{ "model": { "rank": 8055, "code": "thing-q207628", "model_id": "vr.tr.composed-musical-work", "name": "composed musical work", "purpose": "Let an agent handle composed works by composer, date, form, catalogue number, versions and rights, separate from recordings and performances.", "family": "Thing Registry", "category": "Information and virtual systems", "status": "research-draft", "kind": "thing", "plane": "INF", "domain": "INF.MED", "industry": "", "version": "", "url": "/models/thing/q207628/", "tier": 2, "score": 52, "payload": { "layer": "wikidata", "aliases": [ "musical work version", "prelude and fugue", "musical hoax", "noneto", "nonet", "decet", "double concerto", "musical work", "Chorale cantata cycle", "instrumental solo piece", "music written in all 24 major and minor keys", "pastiche", "percussion concerto", "keyboard concerto", "bandoneon concerto", "accordion concerto", "Concerto for solo piano", "fanfare", "Mandolin Concert", "choir work", "lyrico-musical work", "piano concerto", "cello concerto", "viola concerto", "double bass concerto", "harp concerto", "balalaika concerto", "guitar concerto", "violin concerto", "flute concerto", "clarinet concerto", "piccolo concerto", "oboe concerto", "bassoon concerto", "trumpet concerto", "tuba concerto", "trombone concerto", "horn concerto", "instrumental ballade", "vocal ballade" ], "aliasCount": 172, "merged": 175, "knownIn": 52, "facets": null, "markers": [], "lexicalClass": "", "senseRank": null, "alsoRegisteredAs": null, "source": { "dataset": "wikidata", "item": "Q207628", "url": "https://www.wikidata.org/wiki/Q207628", "license": "CC0 1.0" } }, "research": { "vercy": "1.0-draft", "publication": { "status": "research-draft", "adjudicationStatus": "unreviewed", "publishableCanonical": false, "generatedAt": "2026-09-11T06:31:18Z", "providers": [ "Claude" ], "breadth": "written by Claude from model knowledge without web access - no source was read, every claim is a lead to verify", "pass": 2, "wave": 1, "engine": "claude" }, "metaModel": { "id": "THING-Q207628", "registryId": "vr.tr.composed-musical-work", "name": "composed musical work", "version": "0.2.0-wave.1", "entryKind": "thing", "family": "Thing Registry", "domain": [ "INF.MED" ], "status": "research-draft" }, "canonicalUrl": "https://ver.cy/models/thing/q207628/", "model": { "registry_id": "vr.tr.composed-musical-work", "name": "composed musical work", "purpose": "Let an agent handle composed works by composer, date, form, catalogue number, versions and rights, separate from recordings and performances.", "definition": "A musical work written by a composer, identified independently of any performance or recording, from songs to symphonies, including forms such as preludes and fugues or nonets.", "what_it_is_for": "Music as an authored work that can be performed, published and studied.", "affordances": [ "perform and record it", "publish and license it", "identify versions and arrangements", "study it" ], "distinguishing_features": [ "The work, not a performance", "Versions and arrangements differ", "Copyright in the composition is separate from recordings", "Hoaxes and misattributions exist" ], "appearance": "Scores, parts and performances.", "visual_identification": [ "Title, composer and catalogue number", "ISWC codes", "Versions and arrangements" ], "physical_properties": [], "families_and_kinds": [ "songs", "instrumental works: chamber, orchestral", "forms: prelude and fugue, nonet, decet", "arrangements and versions" ], "related_models": [ { "relation": "is a kind of", "target": "musical work", "why": "category" }, { "relation": "is written by", "target": "composer", "why": "author" }, { "relation": "is performed as", "target": "performance", "why": "realisation" }, { "relation": "is recorded as", "target": "recording", "why": "media" } ], "identifiers": [ { "scheme": "ISWC", "value_or_pattern": "T-plus digits", "note": "musical works" }, { "scheme": "catalogue number", "value_or_pattern": "BWV, K. and others", "note": "works" } ], "standards_and_regulation": [ "Copyright law", "Collective management of rights" ], "failure_modes_and_hazards": [ "Confusing work and recording", "Misattribution", "Using without licence" ], "in_scope": [], "out_of_scope": [], "characteristics": [] }, "sources": [], "structure": { "bundles": [ { "id": "identity", "name": "Identity", "description": "Which work.", "rationale": "Identity needs codes.", "layers": [ { "id": "title", "name": "Title and composer", "description": "Attribution.", "findings": [ { "id": "title-finding", "name": "Identity", "description": "Title and composer.", "questions": [ { "text": "What is the title and who composed it?", "kind": "provenance" }, { "text": "Which catalogue number or ISWC?", "kind": "provenance" } ] } ] }, { "id": "version", "name": "Version", "description": "Arrangements.", "findings": [ { "id": "version-finding", "name": "Version", "description": "Version.", "questions": [ { "text": "Which version or arrangement is meant?", "kind": "definition" }, { "text": "Who arranged it?", "kind": "provenance" } ] } ] } ] }, { "id": "form", "name": "Form", "description": "Structure.", "rationale": "Form describes the work.", "layers": [ { "id": "structure", "name": "Structure", "description": "Movements and scoring.", "findings": [ { "id": "structure-finding", "name": "Structure", "description": "Form and scoring.", "questions": [ { "text": "What form and instrumentation does it have?", "kind": "definition" }, { "text": "How long is it?", "kind": "measurement" } ] } ] }, { "id": "context", "name": "Context", "description": "Period and style.", "findings": [ { "id": "context-finding", "name": "Context", "description": "Historical context.", "questions": [ { "text": "When and why was it written?", "kind": "provenance" }, { "text": "Which style?", "kind": "definition" } ] } ] } ] }, { "id": "rights", "name": "Rights", "description": "Copyright and licensing.", "rationale": "Composition rights are separate.", "layers": [ { "id": "status", "name": "Status", "description": "In copyright.", "findings": [ { "id": "status-finding", "name": "Status", "description": "Copyright status.", "questions": [ { "text": "Is the composition in copyright?", "kind": "boundary" }, { "text": "Who publishes it?", "kind": "provenance" } ] } ] }, { "id": "licensing", "name": "Licensing", "description": "Permission.", "findings": [ { "id": "licensing-finding", "name": "Licensing", "description": "Licensing.", "questions": [ { "text": "How can performance or reproduction be licensed?", "kind": "action" }, { "text": "Which society collects royalties?", "kind": "provenance" } ] } ] } ] }, { "id": "attribution", "name": "Attribution", "description": "Authenticity.", "rationale": "Attribution can be disputed.", "layers": [ { "id": "disputes", "name": "Disputes", "description": "Contested attribution.", "findings": [ { "id": "disputes-finding", "name": "Disputes", "description": "Attribution disputes.", "questions": [ { "text": "Is the attribution disputed?", "kind": "boundary" }, { "text": "What do scholars say?", "kind": "provenance" } ] } ] }, { "id": "hoaxes", "name": "Hoaxes", "description": "Fakes.", "findings": [ { "id": "hoaxes-finding", "name": "Hoaxes", "description": "Hoaxes.", "questions": [ { "text": "Is it a known musical hoax?", "kind": "boundary" }, { "text": "How was it exposed?", "kind": "provenance" } ] } ] } ] } ] }, "openQuestions": [ "Should works be instances with ISWC codes?", "How should versions be linked?", "How should hoaxes be marked?" ], "statistics": { "bundles": 4, "layers": 8, "findings": 8, "questions": 16 } }, "draft": { "generator": "vr.draft.v3", "status": "draft-generated", "researched": false, "archetype": "work, medium or creative form", "method": "Written from the archetype playbook - what this kind of thing needs beyond identity and provenance - and from the structure that recurred across 6,333 models already researched by two engines. Applied to this entry by rule. No source was read for this thing and no claim here is researched. This entry carries no facets of its own, so they were inferred from its domain - a guess about a whole domain applied to one thing.", "facetsInferred": true, "nextPass": "A researcher replaces this draft with a sourced specification. Treat every sentence below as a proposal to argue with.", "purpose": "Give an agent a durable, checkable way to recognise a composed musical work, record what state it is in, and decide what may be done with it.", "whatItIs": "Let an agent handle composed works by composer, date, form, catalogue number, versions and rights, separate from recordings and performances.", "characteristics": { "substance": "information", "origin": "conceptual", "agency": "inert" }, "whatYouCanDoWithIt": [ "read and interpreted", "observed and measured" ], "distinguishingFeatures": [ "Names folded into this