{ "model": { "rank": 6548, "code": "thing-q189072", "model_id": "vr.tr.theatre-of-ancient-greece", "name": "theatre of ancient Greece", "purpose": "Enable an agent to recognise, contextualise and assess evidence for theatre of ancient Greece, and to distinguish supported interpretation from speculative reconstruction.", "family": "Thing Registry", "category": "Information and virtual systems", "status": "research-draft", "kind": "thing", "plane": "INF", "domain": "INF.KNW", "industry": "", "version": "", "url": "/models/thing/q189072/", "tier": 2, "score": 60, "payload": { "layer": "wikidata", "aliases": [], "aliasCount": 0, "merged": 0, "knownIn": 60, "facets": null, "markers": [], "lexicalClass": "", "senseRank": null, "alsoRegisteredAs": null, "source": { "dataset": "wikidata", "item": "Q189072", "url": "https://www.wikidata.org/wiki/Q189072", "license": "CC0 1.0" } }, "research": { "vercy": "1.0-draft", "publication": { "status": "research-draft", "adjudicationStatus": "unreviewed", "publishableCanonical": false, "generatedAt": "2026-09-09T22:58:55Z", "providers": [ "Codex" ], "breadth": "recalled by Codex without web access - no source was read", "missingProviders": [], "pass": 2, "cost": { "grok": { "seconds": 19.2, "error": "Reading additional input from stdin...\nOpenAI Codex v0.153.4\n--------\nworkdir: R:\\02_PROJECTS\\02_Meta_Models_Platforms\\Ver.cy\\current\\thing-registry-backlog\nmodel: gpt-6-astra\nprovider: openai\napproval: never\nsandbox: read-only\nreasoning effort: none\nreasoning summaries: none\nsession id: 01a08864-6853-7153-92ae-d1c409961886\n--------\nuser\nDescribe what is already known about one registered thing. Answer as JSON only, no prose around it.\n\nThing: theatre of ancient Greece\nSense to describe: (none recorded)\nDomain code: ACT.ACT\nAlso known as: (none)\n\n\nContext for this batch of 188 things:\n# Batch ", "usd": 0, "recall": true }, "codex": { "seconds": 59.2, "error": "Reading additional input from stdin...\nOpenAI Codex v0.153.4\n--------\nworkdir: R:\\02_PROJECTS\\02_Meta_Models_Platforms\\Ver.cy\\current\\thing-registry-backlog\nmodel: gpt-6-astra\nprovider: openai\napproval: never\nsandbox: read-only\nreasoning effort: none\nreasoning summaries: none\nsession id: 01a08864-684a-74d2-9daf-24dc2c5efcd5\n--------\nuser\nYou are drafting a Vercy meta-model for one registered thing. Answer as JSON only, no prose around it.\n\nThing: theatre of ancient Greece\nRegistry id: vr.tr.theatre-of-ancient-greece\nPlane / domain: ACT / ACT.ACT\nRegistry definition: (none recorded)\nNames folde" } } }, "metaModel": { "id": "THING-Q189072", "registryId": "vr.tr.theatre-of-ancient-greece", "name": "theatre of ancient Greece", "version": "0.1.0-research.1", "entryKind": "thing", "family": "Thing Registry", "domain": [ "ACT.ACT" ], "status": "research-draft" }, "canonicalUrl": "https://ver.cy/models/thing/q189072/", "model": { "registry_id": "vr.tr.theatre-of-ancient-greece", "name": "theatre of ancient Greece", "purpose": "Enable an agent to recognise, contextualise and assess evidence for theatre of ancient Greece, and to distinguish supported interpretation from speculative reconstruction.", "definition": "Theatre of ancient Greece is the complex of dramatic composition, performance and festival institutions developed in the ancient Greek world, especially tragedy, comedy and satyr drama, closely associated with civic life and the worship of Dionysus.", "scope_statement": "This model owns theatre of ancient Greece as a historically situated performance practice, connecting dramatic forms, performers, civic and religious organisation, audiences, performance spaces and surviving evidence while retaining uncertainty about regional and chronological variation.", "in_scope": [ "Ancient Greek dramatic performance, including tragedy, comedy and satyr drama", "Relationships among dramatic texts, choral activity, acting, music and movement", "Festival, competitive, civic and religious conditions of theatrical production", "Performance spaces and material arrangements as constraints on theatrical action", "Evidence, interpretation and reconstruction of ancient theatrical practices" ], "out_of_scope": [ "Ancient Greek literature considered independently of theatrical performance", "Theatre buildings as architectural or archaeological assets in their own right", "Greek religion and political institutions beyond their theatrical relationships", "Roman theatre as a distinct historical tradition, except where it supplies comparative or transmission evidence", "Modern productions and adaptations as independent creative works", "Ancient Greek dance, music and ritual without an established theatrical connection" ], "distinguishing_features": [ "An instance requires a supported