{ "model": { "rank": 3649, "code": "thing-q134194", "model_id": "vr.tr.fresco-painting", "name": "fresco painting", "purpose": "Enable an agent to recognise fresco painting as a practice, assess the relationship between plaster preparation and image-making, and determine appropriate next actions from evidence about technique, working conditions and surface state.", "family": "Thing Registry", "category": "Activities and processes", "status": "research-draft", "kind": "thing", "plane": "ACT", "domain": "ACT.ACT", "industry": "", "version": "", "url": "/models/thing/q134194/", "tier": 2, "score": 83, "payload": { "layer": "wikidata", "aliases": [ "fresco-secco", "Cul-de-four de la Paix", "spirit fresco", "Attila and his Hordes Overrun Italy and the Arts", "buon fresco", "J. Warx's Juan Carlos of Spain mural in Benimaclet", "lime secco" ], "aliasCount": 7, "merged": 7, "knownIn": 83, "facets": null, "markers": [], "lexicalClass": "", "senseRank": null, "alsoRegisteredAs": null, "source": { "dataset": "wikidata", "item": "Q134194", "url": "https://www.wikidata.org/wiki/Q134194", "license": "CC0 1.0" } }, "research": { "vercy": "1.0-draft", "publication": { "status": "research-draft", "adjudicationStatus": "unreviewed", "publishableCanonical": false, "generatedAt": "2026-09-07T14:47:12Z", "providers": [ "Codex" ], "breadth": "recalled by Codex without web access - no source was read", "missingProviders": [], "pass": 2, "cost": { "grok": { "seconds": 20.6, "error": "Reading additional input from stdin...\nOpenAI Codex v0.153.3\n--------\nworkdir: R:\\02_PROJECTS\\02_Meta_Models_Platforms\\Ver.cy\\current\\thing-registry-backlog\nmodel: gpt-6-astra\nprovider: openai\napproval: never\nsandbox: read-only\nreasoning effort: none\nreasoning summaries: none\nsession id: 01a07c55-288f-7ef2-b376-2443ae4a39a7\n--------\nuser\nDescribe what is already known about one registered thing. Answer as JSON only, no prose around it.\n\nThing: fresco painting\nSense to describe: (none recorded)\nDomain code: ACT.ACT\nAlso known as: (none)\n\n\nContext for this batch of 1001 things:\n# Batch 004: 1001", "usd": 0, "recall": true }, "codex": { "seconds": 81.9, "error": "Reading additional input from stdin...\nOpenAI Codex v0.153.3\n--------\nworkdir: R:\\02_PROJECTS\\02_Meta_Models_Platforms\\Ver.cy\\current\\thing-registry-backlog\nmodel: gpt-6-astra\nprovider: openai\napproval: never\nsandbox: read-only\nreasoning effort: none\nreasoning summaries: none\nsession id: 01a07c55-289a-75c1-a059-6fa7d025d414\n--------\nuser\nYou are drafting a Vercy meta-model for one registered thing. Answer as JSON only, no prose around it.\n\nThing: fresco painting\nRegistry id: vr.tr.fresco-painting\nPlane / domain: ACT / ACT.ACT\nRegistry definition: (none recorded)\nNames folded into this entry: (" } } }, "metaModel": { "id": "THING-Q134194", "registryId": "vr.tr.fresco-painting", "name": "fresco painting", "version": "0.1.0-research.1", "entryKind": "thing", "family": "Thing Registry", "domain": [ "ACT.ACT" ], "status": "research-draft" }, "canonicalUrl": "https://ver.cy/models/thing/q134194/", "model": { "registry_id": "vr.tr.fresco-painting", "name": "fresco painting", "purpose": "Enable an agent to recognise fresco painting as a practice, assess the relationship between plaster preparation and image-making, and determine appropriate next actions from evidence about technique, working conditions and surface state.", "definition": "Fresco painting is a wall- or ceiling-painting practice whose defining technique, buon fresco, applies pigments dispersed in water to fresh lime plaster so that carbonation of the plaster binds the colour into its surface.", "scope_statement": "This model owns fresco painting in the ACT sense: the activity of making an image on plaster, centred on painting into fresh lime plaster and explicitly distinguishing dry-plaster additions, mixed techniques and uncertain classifications; resulting artworks are related outputs.", "in_scope": [ "Evidence distinguishing fresh-plaster painting from dry-plaster painting and mixed execution", "Preparation and coordination of the architectural support, plaster and painting surface", "Image planning, transfer and execution within the plaster's workable period", "Selection and application of pigments, water and any additional binders", "Execution stages, later interventions and surface conditions that constrain further work" ], "out_of_scope": [ "Complete cataloguing, ownership and valuation of the resulting artwork", "General mural painting using media unrelated to fresco technique", "Structural engineering of the host building", "Manufacture and general chemistry of lime, aggregates and pigments", "Detailed conservation treatment protocols and professional authorisation", "General art history, iconography and attribution beyond evidence relevant to execution" ], "distinguishing_features": [ "An image painted on a wall is insufficient evidence of fresco: classification requires evidence about the plaster's state during application and the paint's binding mechanism.", "Painting associated with setting lime plaster must be distinguished from paint applied to dry plaster with an added binder.", "A single painted surface may combine fresco execution, dry additions and later retouching, so classification must be possible by area or campaign.", "The sequence and extent of plaster application constrain painting