "name": "History", "description": "History.", "rationale": "Attribution.", "layers": [ { "id": "origins", "name": "Origins", "description": "Origins.", "findings": [ { "id": "origins-finding", "name": "Origins", "description": "Origins.", "questions": [ { "text": "How did abstraction emerge with Kandinsky, Malevich, Mondrian and af Klint, and what debates surround priority, with positions attributed?", "kind": "provenance" }, { "text": "Which references are standard?", "kind": "provenance" } ] } ] }, { "id": "movements", "name": "Movements", "description": "Movements.", "findings": [ { "id": "movements-finding", "name": "Movements", "description": "Movements.", "questions": [ { "text": "How did Suprematism, De Stijl, concrete art, Abstract Expressionism and later movements develop?", "kind": "provenance" }, { "text": "Which entry fits the specific movement?", "kind": "action" } ] } ] } ] }, { "id": "theory", "name": "Theory", "description": "Theory and criticism.", "rationale": "Attribution.", "layers": [ { "id": "theory", "name": "Theory", "description": "Theory.", "findings": [ { "id": "theory-finding", "name": "Theory", "description": "Theory.", "questions": [ { "text": "What theories of abstraction did artists and critics such as Kandinsky, Greenberg and others advance?", "kind": "provenance" }, { "text": "Which sources are cited?", "kind": "provenance" } ] } ] }, { "id": "reception", "name": "Reception", "description": "Reception.", "findings": [ { "id": "reception-finding", "name": "Reception", "description": "Reception.", "questions": [ { "text": "How has abstract art been received, contested and politicised, with positions attributed?", "kind": "provenance" }, { "text": "Is the presentation neutral?", "kind": "boundary" } ] } ] } ] }, { "id": "context", "name": "Context", "description": "World and today.", "rationale": "Context.", "layers": [ { "id": "world", "name": "World", "description": "Global abstraction.", "findings": [ { "id": "world-finding", "name": "World", "description": "World.", "questions": [ { "text": "How has abstraction developed in Latin America, the Middle East including Palestinian abstract art, Asia and Africa?", "kind": "provenance" }, { "text": "Which entry fits the specific regional tradition?", "kind": "action" } ] } ] }, { "id": "today", "name": "Today", "description": "Today.", "findings": [ { "id": "today-finding", "name": "Today", "description": "Today.", "questions": [ { "text": "What does contemporary abstraction look like, and how does the market treat it?", "kind": "provenance" }, { "text": "Which entry fits contemporary art?", "kind": "action" } ] } ] } ] } ] }, "openQuestions": [ "Should Abstract Expressionism and concrete art be separate primary entries?", "How should art historical sources be linked?", "The registry entry has merged aliases including a figurative genre; should they be reviewed?" ], "statistics": { "bundles": 4, "layers": 8, "findings": 8, "questions": 16 } }, "draft": { "generator": "vr.draft.v3", "status": "draft-generated", "researched": false, "archetype": "discipline or field of knowledge", "method": "Written from the archetype playbook - what this kind of thing needs beyond identity and provenance - and from the structure that recurred across 6,333 models already researched by two engines. Applied to this entry by rule. No source was read for this thing and no claim here is researched. This entry carries no facets of its own, so they were inferred from its domain - a guess about a whole domain applied to one thing.", "facetsInferred": true, "nextPass": "A researcher replaces this draft with a sourced specification. Treat every sentence below as a proposal to argue with.", "purpose": "Give an agent a durable, checkable way to recognise a abstract art, record what state it is in, and decide what may be done with it.", "whatItIs": "Let an agent explain abstract art and its development, relay movements, artists and theories from art historical sources with attribution, describe abstract sculpture and regional traditions, and distinguish abstract art from figurative art, decorative pattern and non-Western traditions that were never representational.", "characteristics": { "substance": "information", "origin": "conceptual", "agency": "inert" }, "whatYouCanDoWithIt": [ "read and interpreted" ], "distinguishingFeatures": [ "Names folded into this entry, which a task may need to split apart again: abstract sculpture, concrete art, Allusive Abstractionists, Palestinian landscape painting, Palestinian abstract art, abstract expressionism, absolute art, geometric abstraction, serial art, Rayonism, all-over painting.", "11 finer distinctions are held as aliases rather than separate entries, because telling them apart needs a task that asks for it.", "Described in 89 Wikipedia languages, which is a measure of how widely the thing is known, not of how important it is." ], "openQuestionsForResearch": [ "Which of the bundles below does a real task actually need, and which are ceremony?", "What does this thing have that the facets do not capture at all?", "Which neighbouring kind is most often confused with a abstract art, and on what evidence are they told apart?" ], "whatItIsMadeOf": "content that has to be carried by something else", "physicalCharacter": [ "Does nothing on its own; everything it does, something else did to it.", "These come from the