{ "model": { "rank": 3509, "code": "thing-q184485", "model_id": "vr.tr.performing-arts", "name": "performing arts", "purpose": "Let an agent handle the performing arts by form and tradition, help people find performances, training and careers, explain rights and safety, and describe cultural forms with attribution.", "family": "Thing Registry", "category": "Activities and processes", "status": "research-draft", "kind": "thing", "plane": "ACT", "domain": "ACT.ACT", "industry": "", "version": "", "url": "/models/thing/q184485/", "tier": 2, "score": 85, "payload": { "layer": "wikidata", "aliases": [ "stage magic", "Māori music and performing arts", "Pepper's ghost", "gospel magic", "aerial suspension", "Indrajala", "micromagic", "street magic", "children's magic", "coin magic", "parlor magic", "platform magic", "self-working magic", "mentalism", "chink-a-chink", "circus", "youth audience", "Patingtung", "ca trù", "Prahallada Nataka", "performing arts of the Earth", "quyi", "flying disc freestyle", "drama, theatre and performance studies", "performing arts of the Pacific Islands", "performance art", "Shaktivale vs Turevale", "Maroma", "traditional performing art", "impalement arts", "kleinkunst", "stand-up poetry", "estrada", "Cyrk", "musical arts", "Gondang Buhun", "manualism", "fast comedy" ], "aliasCount": 38, "merged": 38, "knownIn": 85, "facets": null, "markers": [], "lexicalClass": "", "senseRank": null, "alsoRegisteredAs": "vr.tr.performing-arts", "source": { "dataset": "wikidata", "item": "Q184485", "url": "https://www.wikidata.org/wiki/Q184485", "license": "CC0 1.0" } }, "research": { "vercy": "1.0-draft", "publication": { "status": "research-draft", "adjudicationStatus": "unreviewed", "publishableCanonical": false, "generatedAt": "2026-09-11T15:59:27Z", "providers": [ "Claude" ], "breadth": "written by Claude from model knowledge without web access - no source was read, every claim is a lead to verify", "pass": 2, "wave": 1, "engine": "claude" }, "metaModel": { "id": "THING-Q184485", "registryId": "vr.tr.performing-arts", "name": "performing arts", "version": "0.2.0-wave.1", "entryKind": "thing", "family": "Thing Registry", "domain": [ "ACT.ACT" ], "status": "research-draft" }, "canonicalUrl": "https://ver.cy/models/thing/q184485/", "model": { "registry_id": "vr.tr.performing-arts", "name": "performing arts", "purpose": "Let an agent handle the performing arts by form and tradition, help people find performances, training and careers, explain rights and safety, and describe cultural forms with attribution.", "definition": "Art forms performed live before an audience by artists using their bodies, voices and objects, including theatre, dance, music, opera, circus, puppetry, stage magic and illusion, and culturally specific forms such as Maori performing arts; performing arts are created, trained, presented and preserved through institutions, festivals and living traditions.", "what_it_is_for": "Live artistic expression and cultural life.", "affordances": [ "identify performing art forms", "find performances and festivals", "explain training and careers", "describe cultural traditions with attribution" ], "distinguishing_features": [ "Live and embodied", "Many forms", "Institutions and traditions", "Intangible heritage" ], "appearance": "Live performances on stages and in public spaces.", "visual_identification": [ "Live performance for an audience", "Theatre, dance, music and circus", "Film and recorded media are not live" ], "physical_properties": [], "families_and_kinds": [ "theatre and opera", "dance", "music performance", "circus, puppetry and stage magic", "traditional and Indigenous performing arts" ], "related_models": [ { "relation": "is a kind of", "target": "arts", "why": "category" }, { "relation": "is performed by", "target": "performer", "why": "artists" }, { "relation": "is directed by", "target": "director", "why": "leadership" }, { "relation": "is presented in", "target": "stadium", "why": "large venues" } ], "identifiers": [], "standards_and_regulation": [ "Copyright and performers rights", "Venue licensing and safety rules", "UNESCO intangible heritage listings" ], "failure_modes_and_hazards": [ "Injuries in dance and circus", "Cultural appropriation", "Precarious employment" ], "in_scope": [], "out_of_scope": [], "characteristics": [] }, "sources": [], "structure": { "bundles": [ { "id": "forms", "name": "Forms", "description": "Kinds of performing art.", "rationale": "Forms