sessions; an agent should seek corresponding joins, overlaps or execution records.", "Fresco painting denotes an activity here; a surviving fresco is an output that provides partial evidence of that activity." ], "characteristics": [ { "name": "Technique classification", "kind": "category", "unit_or_values": "Fresh-plaster fresco; dry-plaster painting; mixed technique; disputed; undetermined", "why_it_matters": "Prevents wall location or traditional naming from substituting for evidence of execution." }, { "name": "Plaster state during paint application", "kind": "state", "unit_or_values": "Fresh and workable; partly set; dry; reconstructed with uncertainty; unknown", "why_it_matters": "Connects technique classification and possible actions to the actual painting surface." }, { "name": "Preparation and paint sequence", "kind": "relation", "unit_or_values": "Ordered relationships among support preparation, plaster coats, transferred marks, paint applications and later additions", "why_it_matters": "Separates original execution from subsequent work and identifies dependencies." }, { "name": "Painting-session area", "kind": "measurement", "unit_or_values": "Square metres per observed or documented plaster section, with boundary confidence", "why_it_matters": "Relates plaster preparation to the scale and organisation of painting sessions." }, { "name": "Elapsed time since finishing-plaster application", "kind": "measurement", "unit_or_values": "Minutes or hours, with observation time and uncertainty; unknown for unreconstructable historical work", "why_it_matters": "Supports assessment of the working window without treating elapsed time alone as proof of readiness." }, { "name": "Paint constituents", "kind": "relation", "unit_or_values": "Pigments, application liquid and detected or documented added binders linked to specific areas and evidence", "why_it_matters": "Supports compatibility assessment and distinction between execution techniques." }, { "name": "Working environment", "kind": "measurement", "unit_or_values": "Air and surface temperature in degrees Celsius; relative humidity in percent; timestamped observations of airflow and exposure", "why_it_matters": "Provides context for changes in plaster workability and surface drying." }, { "name": "Surface and support condition", "kind": "state", "unit_or_values": "Mapped observations of cohesion, adhesion, cracking, moisture, deposits and paint loss; unassessed", "why_it_matters": "Identifies conditions requiring a pause, further investigation or specialist review." } ], "affordances": [ "Classify the technique of a documented painting activity or individual surface area, with confidence and supporting evidence.", "Map dependencies between plaster preparation, design transfer and painting sessions.", "Compare proposed pigments and application methods against evidence relevant to the intended plaster system.", "Record session boundaries, execution changes and dry additions without treating all visible paint as one campaign.", "Identify missing observations and conditions that warrant pausing work or seeking specialist assessment." ] }, "sources": [], "structure": { "bundles": [ { "id": "technique-and-evidence", "name": "Technique and evidence", "description": "Establishes what fresco painting means in this instance and how that classification is supported.", "rationale": "Fresco terminology can conceal differences between wet-plaster execution, dry painting and mixed surfaces.", "layers": [ { "id": "execution-mechanism", "name": "Execution mechanism", "description": "Records the relationship between plaster state, paint application and binding.", "findings": [ { "id": "basis-for-fresco-classification", "name": "Basis for fresco classification", "description": "Capture evidence of execution technique rather than inferring fresco from the presence of a mural.", "questions": [ { "text": "What evidence establishes the state of the plaster when this paint was applied?", "kind": "definition", "id": "basis-for-fresco-classification-q01" }, { "text": "Does the evidence support fresh-plaster execution, an added-binder dry technique, a mixture or an unresolved classification?", "kind": "boundary", "id": "basis-for-fresco-classification-q02" } ] } ] }, { "id": "classification-by-area", "name": "Classification by area", "description": "Allows different parts of one painting to have different technical histories.", "findings": [ { "id": "mapped-technique-evidence", "name": "Mapped technique evidence", "description": "Associate each technical interpretation with the area examined, the evidence source and its limits.", "questions": [ { "text": "Which areas were examined or documented, and which technique assignments are extrapolations?", "kind": "provenance", "id": "mapped-technique-evidence-q01" }, { "text": "Where do dry additions or later paint layers limit the claim that the visible image represents fresco execution?", "kind": "boundary", "id": "mapped-technique-evidence-q02" } ] } ] } ] }, { "id": "support-and-plaster-preparation", "name": "Support and plaster preparation", "description": "Models the prepared surface on which fresco painting depends.", "rationale": "Support condition and plaster preparation shape whether, where and when painting can proceed.", "layers": [ { "id": "support-interface", "name": "Support interface", "description": "Connects the painting activity to the substrate and