entry, which a task may need to split apart again: musical work version, prelude and fugue, musical hoax, noneto, nonet, decet, double concerto, musical work, Chorale cantata cycle, instrumental solo piece, music written in all 24 major and minor keys, pastiche.", "175 finer distinctions are held as aliases rather than separate entries, because telling them apart needs a task that asks for it.", "Described in 52 Wikipedia languages, which is a measure of how widely the thing is known, not of how important it is." ], "openQuestionsForResearch": [ "Which of the bundles below does a real task actually need, and which are ceremony?", "What does this thing have that the facets do not capture at all?", "Which neighbouring kind is most often confused with a composed musical work, and on what evidence are they told apart?" ], "whatItIsMadeOf": "content that has to be carried by something else", "physicalCharacter": [ "Does nothing on its own; everything it does, something else did to it.", "These come from the domain this entry sits in rather than from the entry itself, so treat them as a first guess about the whole domain applied to one thing." ], "whatCanBeDoneWithIt": [ "read it and act on what it says", "observe it, measure it, record its state" ], "howItIsRecognised": [ "What is seen is a copy or a performance, not the work. Recognising the work means recognising the content through whatever is carrying it." ], "relatedModels": [ { "relation": "covers", "note": "Finer kinds folded into this entry because telling them apart needs a task that asks for it. Each is a model waiting to be split out when one does.", "targets": [ "musical work version", "prelude and fugue", "musical hoax", "noneto", "nonet", "decet", "double concerto", "musical work", "Chorale cantata cycle", "instrumental solo piece", "music written in all 24 major and minor keys", "pastiche" ] } ], "standing": "Described in 52 Wikipedia languages, which measures how widely it is written about rather than how important or how common it is. 175 finer distinctions are held inside this entry as names rather than as separate models.", "structure": { "bundles": [ { "id": "identity-and-classification", "name": "Identity, naming and classification", "description": "How an agent tells one composed musical work from another, and a composed musical work from things that resemble it.", "rationale": "Recognition comes before every other claim. Without stable identity nothing else in the model can be trusted to be about the same thing twice.", "layers": [ { "id": "naming-and-identifiers", "name": "Names and identifiers", "description": "The names this thing goes by and the identifiers that survive translation and time.", "findings": [ { "id": "preferred-name-and-aliases", "name": "Preferred name, aliases and local names", "description": "Which name to use, which names mean the same thing, and which merely sound similar.", "questions": [ { "id": "preferred-name-and-aliases-q01", "text": "What identifies and describes the name of a composed musical work, and in what units or vocabulary?", "kind": "definition", "answer_data": [ "identifiers", "types and classes", "values with units", "explicit unknowns" ] }, { "id": "preferred-name-and-aliases-q02", "text": "Who or what asserted this about the name of a composed musical work, by which method, and when was it true?", "kind": "provenance", "answer_data": [ "authority", "method", "evidence", "event time", "knowledge time" ] }, { "id": "preferred-name-and-aliases-q03", "text": "What may an agent decide or do once the name of a composed musical work is known, and what must it refuse?", "kind": "action", "answer_data": [ "permitted actions", "preconditions", "refusals", "escalation" ] } ] }, { "id": "stable-identifiers", "name": "Stable identifiers and external keys", "description": "Identifiers that keep pointing at this kind of thing across systems and languages.", "questions": [ { "id": "stable-identifiers-q01", "text": "What identifies and describes an identifier for a composed musical work, and in what units or vocabulary?", "kind": "definition", "answer_data": [ "identifiers", "types and classes", "values with units", "explicit unknowns" ] }, { "id": "stable-identifiers-q02", "text": "Who or what asserted this about an identifier for a composed musical work, by which method, and when was it true?", "kind": "provenance", "answer_data": [ "authority", "method", "evidence", "event