domain this entry sits in rather than from the entry itself, so treat them as a first guess about the whole domain applied to one thing." ], "whatCanBeDoneWithIt": [ "read it and act on what it says" ], "howItIsRecognised": [], "relatedModels": [ { "relation": "covers", "note": "Finer kinds folded into this entry because telling them apart needs a task that asks for it. Each is a model waiting to be split out when one does.", "targets": [ "abstract sculpture", "concrete art", "Allusive Abstractionists", "Palestinian landscape painting", "Palestinian abstract art", "abstract expressionism", "absolute art", "geometric abstraction", "serial art", "Rayonism", "all-over painting" ] } ], "standing": "Described in 89 Wikipedia languages, which measures how widely it is written about rather than how important or how common it is. 11 finer distinctions are held inside this entry as names rather than as separate models.", "structure": { "bundles": [ { "id": "identity-and-classification", "name": "Identity, naming and classification", "description": "How an agent tells one abstract art from another, and a abstract art from things that resemble it.", "rationale": "Recognition comes before every other claim. Without stable identity nothing else in the model can be trusted to be about the same thing twice.", "layers": [ { "id": "naming-and-identifiers", "name": "Names and identifiers", "description": "The names this thing goes by and the identifiers that survive translation and time.", "findings": [ { "id": "preferred-name-and-aliases", "name": "Preferred name, aliases and local names", "description": "Which name to use, which names mean the same thing, and which merely sound similar.", "questions": [ { "id": "preferred-name-and-aliases-q01", "text": "What identifies and describes the name of a abstract art, and in what units or vocabulary?", "kind": "definition", "answer_data": [ "identifiers", "types and classes", "values with units", "explicit unknowns" ] }, { "id": "preferred-name-and-aliases-q02", "text": "Who or what asserted this about the name of a abstract art, by which method, and when was it true?", "kind": "provenance", "answer_data": [ "authority", "method", "evidence", "event time", "knowledge time" ] }, { "id": "preferred-name-and-aliases-q03", "text": "What may an agent decide or do once the name of a abstract art is known, and what must it refuse?", "kind": "action", "answer_data": [ "permitted actions", "preconditions", "refusals", "escalation" ] } ] }, { "id": "stable-identifiers", "name": "Stable identifiers and external keys", "description": "Identifiers that keep pointing at this kind of thing across systems and languages.", "questions": [ { "id": "stable-identifiers-q01", "text": "What identifies and describes an identifier for a abstract art, and in what units or vocabulary?", "kind": "definition", "answer_data": [ "identifiers", "types and classes", "values with units", "explicit unknowns" ] }, { "id": "stable-identifiers-q02", "text": "Who or what asserted this about an identifier for a abstract art, by which method, and when was it true?", "kind": "provenance", "answer_data": [ "authority", "method", "evidence", "event time", "knowledge time" ] }, { "id": "stable-identifiers-q03", "text": "What may an agent decide or do once an identifier for a abstract art is known, and what must it refuse?", "kind": "action", "answer_data": [ "permitted actions", "preconditions", "refusals", "escalation" ] } ] } ] }, { "id": "classification-and-granularity", "name": "Classification and granularity", "description": "Where a abstract art sits among kinds, and how finely a task needs to cut it.", "findings": [ { "id": "kind-and-parents", "name": "Kind, parents and neighbouring kinds", "description": "The classes this thing belongs to and the ones it is next to.", "questions": [ { "id": "kind-and-parents-q01", "text": "What identifies and describes the kind of a abstract art, and in what units or vocabulary?", "kind": "definition", "answer_data": [ "identifiers", "types and classes", "values with units", "explicit unknowns" ] }, { "id": "kind-and-parents-q02", "text": "Who or what asserted this about the kind of a abstract art, by which method, and when was it true?", "kind": "provenance", "answer_data": [ "authority", "method", "evidence", "event time", "knowledge time" ] }, { "id": "kind-and-parents-q03", "text": "What may an agent decide or do once the kind of a abstract art is known, and what must it refuse?", "kind": "action", "answer_data": [ "permitted actions", "preconditions", "refusals", "escalation" ] } ] }, { "id": "distinguishing-features", "name": "Distinguishing features", "description": "What separates a abstract art from the things most often confused with it.", "questions": [ { "id": "distinguishing-features-q01", "text": "What identifies and describes what distinguishes a abstract art, and in what units or vocabulary?", "kind": "definition", "answer_data": [ "identifiers", "types and classes", "values with units", "explicit unknowns" ] }, { "id": "distinguishing-features-q02", "text": "Who or what asserted this about what distinguishes a abstract art, by which method, and when was it true?", "kind": "provenance", "answer_data": [ "authority", "method", "evidence", "event time", "knowledge time" ] }, { "id": "distinguishing-features-q03", "text": "What may an agent decide or do once what