its relevant condition.", "findings": [ { "id": "substrate-readiness", "name": "Substrate readiness", "description": "Record the substrate, preparation history and observed conditions relevant to applying plaster.", "questions": [ { "text": "What substrate receives the plaster, and what preparation or intervening layers are documented?", "kind": "provenance", "id": "substrate-readiness-q01" }, { "text": "Which observed moisture, movement or adhesion concerns must be assessed before plastering proceeds?", "kind": "action", "id": "substrate-readiness-q02" } ] } ] }, { "id": "plaster-system", "name": "Plaster system", "description": "Describes the actual coat sequence and finishing surface without assuming one universal recipe.", "findings": [ { "id": "coat-composition-and-readiness", "name": "Coat composition and readiness", "description": "Record plaster constituents, coat relationships and evidence that the finishing coat is ready for the intended painting method.", "questions": [ { "text": "What constituents, thicknesses and application sequence are known for the plaster coats?", "kind": "measurement", "id": "coat-composition-and-readiness-q01" }, { "text": "What observations or trials establish that the finishing coat is ready to receive paint?", "kind": "action", "id": "coat-composition-and-readiness-q02" } ] } ] } ] }, { "id": "design-and-session-sequencing", "name": "Design and session sequencing", "description": "Connects image planning to plaster sections, transfer methods and the working window.", "rationale": "Fresco execution requires coordination between the image and the limited area of plaster available for a session.", "layers": [ { "id": "image-transfer", "name": "Image transfer", "description": "Tracks how the planned image is positioned and carried onto the prepared surface.", "findings": [ { "id": "layout-and-transfer-traces", "name": "Layout and transfer traces", "description": "Record preparatory designs and observed transfer marks while separating evidence from reconstruction.", "questions": [ { "text": "What drawings, incisions, pounced marks or other evidence show how the design reached the plaster?", "kind": "provenance", "id": "layout-and-transfer-traces-q01" }, { "text": "How does the transferred design align with the proposed or observed plaster-section boundaries?", "kind": "measurement", "id": "layout-and-transfer-traces-q02" } ] } ] }, { "id": "plaster-session-coordination", "name": "Plaster-session coordination", "description": "Records working sections, their order and the conditions governing session completion.", "findings": [ { "id": "session-boundaries-and-working-window", "name": "Session boundaries and working window", "description": "Identify plaster sections, including those interpreted as giornate, without assuming that every visible join proves a single day's work.", "questions": [ { "text": "What joins, overlaps or records support the inferred sequence and extent of painting sessions?", "kind": "provenance", "id": "session-boundaries-and-working-window-q01" }, { "text": "What surface observations and environmental conditions determine whether painting can continue on the current section?", "kind": "action", "id": "session-boundaries-and-working-window-q02" } ] } ] } ] }, { "id": "colour-and-application", "name": "Colour and application", "description": "Records how paint constituents and application decisions interact with the plaster.", "rationale": "Fresco requires technique-specific assessment of colour materials and their behaviour during application and setting.", "layers": [ { "id": "paint-materials", "name": "Paint materials", "description": "Links pigment and binder identifications to particular passages and methods.", "findings": [ { "id": "material-suitability-evidence", "name": "Material suitability evidence", "description": "Record evidence supporting the suitability of proposed materials for the specific plaster and execution method.", "questions": [ { "text": "Which pigments, liquids and added binders are documented or identified in each relevant passage?", "kind": "provenance", "id": "material-suitability-evidence-q01" }, { "text": "What trials or technical evidence support using the proposed colour materials on this plaster system?", "kind": "action", "id": "material-suitability-evidence-q02" } ] } ] }, { "id": "application-and-colour-development", "name": "Application and colour development", "description": "Connects paint application and subsequent appearance to observed surface conditions.", "findings": [ { "id": "paint-handling-and-observed-result", "name": "Paint handling and observed result", "description": "Record application order, handling and colour observations at stated stages rather than assuming wet appearance predicts the result.", "questions": [ { "text": "What application sequence, paint consistency and plaster condition are documented for the passage?", "kind": "provenance", "id": "paint-handling-and-observed-result-q01" }, { "text": "How does its appearance change between application and later observations under comparable lighting?", "kind": "measurement", "id": "paint-handling-and-observed-result-q02" } ] } ] } ] }, { "id": "completion-and-intervention-boundaries", "name": "Completion and intervention boundaries", "description": "Distinguishes completion of fresco execution from dry finishing, later alteration and conservation work.", "rationale": "The