differ.", "layers": [ { "id": "identify", "name": "Identify", "description": "Which form.", "findings": [ { "id": "identify-finding", "name": "Identify", "description": "Which form.", "questions": [ { "text": "Which performing art form is this, and what are its conventions?", "kind": "definition" }, { "text": "How does it relate to other forms?", "kind": "definition" } ] } ] }, { "id": "traditions", "name": "Traditions", "description": "Cultural forms.", "findings": [ { "id": "traditions-finding", "name": "Traditions", "description": "Cultural forms.", "questions": [ { "text": "How do practitioners describe this cultural performing art, such as Maori kapa haka or Indian forms?", "kind": "provenance" }, { "text": "Which protocols apply to learning or presenting it?", "kind": "provenance" } ] } ] } ] }, { "id": "attend", "name": "Attend", "description": "Seeing performances.", "rationale": "Find and enjoy.", "layers": [ { "id": "find", "name": "Find", "description": "Performances.", "findings": [ { "id": "find-finding", "name": "Find", "description": "Performances.", "questions": [ { "text": "Which performances and festivals are on here?", "kind": "provenance" }, { "text": "Where are official tickets sold?", "kind": "provenance" } ] } ] }, { "id": "etiquette", "name": "Etiquette", "description": "Audience conduct.", "findings": [ { "id": "etiquette-finding", "name": "Etiquette", "description": "Audience etiquette.", "questions": [ { "text": "What etiquette applies at this kind of performance?", "kind": "provenance" }, { "text": "Are there accessibility services?", "kind": "provenance" } ] } ] } ] }, { "id": "practice", "name": "Practice", "description": "Training and careers.", "rationale": "Careers are demanding.", "layers": [ { "id": "training", "name": "Training", "description": "Learning.", "findings": [ { "id": "training-finding", "name": "Training", "description": "Training.", "questions": [ { "text": "How can someone train in this art form, from classes to conservatoires?", "kind": "provenance" }, { "text": "Which qualifications matter?", "kind": "provenance" } ] } ] }, { "id": "careers", "name": "Careers", "description": "Working in the arts.", "findings": [ { "id": "careers-finding", "name": "Careers", "description": "Careers.", "questions": [ { "text": "How do performing artists earn a living, and which unions and support exist?", "kind": "provenance" }, { "text": "Which health and safety rules protect performers?", "kind": "provenance" } ] } ] } ] }, { "id": "rights", "name": "Rights", "description": "Rights and heritage.", "rationale": "Protect works and traditions.", "layers": [ { "id": "copyright", "name": "Copyright", "description": "Performers rights.", "findings": [ { "id": "copyright-finding", "name": "Copyright", "description": "Rights.", "questions": [ { "text": "Which rights do performers and creators hold in this work?", "kind": "provenance" }, { "text": "How are performances licensed?", "kind": "provenance" } ] } ] }, { "id": "heritage", "name": "Heritage", "description": "Safeguarding.", "findings": [ { "id": "heritage-finding", "name": "Heritage", "description": "Heritage.", "questions": [ { "text": "Is this form listed as intangible cultural heritage, and how is it safeguarded?", "kind": "provenance" }, { "text": "Are community voices central?", "kind": "boundary" } ] } ] } ] } ] }, "openQuestions": [ "Should each art form be a separate entry?", "How should event listings be linked?", "How should traditions be attributed?" ], "statistics": { "bundles": 4, "layers": 8, "findings": 8, "questions": 16 } }, "draft": { "generator": "vr.draft.v3", "status": "draft-generated", "researched": false, "archetype": "abstract concept", "method": "Written from the archetype playbook - what this kind of thing needs beyond identity and provenance - and from the structure that recurred across 6,333 models already researched by two engines. Applied to this entry by rule. No source was read for this thing and no claim here is researched. This entry carries no facets of its own, so they were inferred from its domain - a guess about a whole domain applied to one thing.", "facetsInferred": true, "nextPass": "A researcher replaces this draft with a sourced specification. Treat every sentence below as a proposal to argue with.", "purpose": "Give an agent a durable, checkable way to recognise a performing arts, record what state it is in, and decide what may be done with it.", "whatItIs": "Let an agent handle