time", "knowledge time" ] }, { "id": "stable-identifiers-q03", "text": "What may an agent decide or do once an identifier for a composed musical work is known, and what must it refuse?", "kind": "action", "answer_data": [ "permitted actions", "preconditions", "refusals", "escalation" ] } ] } ] }, { "id": "classification-and-granularity", "name": "Classification and granularity", "description": "Where a composed musical work sits among kinds, and how finely a task needs to cut it.", "findings": [ { "id": "kind-and-parents", "name": "Kind, parents and neighbouring kinds", "description": "The classes this thing belongs to and the ones it is next to.", "questions": [ { "id": "kind-and-parents-q01", "text": "What identifies and describes the kind of a composed musical work, and in what units or vocabulary?", "kind": "definition", "answer_data": [ "identifiers", "types and classes", "values with units", "explicit unknowns" ] }, { "id": "kind-and-parents-q02", "text": "Who or what asserted this about the kind of a composed musical work, by which method, and when was it true?", "kind": "provenance", "answer_data": [ "authority", "method", "evidence", "event time", "knowledge time" ] }, { "id": "kind-and-parents-q03", "text": "What may an agent decide or do once the kind of a composed musical work is known, and what must it refuse?", "kind": "action", "answer_data": [ "permitted actions", "preconditions", "refusals", "escalation" ] } ] }, { "id": "distinguishing-features", "name": "Distinguishing features", "description": "What separates a composed musical work from the things most often confused with it.", "questions": [ { "id": "distinguishing-features-q01", "text": "What identifies and describes what distinguishes a composed musical work, and in what units or vocabulary?", "kind": "definition", "answer_data": [ "identifiers", "types and classes", "values with units", "explicit unknowns" ] }, { "id": "distinguishing-features-q02", "text": "Who or what asserted this about what distinguishes a composed musical work, by which method, and when was it true?", "kind": "provenance", "answer_data": [ "authority", "method", "evidence", "event time", "knowledge time" ] }, { "id": "distinguishing-features-q03", "text": "What may an agent decide or do once what distinguishes a composed musical work is known, and what must it refuse?", "kind": "action", "answer_data": [ "permitted actions", "preconditions", "refusals", "escalation" ] } ] } ] } ] }, { "id": "state-and-lifecycle", "name": "State and lifecycle", "description": "The states a composed musical work passes through and the events that move it between them.", "rationale": "Most decisions about a thing depend on what state it is in now, which is a claim with a time on it, not a property.", "layers": [ { "id": "lifecycle-stages", "name": "Lifecycle stages", "description": "From coming into existence to ceasing to be one of these.", "findings": [ { "id": "stages-and-transitions", "name": "Stages and transitions", "description": "The stages worth naming and what moves a composed musical work between them.", "questions": [ { "id": "stages-and-transitions-q01", "text": "What identifies and describes the lifecycle of a composed musical work, and in what units or vocabulary?", "kind": "definition", "answer_data": [ "identifiers", "types and classes", "values with units", "explicit unknowns" ] }, { "id": "stages-and-transitions-q02", "text": "Who or what asserted this about the lifecycle of a composed musical work, by which method, and when was it true?", "kind": "provenance", "answer_data": [ "authority", "method", "evidence", "event time", "knowledge time" ] }, { "id": "stages-and-transitions-q03", "text": "What may an agent decide or do once the lifecycle of a composed musical work is known, and what must it refuse?", "kind": "action", "answer_data": [ "permitted actions", "preconditions", "refusals", "escalation" ] } ] } ] }, { "id": "observations-and-status", "name": "Observations and current status", "description": "What is observed about a composed musical work, how often and by whom.", "findings": [ { "id": "observation-record", "name": "Observation record", "description": "How an observation of a composed musical work is recorded so that it can be superseded rather than overwritten.", "questions": [ { "id": "observation-record-q01", "text": "What identifies and describes an observation of a composed musical work, and in what units