visible surface may contain several campaigns whose conditions and permitted actions differ.", "layers": [ { "id": "execution-campaigns", "name": "Execution campaigns", "description": "Separates initial execution, associated finishing and subsequent interventions.", "findings": [ { "id": "original-work-and-later-additions", "name": "Original work and later additions", "description": "Map technical and chronological distinctions without assuming that all dry paint is later restoration.", "questions": [ { "text": "What evidence distinguishes original dry finishing from subsequent retouching, overpainting or replacement plaster?", "kind": "provenance", "id": "original-work-and-later-additions-q01" }, { "text": "Which additions belong to the painting activity being modelled, and which belong to a separate intervention?", "kind": "boundary", "id": "original-work-and-later-additions-q02" } ] } ] }, { "id": "condition-dependent-actions", "name": "Condition-dependent actions", "description": "Relates observed surface condition to continuation, documentation or referral decisions.", "findings": [ { "id": "work-readiness-and-referral", "name": "Work readiness and referral", "description": "Record condition evidence and the basis for deciding whether further painting is appropriate.", "questions": [ { "text": "Where are cracking, detachment, powdering, deposits or moisture observed relative to plaster joins and paint layers?", "kind": "measurement", "id": "work-readiness-and-referral-q01" }, { "text": "Does the proposed next step continue new painting, alter an existing artwork or require assessment within a conservation workflow?", "kind": "action", "id": "work-readiness-and-referral-q02" } ] } ] } ] }, { "id": "evidence-and-external-alignment", "name": "Evidence and external alignment", "description": "What the world already says about this thing, gathered so the model can be checked against it.", "rationale": "A model that cannot be lined up against existing standards, identifiers and practice cannot be adopted by anyone who already uses them.", "layers": [ { "id": "reported-evidence", "name": "Reported evidence", "description": "Findings from the breadth pass, kept separate from the structural claims.", "findings": [ { "id": "evidence-confidence-notes", "name": "Check these first", "description": "Recalled without web access and unsourced; every item is a lead to verify.", "evidence": [ "The registry has no recorded sense; the activity sense is inferred from the domain code.", "Usage of 'fresco' varies between a strict wet-plaster definition and a broader grouping that includes secco and intermediate techniques.", "Technique, pigment compatibility and deterioration mechanisms should be checked for each specific work rather than inferred from its period or region." ], "questions": [ { "id": "evidence-confidence-notes-q01", "text": "Which of these check these first hold for the sense of fresco painting this model covers, and on what evidence?", "kind": "provenance" } ] }, { "id": "evidence-kinds", "name": "Kinds and varieties", "description": "Recalled without web access and unsourced; every item is a lead to verify.", "evidence": [ "Buon fresco: painting on fresh lime plaster", "Fresco secco: painting on dry plaster with an added binder, conventionally associated with fresco but technically distinct", "Mezzo fresco: painting on partly dried plaster" ], "questions": [ { "id": "evidence-kinds-q01", "text": "Which of these kinds and varieties hold for the sense of fresco painting this model covers, and on what evidence?", "kind": "provenance" } ] }, { "id": "evidence-real-world-use", "name": "Real-world use", "description": "Recalled without web access and unsourced; every item is a lead to verify.", "evidence": [ "Religious imagery on church and chapel walls and ceilings", "Decorative and narrative painting in palaces, houses and civic buildings", "Architectural commissions integrating painted imagery with interior spaces", "Contemporary artistic practice and teaching of historic painting techniques" ], "questions": [ { "id": "evidence-real-world-use-q01", "text": "Which of these real-world use hold for the sense of fresco painting this model covers, and on what evidence?", "kind": "provenance" } ] }, { "id": "evidence-measurements", "name": "Typical measurements", "description": "Recalled without web access and unsourced; every item is a lead to verify.", "evidence": [ { "quantity": "Painted surface area", "typical_range": "Varies with the architectural setting and composition; no general typical range", "unit": "m²" } ], "questions": [ { "id": "evidence-measurements-q01", "text": "Which of these typical measurements hold for the sense of fresco painting this model covers, and on what evidence?", "kind": "provenance" } ] }, { "id": "evidence-failure-modes-and-hazards", "name": "Failure modes and hazards", "description": "Recalled without web access and unsourced; every item is a lead to verify.", "evidence": [ "Moisture and soluble salts can cause efflorescence, surface disruption and loss of painted plaster.", "Separation between plaster layers or from the wall can lead to detachment and collapse.", "Structural movement can crack the support and painted surface.", "Pigments incompatible with alkaline lime can change colour or deteriorate.", "Painting after the plaster has dried too far can impair pigment fixation in buon fresco." ], "questions": [ { "id": "evidence-failure-modes-and-hazards-q01", "text": "Which of these failure modes and hazards hold for the sense of fresco painting this model covers, and on what evidence?", "kind": "provenance" } ] }, { "id": "evidence-regional-variation", "name": "Regional variation", "description": "Recalled without web access and unsourced; every item is a lead to verify.", "evidence": [ "Italian Renaissance practice provides widely used technical terms, including intonaco for the finishing plaster and giornata for a section prepared for a day's painting.", "Traditions elsewhere may combine wet-plaster painting and dry-applied details; regional labels alone do not establish the actual technique." ], "questions": [ { "id": "evidence-regional-variation-q01", "text": "Which of these regional variation hold for the sense of fresco painting this model covers, and on what evidence?", "kind": "provenance" } ] }, { "id": "evidence-neighbours", "name": "Neighbouring kinds and how to tell them apart", "description": "Recalled without web access and unsourced; every item is a lead to verify.", "evidence": [ { "name": "Mural painting", "difference": "Mural painting includes paintings made on walls using many media; fresco specifies a plaster-related technique within that broader practice." }, { "name": "Secco painting", "difference": "Secco applies paint to dry plaster and relies on a binding medium, whereas buon fresco relies on the carbonation of fresh lime plaster." }, { "name": "Limewash painting", "difference": "Limewash supplies lime within the applied coating; buon fresco ordinarily applies water-dispersed pigment to fresh lime plaster." }, { "name": "Fresco artwork", "difference": "The artwork is the resulting physical painting; this entry describes the activity and technique, consistent with ACT.ACT." } ], "questions": [ { "id": "evidence-neighbours-q01", "text": "Which of these neighbouring kinds and how to tell them apart hold for the sense of fresco painting this model covers, and on what evidence?", "kind": "provenance" } ] } ] } ] } ] }, "openQuestions": [ "Which technical vocabulary and boundaries should this registry adopt for buon fresco, mezzo fresco and fresco secco across different traditions?", "What minimum evidence is sufficient to classify a historical passage as fresco when execution records or material analyses are unavailable?", "Which readiness indicators and material-compatibility criteria are supported for particular plaster recipes and working environments?", "How reliably can plaster joins establish painting-session duration, order or division of labour in different workshop practices?", "How should the model distinguish original dry finishing from later intervention when chronology remains unresolved?" ], "statistics": { "bundles": 6, "layers": 11, "findings": 17, "questions": 27 } }, "draft": { "generator": "vr.draft.v3", "status": "draft-generated", "researched": false, "archetype": "abstract concept", "method": "Written from the archetype playbook - what this kind of thing needs beyond identity and provenance - and from the structure that recurred across 6,333 models already researched by two engines. Applied to this entry by rule. No source was read for this thing and no claim here is researched. This entry carries no facets of its own, so they were inferred from its domain - a guess about a whole domain applied to one thing.", "facetsInferred": true, "nextPass": "A researcher replaces this draft with a sourced specification. Treat every sentence below as a proposal to argue with.", "purpose": "Give an agent a durable, checkable way to recognise a fresco painting, record what state it is in, and decide what may be done with it.", "whatItIs": "Enable an agent to recognise fresco painting as a practice, assess the relationship between plaster preparation and image-making, and determine appropriate next actions from evidence about technique, working conditions and surface state.", "characteristics": { "substance": "activity", "origin": "conceptual", "agency": "inert" }, "whatYouCanDoWithIt": [ "observed and measured" ], "distinguishingFeatures": [ "Names folded into this entry, which a task may need to split apart again: fresco-secco, Cul-de-four de la Paix, spirit fresco, Attila and his Hordes Overrun Italy and the Arts, buon fresco, J. Warx's Juan Carlos of Spain mural in Benimaclet, lime secco.", "7 finer distinctions are held as aliases rather than separate entries, because telling them apart needs a task that asks for it.", "Described in 83 Wikipedia languages, which is a measure of how widely the thing is known, not of how important it is." ], "openQuestionsForResearch": [ "Which of the bundles below does a real task actually need, and which are ceremony?", "What does this thing have that the facets do not capture at all?", "Which neighbouring kind is most often confused with a fresco painting, and on what evidence are they told apart?" ], "whatItIsMadeOf": "something that happens over time", "physicalCharacter": [ "Does nothing on its own; everything it does, something else did to it.", "These come from the domain this entry sits in rather than from the entry itself, so treat them as a first guess about the whole domain applied to one thing." ], "whatCanBeDoneWithIt": [ "observe it, measure it, record its state" ], "howItIsRecognised": [ "Nothing to see. What is recognised is an instance of it, and