connection to ancient Greek theatrical practice; a Greek-language text or Greek setting alone is insufficient.", "The object is a performance tradition, so a theatre-shaped building alone does not establish which theatrical activities occurred there.", "Tragedy, comedy and satyr drama must be distinguishable within the model rather than treated as interchangeable expressions of one practice.", "Athenian evidence must be identified by place and period before it is used to characterise theatre across the ancient Greek world.", "Modern reconstructions and later descriptions must remain distinguishable from evidence contemporary with the practice being described." ], "characteristics": [ { "name": "Historical placement", "kind": "measurement", "unit_or_values": "Date or date interval in BCE/CE, with uncertainty and dating basis", "why_it_matters": "Prevents conventions from different periods from being combined into an unsupported single reconstruction." }, { "name": "Local theatrical context", "kind": "relation", "unit_or_values": "Connection to a locality, community, festival or performance venue, with evidence", "why_it_matters": "Separates locally attested arrangements from claims about the wider Greek world." }, { "name": "Dramatic form", "kind": "category", "unit_or_values": "Tragedy; comedy; satyr drama; other proposed form; disputed; unknown", "why_it_matters": "Conditions expectations about performers, chorus, subject matter and production arrangements." }, { "name": "Performance realisation", "kind": "state", "unit_or_values": "Attested performance; inferred performance; proposed reconstruction; performance unknown", "why_it_matters": "Distinguishes evidence that a work existed from evidence that a particular staging occurred." }, { "name": "Actor and chorus configuration", "kind": "relation", "unit_or_values": "Supported allocation of speaking roles, chorus participation and role doubling, with unresolved alternatives", "why_it_matters": "Makes the practical organisation of dramatic action explicit without assuming one configuration for all periods." }, { "name": "Production authority and support", "kind": "relation", "unit_or_values": "Attested relationships among organisers, sponsors, performers and judging bodies", "why_it_matters": "Identifies how theatrical activity was enabled, regulated and evaluated." }, { "name": "Evidence basis", "kind": "category", "unit_or_values": "Dramatic text; inscription; material remains; visual representation; ancient commentary; later testimony; modern inference", "why_it_matters": "Allows claims to be assessed against the capabilities and limitations of their evidence." }, { "name": "Interpretive standing", "kind": "state", "unit_or_values": "Directly attested within stated limits; inferred; contested; unresolved", "why_it_matters": "Controls whether an agent may present a claim as established, conditional or hypothetical." } ], "affordances": [ "Classify a proposed instance and explain its connection to ancient Greek theatrical practice.", "Compare theatrical arrangements across localities, periods and dramatic forms without flattening their differences.", "Assess whether a proposed staging is compatible with identified textual, material and historical evidence.", "Trace an interpretation of performance back to its supporting evidence and competing readings.", "Identify missing evidence before extending an Athenian convention to another theatrical context.", "Produce an explicitly qualified reconstruction brief separating constraints, choices and unresolved questions." ] }, "sources": [], "structure": { "bundles": [ { "id": "historical-and-dramatic-boundaries", "name": "Historical and dramatic boundaries", "description": "Establishes which theatrical practices belong to the entry and how their historical differences are retained.", "rationale": "The label can conceal differences among places, periods and dramatic forms that materially change interpretation.", "layers": [ { "id": "period-and-locality", "name": "Period and locality", "description": "Locates each proposed practice within a supported historical setting.", "findings": [ { "id": "limits-of-historical-attribution", "name": "Limits of historical attribution", "description": "Record the temporal and geographical reach of a claim, including whether wider application is justified.", "questions": [ { "text": "Which date range and locality does the evidence actually support for this theatrical practice?", "kind": "provenance", "id": "limits-of-historical-attribution-q01" }, { "text": "What additional evidence would justify extending this claim beyond its attested setting?", "kind": "boundary", "id": "limits-of-historical-attribution-q02" } ] } ] }, { "id": "dramatic-forms-and-neighbours", "name": "Dramatic