distinguishes a abstract art is known, and what must it refuse?", "kind": "action", "answer_data": [ "permitted actions", "preconditions", "refusals", "escalation" ] } ] } ] } ] }, { "id": "state-and-lifecycle", "name": "State and lifecycle", "description": "The states a abstract art passes through and the events that move it between them.", "rationale": "Most decisions about a thing depend on what state it is in now, which is a claim with a time on it, not a property.", "layers": [ { "id": "lifecycle-stages", "name": "Lifecycle stages", "description": "From coming into existence to ceasing to be one of these.", "findings": [ { "id": "stages-and-transitions", "name": "Stages and transitions", "description": "The stages worth naming and what moves a abstract art between them.", "questions": [ { "id": "stages-and-transitions-q01", "text": "What identifies and describes the lifecycle of a abstract art, and in what units or vocabulary?", "kind": "definition", "answer_data": [ "identifiers", "types and classes", "values with units", "explicit unknowns" ] }, { "id": "stages-and-transitions-q02", "text": "Who or what asserted this about the lifecycle of a abstract art, by which method, and when was it true?", "kind": "provenance", "answer_data": [ "authority", "method", "evidence", "event time", "knowledge time" ] }, { "id": "stages-and-transitions-q03", "text": "What may an agent decide or do once the lifecycle of a abstract art is known, and what must it refuse?", "kind": "action", "answer_data": [ "permitted actions", "preconditions", "refusals", "escalation" ] } ] } ] }, { "id": "observations-and-status", "name": "Observations and current status", "description": "What is observed about a abstract art, how often and by whom.", "findings": [ { "id": "observation-record", "name": "Observation record", "description": "How an observation of a abstract art is recorded so that it can be superseded rather than overwritten.", "questions": [ { "id": "observation-record-q01", "text": "What identifies and describes an observation of a abstract art, and in what units or vocabulary?", "kind": "definition", "answer_data": [ "identifiers", "types and classes", "values with units", "explicit unknowns" ] }, { "id": "observation-record-q02", "text": "Who or what asserted this about an observation of a abstract art, by which method, and when was it true?", "kind": "provenance", "answer_data": [ "authority", "method", "evidence", "event time", "knowledge time" ] }, { "id": "observation-record-q03", "text": "What may an agent decide or do once an observation of a abstract art is known, and what must it refuse?", "kind": "action", "answer_data": [ "permitted actions", "preconditions", "refusals", "escalation" ] } ] } ] } ] }, { "id": "content-and-access", "name": "Content, encoding and access", "description": "What a abstract art says, how it is encoded and who may read it.", "rationale": "An informational thing carries content that can be copied, versioned and withheld, none of which its physical carrier explains.", "layers": [ { "id": "content-and-encoding", "name": "Content and encoding", "description": "The content itself, its format and its language.", "findings": [ { "id": "content-and-format", "name": "Content, format and language", "description": "What a abstract art contains and in what form it is held.", "questions": [ { "id": "content-and-format-q01", "text": "What identifies and describes the content of a abstract art, and in what units or vocabulary?", "kind": "definition", "answer_data": [ "identifiers", "types and classes", "values with units", "explicit unknowns" ] }, { "id": "content-and-format-q02", "text": "Who or what asserted this about the content of a abstract art, by which method, and when was it true?", "kind": "provenance", "answer_data": [ "authority", "method", "evidence", "event time", "knowledge time" ] }, { "id": "content-and-format-q03", "text": "What may an agent decide or do once the content of a abstract art is known, and what must it refuse?", "kind": "action", "answer_data": [ "permitted actions", "preconditions", "refusals", "escalation" ] } ] } ] }, { "id": "access-and-rights", "name": "Access, rights and retention", "description": "Who may read, copy or change it, and for how long it is kept.", "findings": [ { "id": "access-rules", "name": "Access rules and retention", "description": "The permissions attached to a abstract art and the period it survives.", "questions": [ { "id": "access-rules-q01", "text": "What identifies and describes access to a abstract art, and in what units or vocabulary?", "kind": "definition", "answer_data": [ "identifiers", "types and classes", "values with units", "explicit unknowns" ] }, { "id": "access-rules-q02", "text": "Who or what asserted this about access to a abstract art, by which method, and when was it true?", "kind": "provenance", "answer_data": [ "authority", "method", "evidence", "event time", "knowledge time" ] }, { "id": "access-rules-q03", "text": "What may an agent decide or do once access to a abstract art is known, and what must it refuse?", "kind": "action", "answer_data": [ "permitted actions", "preconditions", "refusals", "escalation" ] } ] } ] } ] }, { "id": "subject-and-method", "name": "Subject matter and method", "description": "What abstract art studies and how it establishes anything.", "rationale": "A field is identified by its questions