or vocabulary?", "kind": "definition", "answer_data": [ "identifiers", "types and classes", "values with units", "explicit unknowns" ] }, { "id": "observation-record-q02", "text": "Who or what asserted this about an observation of a composed musical work, by which method, and when was it true?", "kind": "provenance", "answer_data": [ "authority", "method", "evidence", "event time", "knowledge time" ] }, { "id": "observation-record-q03", "text": "What may an agent decide or do once an observation of a composed musical work is known, and what must it refuse?", "kind": "action", "answer_data": [ "permitted actions", "preconditions", "refusals", "escalation" ] } ] } ] } ] }, { "id": "content-and-access", "name": "Content, encoding and access", "description": "What a composed musical work says, how it is encoded and who may read it.", "rationale": "An informational thing carries content that can be copied, versioned and withheld, none of which its physical carrier explains.", "layers": [ { "id": "content-and-encoding", "name": "Content and encoding", "description": "The content itself, its format and its language.", "findings": [ { "id": "content-and-format", "name": "Content, format and language", "description": "What a composed musical work contains and in what form it is held.", "questions": [ { "id": "content-and-format-q01", "text": "What identifies and describes the content of a composed musical work, and in what units or vocabulary?", "kind": "definition", "answer_data": [ "identifiers", "types and classes", "values with units", "explicit unknowns" ] }, { "id": "content-and-format-q02", "text": "Who or what asserted this about the content of a composed musical work, by which method, and when was it true?", "kind": "provenance", "answer_data": [ "authority", "method", "evidence", "event time", "knowledge time" ] }, { "id": "content-and-format-q03", "text": "What may an agent decide or do once the content of a composed musical work is known, and what must it refuse?", "kind": "action", "answer_data": [ "permitted actions", "preconditions", "refusals", "escalation" ] } ] } ] }, { "id": "access-and-rights", "name": "Access, rights and retention", "description": "Who may read, copy or change it, and for how long it is kept.", "findings": [ { "id": "access-rules", "name": "Access rules and retention", "description": "The permissions attached to a composed musical work and the period it survives.", "questions": [ { "id": "access-rules-q01", "text": "What identifies and describes access to a composed musical work, and in what units or vocabulary?", "kind": "definition", "answer_data": [ "identifiers", "types and classes", "values with units", "explicit unknowns" ] }, { "id": "access-rules-q02", "text": "Who or what asserted this about access to a composed musical work, by which method, and when was it true?", "kind": "provenance", "answer_data": [ "authority", "method", "evidence", "event time", "knowledge time" ] }, { "id": "access-rules-q03", "text": "What may an agent decide or do once access to a composed musical work is known, and what must it refuse?", "kind": "action", "answer_data": [ "permitted actions", "preconditions", "refusals", "escalation" ] } ] } ] } ] }, { "id": "work-and-manifestation", "name": "Work, version and copy", "description": "Which level of composed musical work a statement is about.", "rationale": "The work, the edition, the file and the copy in hand are four things; rights and content attach to different ones.", "layers": [ { "id": "levels", "name": "Levels of the thing", "description": "Work, expression, manifestation and item, in plain terms.", "findings": [ { "id": "level-rules", "name": "What belongs at each level", "description": "Which facts hold for the work and which only for one copy.", "questions": [ { "id": "level-rules-q01", "text": "For composed musical work, which facts belong to the work itself, which to a version, and which to a single copy?", "kind": "boundary" }, { "id": "level-rules-q02", "text": "What identifier exists at each level, and which one is being cited?", "kind": "definition" } ] } ] }, { "id": "versions", "name": "Versions, editions and variants", "description": "How versions differ and which is canonical to whom.", "findings": [ { "id": "version-record", "name": "Versions and canonicity", "description": "Differences that matter and who calls one authoritative.", "questions": [ { "id": "version-record-q01", "text": "Which