forms and neighbours", "description": "Distinguishes theatrical forms and their boundaries with adjacent activities.", "findings": [ { "id": "basis-of-form-identification", "name": "Basis of form identification", "description": "Record why an activity is identified as tragedy, comedy, satyr drama or another proposed theatrical form.", "questions": [ { "text": "Which textual, performance or ancient classificatory evidence supports the assigned dramatic form?", "kind": "definition", "id": "basis-of-form-identification-q01" }, { "text": "What distinguishes this instance from a related choral, ritual or recitational activity?", "kind": "boundary", "id": "basis-of-form-identification-q02" } ] } ] } ] }, { "id": "festival-and-production-order", "name": "Festival and production order", "description": "Connects theatrical activity to its occasions, organising institutions and production resources.", "rationale": "A dramatic work alone does not explain why a performance occurred, who enabled it or how it was evaluated.", "layers": [ { "id": "occasion-and-competition", "name": "Occasion and competition", "description": "Records the supported relationship between performance, festival and competitive programme.", "findings": [ { "id": "performance-occasion", "name": "Performance occasion", "description": "Identify the occasion and establish rather than assume its religious, civic and competitive dimensions.", "questions": [ { "text": "What evidence links this performance to a named festival or other occasion?", "kind": "provenance", "id": "performance-occasion-q01" }, { "text": "Which programme, selection or judging arrangements are attested for that occasion and period?", "kind": "definition", "id": "performance-occasion-q02" } ] } ] }, { "id": "support-and-participation", "name": "Support and participation", "description": "Tracks responsibilities and resources needed to organise a production.", "findings": [ { "id": "production-responsibilities", "name": "Production responsibilities", "description": "Record supported responsibilities for financing, selecting, preparing and presenting theatrical work.", "questions": [ { "text": "Who supplied resources and who held authority over the production in this setting?", "kind": "provenance", "id": "production-responsibilities-q01" }, { "text": "Which known obligations or participation conditions must a reconstruction of this production respect?", "kind": "action", "id": "production-responsibilities-q02" } ] } ] } ] }, { "id": "dramatic-performance", "name": "Dramatic performance", "description": "Relates surviving dramatic material to the work of actors, chorus and musical or bodily performance.", "rationale": "Theatre must be modelled as enacted activity while acknowledging how much of that activity surviving texts leave unspecified.", "layers": [ { "id": "actors-roles-and-speech", "name": "Actors, roles and speech", "description": "Examines how dramatic roles could be realised by performers.", "findings": [ { "id": "role-allocation-and-enactment", "name": "Role allocation and enactment", "description": "Record constraints on speaking roles, role doubling, entrances and visible action without treating editorial choices as ancient instructions.", "questions": [ { "text": "Which performer allocations and role changes are supported or constrained by the text and external evidence?", "kind": "measurement", "id": "role-allocation-and-enactment-q01" }, { "text": "Which proposed entrances, gestures or actions are reconstruction choices rather than attested directions?", "kind": "boundary", "id": "role-allocation-and-enactment-q02" } ] } ] }, { "id": "chorus-music-and-movement", "name": "Chorus, music and movement", "description": "Treats choral and musical action as components of performance requiring their own evidence.", "findings": [ { "id": "choral-performance-profile", "name": "Choral performance profile", "description": "Record the chorus's dramatic relationship to the action and the evidential limits on reconstructing its sound and movement.", "questions": [ { "text": "How does the chorus participate in the dramatic action of this work or performance?", "kind": "definition", "id": "choral-performance-profile-q01" }, { "text": "What supports claims about choral numbers, accompaniment, melody or choreography, and what remains unknown?", "kind": "provenance", "id": "choral-performance-profile-q02" } ] } ] } ] }, { "id": "space-appearance-and-audience", "name": "Space, appearance and audience", "description": "Connects performance to the physical and social conditions of being seen and heard.", "rationale": "Venue phases, performance equipment and audience arrangements constrain theatrical interpretation in different ways.", "layers": [ { "id": "venue-and-staging-resources", "name": "Venue and staging resources", "description": "Assesses which spatial arrangements and material resources can be attributed to a performance context.", "findings": [ { "id": "historically-compatible-staging", "name": "Historically compatible staging", "description": "Relate acting areas, access routes, masks, costume and proposed stage devices to evidence appropriate to the date and place.", "questions": [ { "text": "Which phase of the venue and which staging resources are supported for the proposed performance date?", "kind": "provenance", "id": "historically-compatible-staging-q01" }, { "text": "Can the proposed action be staged within those supported spatial and material constraints?", "kind": "action", "id": "historically-compatible-staging-q02" } ] } ] }, { "id": "audience-and-reception", "name": "Audience and reception", "description": "Distinguishes evidence about attendance and audience arrangements from interpretations of audience response.", "findings": [ { "id": "audience-access-and-response", "name": "Audience access and response", "description": "Record what is known about spectators and avoid equating dramatic content with a uniform public reaction.", "questions": [ { "text": "What evidence supports claims about who attended, where they sat and how they gained access?", "kind": "provenance", "id": "audience-access-and-response-q01" }, { "text": "Which claims about spectators' political, religious or emotional responses are documented, and which are interpretive?", "kind": "boundary", "id": "audience-access-and-response-q02" } ] } ] } ] }, { "id": "evidence-and-reconstruction", "name": "Evidence and reconstruction", "description": "Controls how surviving traces support claims about largely lost performances.", "rationale": "Texts, ruins, images and retrospective accounts answer different questions and cannot be treated as equivalent records of an event.", "layers": [ { "id": "survival-and-transmission", "name": "Survival and transmission", "description": "Examines how the available evidence reached the present and what it can establish.", "findings": [ { "id": "evidence-distance-from-performance", "name": "Evidence distance from performance", "description": "Record the relationship between an evidential item and the ancient performance claim, including transmission and dating limitations.", "questions": [ { "text": "How close in date and context is this evidence to the performance practice it is used to describe?", "kind": "provenance", "id": "evidence-distance-from-performance-q01" }, { "text": "Does it establish a performed event, a textual possibility, a representation or a later interpretation?", "kind": "boundary", "id": "evidence-distance-from-performance-q02" } ] } ] }, { "id": "interpretation-and-reconstruction-decisions", "name": "Interpretation and reconstruction decisions", "description": "Keeps competing explanations and practical reconstruction choices explicit.", "findings": [ { "id": "qualified-reconstruction", "name": "Qualified reconstruction", "description": "State which elements a reconstruction must satisfy, which it may choose and which cannot presently be resolved.", "questions": [ { "text": "Which competing reconstructions fit the surviving evidence, and what observation could distinguish them?", "kind": "boundary", "id": "qualified-reconstruction-q01" }, { "text": "What assumptions must an agent disclose before presenting or using this reconstruction?", "kind": "action", "id": "qualified-reconstruction-q02" } ] } ] } ] }, { "id": "evidence-and-external-alignment", "name": "Evidence and external alignment", "description": "What the world already says about this thing, gathered so the model can be checked against it.", "rationale": "A model that cannot be lined up against existing standards, identifiers and practice cannot be adopted by anyone who already uses them.", "layers": [ { "id": "reported-evidence", "name": "Reported evidence", "description": "Findings from the breadth pass, kept separate from the structural claims.", "findings": [ { "id": "evidence-confidence-notes", "name": "Check these first", "description": "Recalled without web access and unsourced; every item is a lead to verify.", "evidence": [ "This account is recalled knowledge, not source-verified research; surviving evidence disproportionately represents classical Athens.", "The origins of tragedy and its precise relationship to earlier Dionysian performance remain disputed.", "The intended chronological boundary should be checked: Greek theatrical performance continued under Roman rule." ], "questions": [ { "id": "evidence-confidence-notes-q01", "text": "Which of these check these first hold for the sense of theatre of ancient Greece this model covers, and on