which instances count is exactly what is argued about." ], "relatedModels": [ { "relation": "covers", "note": "Finer kinds folded into this entry because telling them apart needs a task that asks for it. Each is a model waiting to be split out when one does.", "targets": [ "fresco-secco", "Cul-de-four de la Paix", "spirit fresco", "Attila and his Hordes Overrun Italy and the Arts", "buon fresco", "J. Warx's Juan Carlos of Spain mural in Benimaclet", "lime secco" ] } ], "standing": "Described in 83 Wikipedia languages, which measures how widely it is written about rather than how important or how common it is. 7 finer distinctions are held inside this entry as names rather than as separate models.", "structure": { "bundles": [ { "id": "identity-and-classification", "name": "Identity, naming and classification", "description": "How an agent tells one fresco painting from another, and a fresco painting from things that resemble it.", "rationale": "Recognition comes before every other claim. Without stable identity nothing else in the model can be trusted to be about the same thing twice.", "layers": [ { "id": "naming-and-identifiers", "name": "Names and identifiers", "description": "The names this thing goes by and the identifiers that survive translation and time.", "findings": [ { "id": "preferred-name-and-aliases", "name": "Preferred name, aliases and local names", "description": "Which name to use, which names mean the same thing, and which merely sound similar.", "questions": [ { "id": "preferred-name-and-aliases-q01", "text": "What identifies and describes the name of a fresco painting, and in what units or vocabulary?", "kind": "definition", "answer_data": [ "identifiers", "types and classes", "values with units", "explicit unknowns" ] }, { "id": "preferred-name-and-aliases-q02", "text": "Who or what asserted this about the name of a fresco painting, by which method, and when was it true?", "kind": "provenance", "answer_data": [ "authority", "method", "evidence", "event time", "knowledge time" ] }, { "id": "preferred-name-and-aliases-q03", "text": "What may an agent decide or do once the name of a fresco painting is known, and what must it refuse?", "kind": "action", "answer_data": [ "permitted actions", "preconditions", "refusals", "escalation" ] } ] }, { "id": "stable-identifiers", "name": "Stable identifiers and external keys", "description": "Identifiers that keep pointing at this kind of thing across systems and languages.", "questions": [ { "id": "stable-identifiers-q01", "text": "What identifies and describes an identifier for a fresco painting, and in what units or vocabulary?", "kind": "definition", "answer_data": [ "identifiers", "types and classes", "values with units", "explicit unknowns" ] }, { "id": "stable-identifiers-q02", "text": "Who or what asserted this about an identifier for a fresco painting, by which method, and when was it true?", "kind": "provenance", "answer_data": [ "authority", "method", "evidence", "event time", "knowledge time" ] }, { "id": "stable-identifiers-q03", "text": "What may an agent decide or do once an identifier for a fresco painting is known, and what must it refuse?", "kind": "action", "answer_data": [ "permitted actions", "preconditions", "refusals", "escalation" ] } ] } ] }, { "id": "classification-and-granularity", "name": "Classification and granularity", "description": "Where a fresco painting sits among kinds, and how finely a task needs to cut it.", "findings": [ { "id": "kind-and-parents", "name": "Kind, parents and neighbouring kinds", "description": "The classes this thing belongs to and the ones it is next to.", "questions": [ { "id": "kind-and-parents-q01", "text": "What identifies and describes the kind of a fresco painting, and in what units or vocabulary?", "kind": "definition", "answer_data": [ "identifiers", "types and classes", "values with units", "explicit unknowns" ] }, { "id": "kind-and-parents-q02", "text": "Who or what asserted this about the kind of a fresco painting, by which method, and when was it true?", "kind": "provenance", "answer_data": [ "authority", "method", "evidence", "event time", "knowledge time" ] }, { "id": "kind-and-parents-q03", "text": "What may an agent decide or do once the kind of a fresco painting is known, and what must it refuse?", "kind": "action", "answer_data": [ "permitted actions", "preconditions", "refusals", "escalation" ] } ] }, { "id": "distinguishing-features", "name": "Distinguishing features", "description": "What separates a fresco painting from the things most often confused with it.", "questions": [ { "id": "distinguishing-features-q01", "text": "What identifies and describes what distinguishes a fresco painting, and in what units or vocabulary?", "kind": "definition", "answer_data": [ "identifiers", "types and classes", "values with units", "explicit unknowns" ] }, { "id": "distinguishing-features-q02", "text": "Who or what asserted this about what distinguishes a fresco painting, by which method, and when was it true?", "kind": "provenance", "answer_data": [ "authority", "method", "evidence", "event time", "knowledge time" ] }, { "id": "distinguishing-features-q03", "text": "What may an agent decide or do once what distinguishes a fresco painting is known, and what must it refuse?", "kind": "action", "answer_data": [ "permitted actions", "preconditions", "refusals", "escalation" ] } ] } ] } ] }, { "id": "state-and-lifecycle", "name": "State