and its methods, and those are what distinguish it from the fields next to it.", "layers": [ { "id": "subject", "name": "Subject matter", "description": "The questions it takes as its own.", "findings": [ { "id": "subject-record", "name": "Questions and objects of study", "description": "What it is about, stated so a neighbouring field can be told apart.", "questions": [ { "id": "subject-record-q01", "text": "What questions and objects does abstract art take as its own?", "kind": "definition" }, { "id": "subject-record-q02", "text": "Which questions does it share with a neighbouring field, and who claims them?", "kind": "boundary" } ] } ] }, { "id": "method", "name": "Method and evidence", "description": "How claims are established and what counts as evidence.", "findings": [ { "id": "method-record", "name": "Methods and standards of evidence", "description": "The methods used and what they are taken to establish.", "questions": [ { "id": "method-record-q01", "text": "By what methods does abstract art establish claims, and what counts as sufficient evidence?", "kind": "provenance" }, { "id": "method-record-q02", "text": "What kind of claim can this field not settle, and where should an agent look instead?", "kind": "action" } ] } ] } ] }, { "id": "institutions-and-classification", "name": "Institutions and classification", "description": "Where abstract art is practised and how catalogues place it.", "rationale": "The institutional footprint is the evidence that a field exists as a field rather than as a topic.", "layers": [ { "id": "institutions", "name": "Institutional markers", "description": "Societies, journals, degrees and departments.", "findings": [ { "id": "institution-record", "name": "Bodies and venues", "description": "Where the field organises itself.", "questions": [ { "id": "institution-record-q01", "text": "Which societies, journals or degrees mark abstract art as an established field?", "kind": "provenance" }, { "id": "institution-record-q02", "text": "What would show that it is emerging or dissolving rather than established?", "kind": "boundary" } ] } ] }, { "id": "classification", "name": "Classification schemes", "description": "Where library and research classifications put it.", "findings": [ { "id": "classification-record", "name": "Codes and their disagreements", "description": "The classification codes that place it, and where they differ.", "questions": [ { "id": "classification-record-q01", "text": "Which classification schemes place abstract art, under what codes?", "kind": "definition" }, { "id": "classification-record-q02", "text": "Where do those schemes disagree about its scope?", "kind": "boundary" } ] } ] } ] }, { "id": "provenance-and-evidence", "name": "Provenance, evidence and time", "description": "Where every claim about a abstract art came from and when it held.", "rationale": "A claim without a source and a time cannot be superseded, only overwritten, and an agent that overwrites loses the ability to explain itself.", "layers": [ { "id": "source-and-authority", "name": "Source and authority", "description": "Who said it, on what evidence, and how strongly.", "findings": [ { "id": "claim-provenance", "name": "Claim provenance and confidence", "description": "The authority behind each claim about a abstract art and how confident it is.", "questions": [ { "id": "claim-provenance-q01", "text": "What identifies and describes a claim about a abstract art, and in what units or vocabulary?", "kind": "definition", "answer_data": [ "identifiers", "types and classes", "values with units", "explicit unknowns" ] }, { "id": "claim-provenance-q02", "text": "Who or what asserted this about a claim about a abstract art, by which method, and when was it true?", "kind": "provenance", "answer_data": [ "authority", "method", "evidence", "event time", "knowledge time" ] }, { "id": "claim-provenance-q03", "text": "What may an agent decide or do once a claim about a abstract art is known, and what must it refuse?", "kind": "action", "answer_data": [ "permitted actions", "preconditions", "refusals", "escalation" ] } ] } ] }, { "id": "time-and-versions", "name": "Time, versions and supersession", "description": "When a claim was true, when it was learnt, and what replaced it.", "findings": [ { "id": "validity-and-supersession", "name": "Validity period and supersession", "description": "How an old claim about a abstract art is retired without being erased.", "questions": [ { "id": "validity-and-supersession-q01", "text": "What identifies and describes the validity of a claim about a abstract art, and in what units or vocabulary?", "kind": "definition", "answer_data": [ "identifiers", "types and classes", "values with units", "explicit unknowns" ] }, { "id": "validity-and-supersession-q02", "text": "Who or what asserted this about the validity of a claim about a abstract art, by which method, and when was it true?", "kind": "provenance", "answer_data": [ "authority", "method", "evidence", "event time", "knowledge time" ] }, { "id": "validity-and-supersession-q03", "text": "What may an agent decide or do once the validity of a claim about a abstract art is known, and what must it refuse?", "kind": "action", "answer_data": [ "permitted actions", "preconditions", "refusals", "escalation" ] } ] } ] } ] } ] }, "statistics": { "bundles": 6, "layers": 12, "findings": 14, "questions": 38 } } } }