what evidence?", "kind": "provenance" } ] }, { "id": "evidence-kinds", "name": "Kinds and varieties", "description": "Recalled without web access and unsourced; every item is a lead to verify.", "evidence": [ "Tragedy", "Comedy, conventionally divided into Old, Middle and New Comedy", "Satyr drama" ], "questions": [ { "id": "evidence-kinds-q01", "text": "Which of these kinds and varieties hold for the sense of theatre of ancient Greece this model covers, and on what evidence?", "kind": "provenance" } ] }, { "id": "evidence-real-world-use", "name": "Real-world use", "description": "Recalled without web access and unsourced; every item is a lead to verify.", "evidence": [ "Public dramatic competitions at religious festivals, notably the City Dionysia and Lenaia in Athens", "Performance exploring myth, civic obligations, conflict and relationships between humans and gods", "Comic entertainment through political satire, social criticism and domestic plots", "Modern performance, adaptation and teaching of surviving plays", "Historical study using dramatic texts, inscriptions, theatre remains and visual evidence" ], "questions": [ { "id": "evidence-real-world-use-q01", "text": "Which of these real-world use hold for the sense of theatre of ancient Greece this model covers, and on what evidence?", "kind": "provenance" } ] }, { "id": "evidence-failure-modes-and-hazards", "name": "Failure modes and hazards", "description": "Recalled without web access and unsourced; every item is a lead to verify.", "evidence": [ "Treating the predominantly Athenian surviving evidence as representative of every Greek community", "Reconstructing early performances from theatre buildings substantially altered in later periods", "Treating Aristotle's account of tragedy as a universally followed production rule", "Assuming surviving scripts fully preserve music, dance, delivery and staging", "Conflating dramatic characters' statements with the playwright's own views" ], "questions": [ { "id": "evidence-failure-modes-and-hazards-q01", "text": "Which of these failure modes and hazards hold for the sense of theatre of ancient Greece this model covers, and on what evidence?", "kind": "provenance" } ] }, { "id": "evidence-regional-variation", "name": "Regional variation", "description": "Recalled without web access and unsourced; every item is a lead to verify.", "evidence": [ "Classical Athens provides the best-known combination of civic sponsorship, Dionysian festivals and dramatic competition.", "Greek communities in Sicily and southern Italy supported theatrical traditions whose evidence and development differ from those of Athens.", "During the Hellenistic period, theatre circulated across a wider Greek-speaking world through festivals and professional performers." ], "questions": [ { "id": "evidence-regional-variation-q01", "text": "Which of these regional variation hold for the sense of theatre of ancient Greece this model covers, and on what evidence?", "kind": "provenance" } ] }, { "id": "evidence-neighbours", "name": "Neighbouring kinds and how to tell them apart", "description": "Recalled without web access and unsourced; every item is a lead to verify.", "evidence": [ { "name": "Ancient Greek theatre buildings", "difference": "Buildings are the physical performance venues; theatre also includes plays, performers, audiences and organizing institutions." }, { "name": "Ancient Greek drama", "difference": "Drama names the dramatic works and genres; theatre includes their performance and institutional setting." }, { "name": "Dithyramb", "difference": "Dithyramb is a form of choral song associated with Dionysus, distinguished from the dramatic genres despite historical connections." }, { "name": "Roman theatre", "difference": "Roman theatre developed within Roman cultural and institutional settings, often adapting Greek dramatic forms and works." } ], "questions": [ { "id": "evidence-neighbours-q01", "text": "Which of these neighbouring kinds and how to tell them apart hold for the sense of theatre of ancient Greece this model covers, and on what evidence?", "kind": "provenance" } ] } ] } ] } ] }, "openQuestions": [ "What chronological endpoint should this registry entry use, particularly for Greek theatrical practice continuing under Roman rule?", "How far can conventions documented for Athens be extended to other Greek communities and periods?", "Which accounts of theatrical origins and relationships to ritual are supported, and which remain disputed interpretations?", "What can be established about audience composition and access in particular places and periods?", "How much of music, movement, masks and stage-device use can be reconstructed for specific performances rather than inferred from broader