and lifecycle", "description": "The states a fresco painting passes through and the events that move it between them.", "rationale": "Most decisions about a thing depend on what state it is in now, which is a claim with a time on it, not a property.", "layers": [ { "id": "lifecycle-stages", "name": "Lifecycle stages", "description": "From coming into existence to ceasing to be one of these.", "findings": [ { "id": "stages-and-transitions", "name": "Stages and transitions", "description": "The stages worth naming and what moves a fresco painting between them.", "questions": [ { "id": "stages-and-transitions-q01", "text": "What identifies and describes the lifecycle of a fresco painting, and in what units or vocabulary?", "kind": "definition", "answer_data": [ "identifiers", "types and classes", "values with units", "explicit unknowns" ] }, { "id": "stages-and-transitions-q02", "text": "Who or what asserted this about the lifecycle of a fresco painting, by which method, and when was it true?", "kind": "provenance", "answer_data": [ "authority", "method", "evidence", "event time", "knowledge time" ] }, { "id": "stages-and-transitions-q03", "text": "What may an agent decide or do once the lifecycle of a fresco painting is known, and what must it refuse?", "kind": "action", "answer_data": [ "permitted actions", "preconditions", "refusals", "escalation" ] } ] } ] }, { "id": "observations-and-status", "name": "Observations and current status", "description": "What is observed about a fresco painting, how often and by whom.", "findings": [ { "id": "observation-record", "name": "Observation record", "description": "How an observation of a fresco painting is recorded so that it can be superseded rather than overwritten.", "questions": [ { "id": "observation-record-q01", "text": "What identifies and describes an observation of a fresco painting, and in what units or vocabulary?", "kind": "definition", "answer_data": [ "identifiers", "types and classes", "values with units", "explicit unknowns" ] }, { "id": "observation-record-q02", "text": "Who or what asserted this about an observation of a fresco painting, by which method, and when was it true?", "kind": "provenance", "answer_data": [ "authority", "method", "evidence", "event time", "knowledge time" ] }, { "id": "observation-record-q03", "text": "What may an agent decide or do once an observation of a fresco painting is known, and what must it refuse?", "kind": "action", "answer_data": [ "permitted actions", "preconditions", "refusals", "escalation" ] } ] } ] } ] }, { "id": "process-and-outcome", "name": "Process, inputs and outcome", "description": "How a fresco painting proceeds, what it needs and what it leaves behind.", "rationale": "An activity is known by its steps and its results, and both have to be recordable while it is still running.", "layers": [ { "id": "steps-and-sequence", "name": "Steps and sequence", "description": "The steps of a fresco painting, their order and what may run in parallel.", "findings": [ { "id": "steps-and-preconditions", "name": "Steps, preconditions and completion", "description": "What has to be true before each step of a fresco painting and what marks it done.", "questions": [ { "id": "steps-and-preconditions-q01", "text": "What identifies and describes a step of a fresco painting, and in what units or vocabulary?", "kind": "definition", "answer_data": [ "identifiers", "types and classes", "values with units", "explicit unknowns" ] }, { "id": "steps-and-preconditions-q02", "text": "Who or what asserted this about a step of a fresco painting, by which method, and when was it true?", "kind": "provenance", "answer_data": [ "authority", "method", "evidence", "event time", "knowledge time" ] }, { "id": "steps-and-preconditions-q03", "text": "What may an agent decide or do once a step of a fresco painting is known, and what must it refuse?", "kind": "action", "answer_data": [ "permitted actions", "preconditions", "refusals", "escalation" ] } ] } ] }, { "id": "inputs-and-results", "name": "Inputs, resources and results", "description": "What a fresco painting consumes and what it produces.", "findings": [ { "id": "inputs-and-outputs", "name": "Inputs, outputs and side effects", "description": "The resources a fresco painting takes and the results it leaves, wanted or not.", "questions": [ { "id": "inputs-and-outputs-q01", "text": "What identifies and describes the inputs and results of a fresco painting, and in what units or vocabulary?", "kind": "definition", "answer_data": [ "identifiers", "types and classes", "values with units", "explicit unknowns" ] }, { "id": "inputs-and-outputs-q02", "text": "Who or what asserted this about the inputs and results of a fresco painting, by which method, and when was it true?", "kind": "provenance", "answer_data": [ "authority", "method", "evidence", "event time", "knowledge time" ] }, { "id": "inputs-and-outputs-q03", "text": "What may an agent decide or do once the inputs and results of a fresco painting is known, and what must it refuse?", "kind": "action", "answer_data": [ "permitted actions", "preconditions", "refusals", "escalation" ] } ] } ] } ] }, { "id": "definitions-in-contest", "name": "Definitions and who holds them", "description": "What fresco painting is taken to mean, and by whom.", "rationale": "When a field disagrees about a concept, the disagreement is the content. A model