the performing arts by form and tradition, help people find performances, training and careers, explain rights and safety, and describe cultural forms with attribution.", "characteristics": { "substance": "activity", "origin": "conceptual", "agency": "inert" }, "whatYouCanDoWithIt": [ "observed and measured" ], "distinguishingFeatures": [ "Names folded into this entry, which a task may need to split apart again: stage magic, Māori music and performing arts, Pepper's ghost, gospel magic, aerial suspension, Indrajala, micromagic, street magic, children's magic, coin magic, parlor magic, platform magic.", "38 finer distinctions are held as aliases rather than separate entries, because telling them apart needs a task that asks for it.", "Described in 85 Wikipedia languages, which is a measure of how widely the thing is known, not of how important it is." ], "openQuestionsForResearch": [ "Which of the bundles below does a real task actually need, and which are ceremony?", "What does this thing have that the facets do not capture at all?", "Which neighbouring kind is most often confused with a performing arts, and on what evidence are they told apart?" ], "whatItIsMadeOf": "something that happens over time", "physicalCharacter": [ "Does nothing on its own; everything it does, something else did to it.", "These come from the domain this entry sits in rather than from the entry itself, so treat them as a first guess about the whole domain applied to one thing." ], "whatCanBeDoneWithIt": [ "observe it, measure it, record its state" ], "howItIsRecognised": [ "Nothing to see. What is recognised is an instance of it, and which instances count is exactly what is argued about." ], "relatedModels": [ { "relation": "covers", "note": "Finer kinds folded into this entry because telling them apart needs a task that asks for it. Each is a model waiting to be split out when one does.", "targets": [ "stage magic", "Māori music and performing arts", "Pepper's ghost", "gospel magic", "aerial suspension", "Indrajala", "micromagic", "street magic", "children's magic", "coin magic", "parlor magic", "platform magic" ] } ], "standing": "Described in 85 Wikipedia languages, which measures how widely it is written about rather than how important or how common it is. 38 finer distinctions are held inside this entry as names rather than as separate models.", "structure": { "bundles": [ { "id": "identity-and-classification", "name": "Identity, naming and classification", "description": "How an agent tells one performing arts from another, and a performing arts from things that resemble it.", "rationale": "Recognition comes before every other claim. Without stable identity nothing else in the model can be trusted to be about the same thing twice.", "layers": [ { "id": "naming-and-identifiers", "name": "Names and identifiers", "description": "The names this thing goes by and the identifiers that survive translation and time.", "findings": [ { "id": "preferred-name-and-aliases", "name": "Preferred name, aliases and local names", "description": "Which name to use, which names mean the same thing, and which merely sound similar.", "questions": [ { "id": "preferred-name-and-aliases-q01", "text": "What identifies and describes the name of a performing arts, and in what units or vocabulary?", "kind": "definition", "answer_data": [ "identifiers", "types and classes", "values with units", "explicit unknowns" ] }, { "id": "preferred-name-and-aliases-q02", "text": "Who or what asserted this about the name of a performing arts, by which method, and when was it true?", "kind": "provenance", "answer_data": [ "authority", "method", "evidence", "event time", "knowledge time" ] }, { "id": "preferred-name-and-aliases-q03", "text": "What may an agent decide or do once the name of a performing arts is known, and what must it refuse?", "kind": "action", "answer_data": [ "permitted actions", "preconditions", "refusals", "escalation" ] } ] }, { "id": "stable-identifiers", "name": "Stable identifiers and external keys", "description": "Identifiers that keep pointing at this kind of thing across systems and languages.", "questions": [ { "id": "stable-identifiers-q01", "text": "What identifies and describes an identifier for a performing arts, and in what units or vocabulary?", "kind": "definition", "answer_data": [ "identifiers", "types and classes", "values with units", "explicit unknowns" ] }, { "id": "stable-identifiers-q02", "text": "Who or what asserted this