conventions?" ], "statistics": { "bundles": 6, "layers": 11, "findings": 16, "questions": 26 } }, "draft": { "generator": "vr.draft.v3", "status": "draft-generated", "researched": false, "archetype": "discipline or field of knowledge", "method": "Written from the archetype playbook - what this kind of thing needs beyond identity and provenance - and from the structure that recurred across 6,333 models already researched by two engines. Applied to this entry by rule. No source was read for this thing and no claim here is researched. This entry carries no facets of its own, so they were inferred from its domain - a guess about a whole domain applied to one thing.", "facetsInferred": true, "nextPass": "A researcher replaces this draft with a sourced specification. Treat every sentence below as a proposal to argue with.", "purpose": "Give an agent a durable, checkable way to recognise a theatre of ancient Greece, record what state it is in, and decide what may be done with it.", "whatItIs": "Enable an agent to recognise, contextualise and assess evidence for theatre of ancient Greece, and to distinguish supported interpretation from speculative reconstruction.", "characteristics": { "substance": "information", "origin": "conceptual", "agency": "inert" }, "whatYouCanDoWithIt": [ "read and interpreted" ], "distinguishingFeatures": [ "Described in 60 Wikipedia languages, which is a measure of how widely the thing is known, not of how important it is." ], "openQuestionsForResearch": [ "Which of the bundles below does a real task actually need, and which are ceremony?", "What does this thing have that the facets do not capture at all?", "Which neighbouring kind is most often confused with a theatre of ancient Greece, and on what evidence are they told apart?" ], "whatItIsMadeOf": "content that has to be carried by something else", "physicalCharacter": [ "Does nothing on its own; everything it does, something else did to it.", "These come from the domain this entry sits in rather than from the entry itself, so treat them as a first guess about the whole domain applied to one thing." ], "whatCanBeDoneWithIt": [ "read it and act on what it says" ], "howItIsRecognised": [], "relatedModels": [], "standing": "Described in 60 Wikipedia languages, which measures how widely it is written about rather than how important or how common it is.", "structure": { "bundles": [ { "id": "identity-and-classification", "name": "Identity, naming and classification", "description": "How an agent tells one theatre of ancient Greece from another, and a theatre of ancient Greece from things that resemble it.", "rationale": "Recognition comes before every other claim. Without stable identity nothing else in the model can be trusted to be about the same thing twice.", "layers": [ { "id": "naming-and-identifiers", "name": "Names and identifiers", "description": "The names this thing goes by and the identifiers that survive translation and time.", "findings": [ { "id": "preferred-name-and-aliases", "name": "Preferred name, aliases and local names", "description": "Which name to use, which names mean the same thing, and which merely sound similar.", "questions": [ { "id": "preferred-name-and-aliases-q01", "text": "What identifies and describes the name of a theatre of ancient Greece, and in what units or vocabulary?", "kind": "definition", "answer_data": [ "identifiers", "types and classes", "values with units", "explicit unknowns" ] }, { "id": "preferred-name-and-aliases-q02", "text": "Who or what asserted this about the name of a theatre of ancient Greece, by which method, and when was it true?", "kind": "provenance", "answer_data": [ "authority", "method", "evidence", "event time", "knowledge time" ] }, { "id": "preferred-name-and-aliases-q03", "text": "What may an agent decide or do once the name of a theatre of ancient Greece is known, and what must it refuse?", "kind": "action", "answer_data": [ "permitted actions", "preconditions", "refusals", "escalation" ] } ] }, { "id": "stable-identifiers", "name": "Stable identifiers and external keys", "description": "Identifiers that keep pointing at this kind of thing across systems and languages.", "questions": [ { "id": "stable-identifiers-q01", "text": "What identifies and describes an identifier for a theatre of ancient Greece, and in what units or vocabulary?", "kind": "definition", "answer_data": [ "identifiers", "types and classes", "values with units", "explicit unknowns" ] }, { "id": "stable-identifiers-q02", "text": "Who or what asserted this about an identifier for a theatre of ancient Greece, by which method, and when was it true?", "kind": "provenance", "answer_data": [ "authority", "method", "evidence", "event time", "knowledge time" ] }, { "id": "stable-identifiers-q03", "text": "What may