that picks one definition silently destroys the information.", "layers": [ { "id": "competing-definitions", "name": "Competing definitions", "description": "The main readings and the traditions behind them.", "findings": [ { "id": "definition-map", "name": "Definitions and their holders", "description": "Each definition with the school or body that holds it.", "questions": [ { "id": "definition-map-q01", "text": "Which definitions of fresco painting are in use, and which tradition or body holds each?", "kind": "definition" }, { "id": "definition-map-q02", "text": "What turns on the difference between them in practice?", "kind": "boundary" } ] } ] }, { "id": "operationalisation", "name": "Operationalisation", "description": "How it is measured or applied when it has to be.", "findings": [ { "id": "operational-record", "name": "Measures and proxies", "description": "Instruments and indicators used to stand in for it.", "questions": [ { "id": "operational-record-q01", "text": "How is fresco painting operationalised or measured in practice, and by what instrument?", "kind": "measurement" }, { "id": "operational-record-q02", "text": "What does that operationalisation leave out, and when does that matter?", "kind": "boundary" } ] } ] } ] }, { "id": "instances-and-use", "name": "Instances, use and consequence", "description": "What counts as an instance of fresco painting and what follows from calling something that.", "rationale": "Applying a concept is an act with consequences, so a model must say what the label licenses and what it does not.", "layers": [ { "id": "instances", "name": "What counts as an instance", "description": "Clear cases, borderline cases and non-cases.", "findings": [ { "id": "instance-tests", "name": "Tests for an instance", "description": "What would settle whether something falls under it.", "questions": [ { "id": "instance-tests-q01", "text": "What would settle whether something is an instance of fresco painting?", "kind": "boundary" }, { "id": "instance-tests-q02", "text": "Which borderline cases are argued about, and on what grounds?", "kind": "definition" } ] } ] }, { "id": "consequence", "name": "Consequence of application", "description": "Rights, duties or decisions that follow from the label.", "findings": [ { "id": "consequence-record", "name": "What the label licenses", "description": "What an agent may do once something is classified this way.", "questions": [ { "id": "consequence-record-q01", "text": "What follows practically once something is treated as fresco painting?", "kind": "action" }, { "id": "consequence-record-q02", "text": "What must an agent not infer from the label alone?", "kind": "action" } ] } ] } ] }, { "id": "provenance-and-evidence", "name": "Provenance, evidence and time", "description": "Where every claim about a fresco painting came from and when it held.", "rationale": "A claim without a source and a time cannot be superseded, only overwritten, and an agent that overwrites loses the ability to explain itself.", "layers": [ { "id": "source-and-authority", "name": "Source and authority", "description": "Who said it, on what evidence, and how strongly.", "findings": [ { "id": "claim-provenance", "name": "Claim provenance and confidence", "description": "The authority behind each claim about a fresco painting and how confident it is.", "questions": [ { "id": "claim-provenance-q01", "text": "What identifies and describes a claim about a fresco painting, and in what units or vocabulary?", "kind": "definition", "answer_data": [ "identifiers", "types and classes", "values with units", "explicit unknowns" ] }, { "id": "claim-provenance-q02", "text": "Who or what asserted this about a claim about a fresco painting, by which method, and when was it true?", "kind": "provenance", "answer_data": [ "authority", "method", "evidence", "event time", "knowledge time" ] }, { "id": "claim-provenance-q03", "text": "What may an agent decide or do once a claim about a fresco painting is known, and what must it refuse?", "kind": "action", "answer_data": [ "permitted actions", "preconditions", "refusals", "escalation" ] } ] } ] }, { "id": "time-and-versions", "name": "Time, versions and supersession", "description": "When a claim was true, when it was learnt, and what replaced it.", "findings": [ { "id": "validity-and-supersession", "name": "Validity period and supersession", "description": "How an old claim about a fresco painting is retired without being erased.", "questions": [ { "id": "validity-and-supersession-q01", "text": "What identifies and describes the validity of a claim about a fresco painting, and in what units or vocabulary?", "kind": "definition", "answer_data": [ "identifiers", "types and classes", "values with units", "explicit unknowns" ] }, { "id": "validity-and-supersession-q02", "text": "Who or what asserted this about the validity of a claim about a fresco painting, by which method, and when was it true?", "kind": "provenance", "answer_data": [ "authority", "method", "evidence", "event time", "knowledge time" ] }, { "id": "validity-and-supersession-q03", "text": "What may an agent decide or do once the validity of a claim about a fresco painting is known, and what must it refuse?", "kind": "action", "answer_data": [ "permitted actions", "preconditions", "refusals", "escalation" ] } ] } ] } ] } ] }, "statistics": { "bundles": 6, "layers": 12, "findings": 14, "questions": 38 } } } }