about an identifier for a performing arts, by which method, and when was it true?", "kind": "provenance", "answer_data": [ "authority", "method", "evidence", "event time", "knowledge time" ] }, { "id": "stable-identifiers-q03", "text": "What may an agent decide or do once an identifier for a performing arts is known, and what must it refuse?", "kind": "action", "answer_data": [ "permitted actions", "preconditions", "refusals", "escalation" ] } ] } ] }, { "id": "classification-and-granularity", "name": "Classification and granularity", "description": "Where a performing arts sits among kinds, and how finely a task needs to cut it.", "findings": [ { "id": "kind-and-parents", "name": "Kind, parents and neighbouring kinds", "description": "The classes this thing belongs to and the ones it is next to.", "questions": [ { "id": "kind-and-parents-q01", "text": "What identifies and describes the kind of a performing arts, and in what units or vocabulary?", "kind": "definition", "answer_data": [ "identifiers", "types and classes", "values with units", "explicit unknowns" ] }, { "id": "kind-and-parents-q02", "text": "Who or what asserted this about the kind of a performing arts, by which method, and when was it true?", "kind": "provenance", "answer_data": [ "authority", "method", "evidence", "event time", "knowledge time" ] }, { "id": "kind-and-parents-q03", "text": "What may an agent decide or do once the kind of a performing arts is known, and what must it refuse?", "kind": "action", "answer_data": [ "permitted actions", "preconditions", "refusals", "escalation" ] } ] }, { "id": "distinguishing-features", "name": "Distinguishing features", "description": "What separates a performing arts from the things most often confused with it.", "questions": [ { "id": "distinguishing-features-q01", "text": "What identifies and describes what distinguishes a performing arts, and in what units or vocabulary?", "kind": "definition", "answer_data": [ "identifiers", "types and classes", "values with units", "explicit unknowns" ] }, { "id": "distinguishing-features-q02", "text": "Who or what asserted this about what distinguishes a performing arts, by which method, and when was it true?", "kind": "provenance", "answer_data": [ "authority", "method", "evidence", "event time", "knowledge time" ] }, { "id": "distinguishing-features-q03", "text": "What may an agent decide or do once what distinguishes a performing arts is known, and what must it refuse?", "kind": "action", "answer_data": [ "permitted actions", "preconditions", "refusals", "escalation" ] } ] } ] } ] }, { "id": "state-and-lifecycle", "name": "State and lifecycle", "description": "The states a performing arts passes through and the events that move it between them.", "rationale": "Most decisions about a thing depend on what state it is in now, which is a claim with a time on it, not a property.", "layers": [ { "id": "lifecycle-stages", "name": "Lifecycle stages", "description": "From coming into existence to ceasing to be one of these.", "findings": [ { "id": "stages-and-transitions", "name": "Stages and transitions", "description": "The stages worth naming and what moves a performing arts between them.", "questions": [ { "id": "stages-and-transitions-q01", "text": "What identifies and describes the lifecycle of a performing arts, and in what units or vocabulary?", "kind": "definition", "answer_data": [ "identifiers", "types and classes", "values with units", "explicit unknowns" ] }, { "id": "stages-and-transitions-q02", "text": "Who or what asserted this about the lifecycle of a performing arts, by which method, and when was it true?", "kind": "provenance", "answer_data": [ "authority", "method", "evidence", "event time", "knowledge time" ] }, { "id": "stages-and-transitions-q03", "text": "What may an agent decide or do once the lifecycle of a performing arts is known, and what must it refuse?", "kind": "action", "answer_data": [ "permitted actions", "preconditions", "refusals", "escalation" ] } ] } ] }, { "id": "observations-and-status", "name": "Observations and current status", "description": "What is observed about a performing arts, how often and by whom.", "findings": [ { "id": "observation-record", "name": "Observation record", "description": "How an observation of a performing arts is recorded so that it can be superseded rather than overwritten.", "questions": [ { "id": "observation-record-q01", "text": "What identifies and describes an observation of a performing