an agent decide or do once an identifier for a theatre of ancient Greece is known, and what must it refuse?", "kind": "action", "answer_data": [ "permitted actions", "preconditions", "refusals", "escalation" ] } ] } ] }, { "id": "classification-and-granularity", "name": "Classification and granularity", "description": "Where a theatre of ancient Greece sits among kinds, and how finely a task needs to cut it.", "findings": [ { "id": "kind-and-parents", "name": "Kind, parents and neighbouring kinds", "description": "The classes this thing belongs to and the ones it is next to.", "questions": [ { "id": "kind-and-parents-q01", "text": "What identifies and describes the kind of a theatre of ancient Greece, and in what units or vocabulary?", "kind": "definition", "answer_data": [ "identifiers", "types and classes", "values with units", "explicit unknowns" ] }, { "id": "kind-and-parents-q02", "text": "Who or what asserted this about the kind of a theatre of ancient Greece, by which method, and when was it true?", "kind": "provenance", "answer_data": [ "authority", "method", "evidence", "event time", "knowledge time" ] }, { "id": "kind-and-parents-q03", "text": "What may an agent decide or do once the kind of a theatre of ancient Greece is known, and what must it refuse?", "kind": "action", "answer_data": [ "permitted actions", "preconditions", "refusals", "escalation" ] } ] }, { "id": "distinguishing-features", "name": "Distinguishing features", "description": "What separates a theatre of ancient Greece from the things most often confused with it.", "questions": [ { "id": "distinguishing-features-q01", "text": "What identifies and describes what distinguishes a theatre of ancient Greece, and in what units or vocabulary?", "kind": "definition", "answer_data": [ "identifiers", "types and classes", "values with units", "explicit unknowns" ] }, { "id": "distinguishing-features-q02", "text": "Who or what asserted this about what distinguishes a theatre of ancient Greece, by which method, and when was it true?", "kind": "provenance", "answer_data": [ "authority", "method", "evidence", "event time", "knowledge time" ] }, { "id": "distinguishing-features-q03", "text": "What may an agent decide or do once what distinguishes a theatre of ancient Greece is known, and what must it refuse?", "kind": "action", "answer_data": [ "permitted actions", "preconditions", "refusals", "escalation" ] } ] } ] } ] }, { "id": "state-and-lifecycle", "name": "State and lifecycle", "description": "The states a theatre of ancient Greece passes through and the events that move it between them.", "rationale": "Most decisions about a thing depend on what state it is in now, which is a claim with a time on it, not a property.", "layers": [ { "id": "lifecycle-stages", "name": "Lifecycle stages", "description": "From coming into existence to ceasing to be one of these.", "findings": [ { "id": "stages-and-transitions", "name": "Stages and transitions", "description": "The stages worth naming and what moves a theatre of ancient Greece between them.", "questions": [ { "id": "stages-and-transitions-q01", "text": "What identifies and describes the lifecycle of a theatre of ancient Greece, and in what units or vocabulary?", "kind": "definition", "answer_data": [ "identifiers", "types and classes", "values with units", "explicit unknowns" ] }, { "id": "stages-and-transitions-q02", "text": "Who or what asserted this about the lifecycle of a theatre of ancient Greece, by which method, and when was it true?", "kind": "provenance", "answer_data": [ "authority", "method", "evidence", "event time", "knowledge time" ] }, { "id": "stages-and-transitions-q03", "text": "What may an agent decide or do once the lifecycle of a theatre of ancient Greece is known, and what must it refuse?", "kind": "action", "answer_data": [ "permitted actions", "preconditions", "refusals", "escalation" ] } ] } ] }, { "id": "observations-and-status", "name": "Observations and current status", "description": "What is observed about a theatre of ancient Greece, how often and by whom.", "findings": [ { "id": "observation-record", "name": "Observation record", "description": "How an observation of a theatre of ancient Greece is recorded so that it can be superseded rather than overwritten.", "questions": [ { "id": "observation-record-q01", "text": "What identifies and describes an observation of a theatre of ancient Greece, and in what units or vocabulary?", "kind": "definition", "answer_data": [ "identifiers", "types and classes", "values with units", "explicit unknowns" ] }, { "id": "observation-record-q02", "text": "Who or what asserted this about an observation of a theatre of ancient Greece, by which method, and when was it true?", "kind": "provenance", "answer_data": [ "authority", "method", "evidence", "event time", "knowledge time" ] }, { "id": "observation-record-q03", "text": "What may an agent decide or do once an observation of a theatre of ancient Greece is known, and what must it refuse?", "kind": "action", "answer_data": [ "permitted actions", "preconditions", "refusals", "escalation" ] } ] } ] } ] }, { "id": "content-and-access", "name": "Content, encoding and access", "description": "What a theatre of ancient Greece says, how it is encoded and who may read it.", "rationale": "An informational thing carries content that can be copied, versioned and withheld, none of which its physical carrier explains.", "layers": [ { "id": "content-and-encoding", "name": "Content and encoding", "description": "The content itself, its format and its language.", "findings": [ { "id": "content-and-format", "name": "Content, format and language", "description": "What a theatre of ancient Greece contains and in what form it is held.", "questions": [ { "id": "content-and-format-q01", "text": "What identifies and describes the content of a theatre of ancient Greece, and in what units or vocabulary?", "kind": "definition", "answer_data": [ "identifiers", "types and classes", "values with units", "explicit unknowns" ] }, { "id": "content-and-format-q02", "text": "Who or what asserted this about the content of a theatre of ancient Greece, by which method, and when was it true?", "kind": "provenance", "answer_data": [ "authority", "method", "evidence", "event time", "knowledge time" ] }, { "id": "content-and-format-q03", "text": "What may an agent decide or do once the content of a theatre of ancient Greece is known, and what must it refuse?", "kind": "action", "answer_data": [ "permitted actions", "preconditions", "refusals", "escalation" ] } ] } ] }, { "id": "access-and-rights", "name": "Access, rights and retention", "description": "Who may read, copy or change it, and for how long it is kept.", "findings": [ { "id": "access-rules", "name": "Access rules and retention", "description": "The permissions attached to a 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held.", "rationale": "A claim without a source and a time cannot be superseded, only overwritten, and an agent that overwrites loses the ability to explain itself.", "layers": [ { "id": "source-and-authority", "name": "Source and authority", "description": "Who said it, on what evidence, and how strongly.", "findings": [ { "id": "claim-provenance", "name": "Claim provenance and confidence", "description": "The authority behind each claim about a theatre of ancient Greece and how confident it is.", "questions": [ { "id": "claim-provenance-q01", "text": "What identifies and describes a claim about a theatre of ancient Greece, and in what units or vocabulary?", "kind": "definition", "answer_data": [ "identifiers", "types and classes", "values with units", "explicit unknowns" ] }, { "id": "claim-provenance-q02", "text": "Who or what asserted this about a claim about a theatre of ancient Greece, by which method, and when was it true?", "kind": "provenance", "answer_data": [ "authority", "method", "evidence", "event time", "knowledge time" ] }, { "id": "claim-provenance-q03", "text": "What may an agent decide or do once a claim about a theatre of ancient Greece is known, and what must it refuse?", "kind": "action", "answer_data": [ "permitted actions", "preconditions", "refusals", "escalation" ] } ] } ] }, { "id": "time-and-versions", "name": "Time, versions and supersession", "description": "When a claim was true, when it was learnt, and what replaced it.", "findings": [ { "id": "validity-and-supersession", "name": "Validity period and supersession", "description": "How an old claim about a theatre of ancient Greece is retired without being erased.", "questions": [ { "id": "validity-and-supersession-q01", "text": "What identifies and describes the validity of a claim about a theatre of ancient Greece, and in what units or vocabulary?", "kind": "definition", "answer_data": [ "identifiers", "types and classes", "values with units", "explicit unknowns" ] }, { "id": "validity-and-supersession-q02", "text": "Who or what asserted this about the validity of a claim about a theatre of ancient Greece, by which method, and when was it true?", "kind": "provenance", "answer_data": [ "authority", "method", "evidence", "event time", "knowledge time" ] }, { "id": "validity-and-supersession-q03", "text": "What may an agent decide or do once the validity of a claim about a theatre of ancient Greece is known, and what must it refuse?", "kind": "action", "answer_data": [ "permitted actions", "preconditions", "refusals", "escalation" ] } ] } ] } ] } ] }, "statistics": { "bundles": 6, "layers": 12, "findings": 14, "questions": 38 } } } }