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Research draft

woven fabric

vr.tr.woven-fabric · PHY.OBJ

Let an agent handle woven fabrics by weave, fibre, weight, care, labelling and cultural traditions.

Thing Registry Physical world and living systems

Research draft, second pass

A second pass drafted this model: the structure a model of this thing needs, and what is known about it in the world. The line under this one says how the second half was obtained - researched against sources, or recalled without web access, in which case nothing here was read anywhere and every claim is a lead to verify. Unreviewed either way.

written by Claude from model knowledge without web access - no source was read, every claim is a lead to verify

Researched by: Claude

Purpose and description

Let an agent handle woven fabrics by weave, fibre, weight, care, labelling and cultural traditions.

A textile made by interlacing two sets of yarns, warp and weft, at right angles on a loom, in weaves such as plain, twill and satin, from fibres such as cotton, wool, silk, linen and synthetics; traditional cloths include Akwete and many others.

What it is for: Clothing, furnishings, technical and medical textiles.

It can be identify weave and fibre; choose fabric for a purpose; read care and fibre labels; learn about traditional weaving.

Distinguishing features

Interlaced yarns

Stable grain

Many weave structures

Global craft traditions

What it looks like

Fabric with visible warp and weft structure, often with a grain and selvedge.

Physical character

fabric weight: about 50-500 g/m2 - typical range

How it is recognised

Warp and weft interlacing

Plain, twill or satin patterns

Knitted fabrics use loops instead

Related models

is a kind of - category

fabric

is made on - tool

loom

is contrasted with - structure

knitted fabric

is made from - material

yarn

In practice

Families and kinds

plain weaves

twills such as denim

satins

jacquard and dobby weaves

traditional handwoven cloths

Standards and regulation

EU Textile Fibre Regulation 1007/2011

ISO 3758 care labelling

Failure modes and hazards

Mislabelled fibre content

Flammability of some fabrics

Appropriating cultural designs without credit

Also called

bolting clothwoven tapeplaster gauzesilk fabricwool fabricAkwete clothsilk manuscriptmeisentsumugiDupionKiryū-orimomihonba kihachijōgros de ToursgorgoranTango ChirimenhonansendalSaga NishikiAkita hachijōbizarre silkgros de Naplessilk gauzecalamachoweighted silklusteringlace-patterned silkalamodeperpetuanalodensermyagadornixkotzencaddisMilesian woolcamel hairhabergetkerseymereMackinaw clothmockado

+121

Where this came from

wikidata · CC0 1.0

Drafted structure

Bundle to layer to finding to question, as the second pass will find it: 4 bundles · 8 layers · 8 findings · 16 questions.

Fabric Which fabric.

Weave and fibre define it.

Weave

Structure.

Weave

Weave.

  1. What weave structure does the fabric have? definition
  2. How can it be recognised? action

Fibre

Content.

Fibre

Fibre content.

  1. What fibres does it contain, according to the label? provenance
  2. What is its weight? measurement
Use Choosing.

Purpose decides choice.

Suitability

Purpose.

Suitability

Suitability.

  1. Is this fabric suitable for the intended use? boundary
  2. What are its drape and durability? definition

Safety

Flammability.

Safety

Fire safety.

  1. Does it meet flammability rules for furnishings or nightwear? provenance
  2. Which standard applies? provenance
Care Washing.

Labels guide care.

Label

Care symbols.

Label

Care label.

  1. What do the care symbols say? definition
  2. Will it shrink? boundary

Repair

Mending.

Repair

Repair.

  1. How can woven fabric be mended? action
  2. Which techniques suit it? provenance
Culture Traditions.

Weaving has cultural meaning.

Tradition

Traditional cloth.

Tradition

Traditional weaving.

  1. Which community created this traditional cloth, and what does it mean to them? provenance
  2. Is it described respectfully? boundary

Credit

Attribution.

Credit

Attribution.

  1. Are makers and communities credited for designs? boundary
  2. Are protections such as geographical indications relevant? provenance

What the second pass must settle

  • Should weaves be separate entries?
  • How should traditional cloths be attributed?
  • How should technical textiles be linked?