arts, and in what units or vocabulary?", "kind": "definition", "answer_data": [ "identifiers", "types and classes", "values with units", "explicit unknowns" ] }, { "id": "observation-record-q02", "text": "Who or what asserted this about an observation of a performing arts, by which method, and when was it true?", "kind": "provenance", "answer_data": [ "authority", "method", "evidence", "event time", "knowledge time" ] }, { "id": "observation-record-q03", "text": "What may an agent decide or do once an observation of a performing arts is known, and what must it refuse?", "kind": "action", "answer_data": [ "permitted actions", "preconditions", "refusals", "escalation" ] } ] } ] } ] }, { "id": "process-and-outcome", "name": "Process, inputs and outcome", "description": "How a performing arts proceeds, what it needs and what it leaves behind.", "rationale": "An activity is known by its steps and its results, and both have to be recordable while it is still running.", "layers": [ { "id": "steps-and-sequence", "name": "Steps and sequence", "description": "The steps of a performing arts, their order and what may run in parallel.", "findings": [ { "id": "steps-and-preconditions", "name": "Steps, preconditions and completion", "description": "What has to be true before each step of a performing arts and what marks it done.", "questions": [ { "id": "steps-and-preconditions-q01", "text": "What identifies and describes a step of a performing arts, and in what units or vocabulary?", "kind": "definition", "answer_data": [ "identifiers", "types and classes", "values with units", "explicit unknowns" ] }, { "id": "steps-and-preconditions-q02", "text": "Who or what asserted this about a step of a performing arts, by which method, and when was it true?", "kind": "provenance", "answer_data": [ "authority", "method", "evidence", "event time", "knowledge time" ] }, { "id": "steps-and-preconditions-q03", "text": "What may an agent decide or do once a step of a performing arts is known, and what must it refuse?", "kind": "action", "answer_data": [ "permitted actions", "preconditions", "refusals", "escalation" ] } ] } ] }, { "id": "inputs-and-results", "name": "Inputs, resources and results", "description": "What a performing arts consumes and what it produces.", "findings": [ { "id": "inputs-and-outputs", "name": "Inputs, outputs and side effects", "description": "The resources a performing arts takes and the results it leaves, wanted or not.", "questions": [ { "id": "inputs-and-outputs-q01", "text": "What identifies and describes the inputs and results of a performing arts, and in what units or vocabulary?", "kind": "definition", "answer_data": [ "identifiers", "types and classes", "values with units", "explicit unknowns" ] }, { "id": "inputs-and-outputs-q02", "text": "Who or what asserted this about the inputs and results of a performing arts, by which method, and when was it true?", "kind": "provenance", "answer_data": [ "authority", "method", "evidence", "event time", "knowledge time" ] }, { "id": "inputs-and-outputs-q03", "text": "What may an agent decide or do once the inputs and results of a performing arts is known, and what must it refuse?", "kind": "action", "answer_data": [ "permitted actions", "preconditions", "refusals", "escalation" ] } ] } ] } ] }, { "id": "definitions-in-contest", "name": "Definitions and who holds them", "description": "What performing arts is taken to mean, and by whom.", "rationale": "When a field disagrees about a concept, the disagreement is the content. A model that picks one definition silently destroys the information.", "layers": [ { "id": "competing-definitions", "name": "Competing definitions", "description": "The main readings and the traditions behind them.", "findings": [ { "id": "definition-map", "name": "Definitions and their holders", "description": "Each definition with the school or body that holds it.", "questions": [ { "id": "definition-map-q01", "text": "Which definitions of performing arts are in use, and which tradition or body holds each?", "kind": "definition" }, { "id": "definition-map-q02", "text": "What turns on the difference between them in practice?", "kind": "boundary" } ] } ] }, { "id": "operationalisation", "name": "Operationalisation", "description": "How it is measured or applied when it has to be.", "findings": [ { "id": "operational-record", "name": "Measures and proxies", "description": "Instruments and indicators used to stand in for it.", "questions": [ { "id": "operational-record-q01", "text": "How is performing arts operationalised or measured in practice, and by what instrument?", "kind": "measurement" }, { "id": "operational-record-q02", "text": "What does that operationalisation leave out, and when does that matter?", "kind": "boundary" } ] } ] } ] }, { "id": "instances-and-use", "name": "Instances, use and consequence", "description": "What counts as an instance of performing arts and what follows from calling something that.", "rationale": "Applying a concept is an act with consequences, so a model must say what the label licenses and what it does not.", "layers": [ { "id": "instances", "name": "What counts as an instance", "description": "Clear cases, borderline cases and non-cases.", "findings": [ { "id": "instance-tests", "name": "Tests for an instance", "description": "What would settle whether something falls under it.", "questions": [ { "id": "instance-tests-q01", "text": "What would settle whether something is an instance of performing arts?", "kind": "boundary" }, { "id": "instance-tests-q02", "text": "Which borderline cases are argued about, and on what grounds?", "kind": "definition" } ] } ] }, { "id": "consequence", "name": "Consequence of application", "description": "Rights, duties or decisions that follow from the label.", "findings": [ { "id": "consequence-record", "name": "What the label licenses", "description": "What an agent may do once something is classified this way.", "questions": [ { "id": "consequence-record-q01", "text": "What follows practically once something is treated as performing arts?", "kind": "action" }, { "id": "consequence-record-q02", "text": "What must an agent not infer from the label alone?", "kind": "action" } ] } ] } ] }, { "id": "provenance-and-evidence", "name": "Provenance, evidence and time", "description": "Where every claim about a performing arts came from and when it held.", "rationale": "A claim without a source and a time cannot be superseded, only overwritten, and an agent that overwrites loses the ability to explain itself.", "layers": [ { "id": "source-and-authority", "name": "Source and authority", "description": "Who said it, on what evidence, and how strongly.", "findings": [ { "id": "claim-provenance", "name": "Claim provenance and confidence", "description": "The authority behind each claim about a performing arts and how confident it is.", "questions": [ { "id": "claim-provenance-q01", "text": "What identifies and describes a claim about a performing arts, and in what units or vocabulary?", "kind": "definition", "answer_data": [ "identifiers", "types and classes", "values with units", "explicit unknowns" ] }, { "id": "claim-provenance-q02", "text": "Who or what asserted this about a claim about a performing arts, by which method, and when was it true?", "kind": "provenance", "answer_data": [ "authority", "method", "evidence", "event time", "knowledge time" ] }, { "id": "claim-provenance-q03", "text": "What may an agent decide or do once a claim about a performing arts is known, and what must it refuse?", "kind": "action", "answer_data": [ "permitted actions", "preconditions", "refusals", "escalation" ] } ] } ] }, { "id": "time-and-versions", "name": "Time, versions and supersession", "description": "When a claim was true, when it was learnt, and what replaced it.", "findings": [ { "id": "validity-and-supersession", "name": "Validity period and supersession", "description": "How an old claim about a performing arts is retired without being erased.", "questions": [ { "id": "validity-and-supersession-q01", "text": "What identifies and describes the validity of a claim about a performing arts, and in what units or vocabulary?", "kind": "definition", "answer_data": [ "identifiers", "types and classes", "values with units", "explicit unknowns" ] }, { "id": "validity-and-supersession-q02", "text": "Who or what asserted this about the validity of a claim about a performing arts, by which method, and when was it true?", "kind": "provenance", "answer_data": [ "authority", "method", "evidence", "event time", "knowledge time" ] }, { "id": "validity-and-supersession-q03", "text": "What may an agent decide or do once the validity of a claim about a performing arts is known, and what must it refuse?", "kind": "action", "answer_data": [ "permitted actions", "preconditions", "refusals", "escalation" ] } ] } ] } ] } ] }, "statistics": { "bundles": 6, "layers": 12, "findings": 14, "questions": 38 } } } }