versions or editions of composed musical work exist, and how do they differ substantively?", "kind": "definition" }, { "id": "version-record-q02", "text": "Who treats which version as authoritative, and for what purpose?", "kind": "provenance" } ] } ] } ] }, { "id": "authorship-and-rights", "name": "Authorship, rights and permitted use", "description": "Who made composed musical work and what may be done with it.", "rationale": "Rights are jurisdictional, time-limited and attached to a level, and an agent that ignores that will copy what it may not.", "layers": [ { "id": "authorship", "name": "Authorship and contribution", "description": "Who contributed what, and in what capacity.", "findings": [ { "id": "contribution-record", "name": "Contributors and roles", "description": "The people and bodies behind it, with their roles.", "questions": [ { "id": "contribution-record-q01", "text": "Who authored or contributed to composed musical work, in what roles, and how is that attested?", "kind": "provenance" }, { "id": "contribution-record-q02", "text": "Where authorship is disputed or anonymous, what is recorded instead?", "kind": "boundary" } ] } ] }, { "id": "rights", "name": "Rights and permissions", "description": "Which rights subsist, where, until when, and what they permit.", "findings": [ { "id": "rights-record", "name": "Rights, term and permitted acts", "description": "The regime in force and what it allows.", "questions": [ { "id": "rights-record-q01", "text": "What rights subsist in composed musical work, in which jurisdictions, and until when?", "kind": "definition" }, { "id": "rights-record-q02", "text": "Which acts are permitted without further permission, and which must an agent refuse?", "kind": "action" } ] } ] } ] }, { "id": "provenance-and-evidence", "name": "Provenance, evidence and time", "description": "Where every claim about a composed musical work came from and when it held.", "rationale": "A claim without a source and a time cannot be superseded, only overwritten, and an agent that overwrites loses the ability to explain itself.", "layers": [ { "id": "source-and-authority", "name": "Source and authority", "description": "Who said it, on what evidence, and how strongly.", "findings": [ { "id": "claim-provenance", "name": "Claim provenance and confidence", "description": "The authority behind each claim about a composed musical work and how confident it is.", "questions": [ { "id": "claim-provenance-q01", "text": "What identifies and describes a claim about a composed musical work, and in what units or vocabulary?", "kind": "definition", "answer_data": [ "identifiers", "types and classes", "values with units", "explicit unknowns" ] }, { "id": "claim-provenance-q02", "text": "Who or what asserted this about a claim about a composed musical work, by which method, and when was it true?", "kind": "provenance", "answer_data": [ "authority", "method", "evidence", "event time", "knowledge time" ] }, { "id": "claim-provenance-q03", "text": "What may an agent decide or do once a claim about a composed musical work is known, and what must it refuse?", "kind": "action", "answer_data": [ "permitted actions", "preconditions", "refusals", "escalation" ] } ] } ] }, { "id": "time-and-versions", "name": "Time, versions and supersession", "description": "When a claim was true, when it was learnt, and what replaced it.", "findings": [ { "id": "validity-and-supersession", "name": "Validity period and supersession", "description": "How an old claim about a composed musical work is retired without being erased.", "questions": [ { "id": "validity-and-supersession-q01", "text": "What identifies and describes the validity of a claim about a composed musical work, and in what units or vocabulary?", "kind": "definition", "answer_data": [ "identifiers", "types and classes", "values with units", "explicit unknowns" ] }, { "id": "validity-and-supersession-q02", "text": "Who or what asserted this about the validity of a claim about a composed musical work, by which method, and when was it true?", "kind": "provenance", "answer_data": [ "authority", "method", "evidence", "event time", "knowledge time" ] }, { "id": "validity-and-supersession-q03", "text": "What may an agent decide or do once the validity of a claim about a composed musical work is known, and what must it refuse?", "kind": "action", "answer_data": [ "permitted actions", "preconditions", "refusals", "escalation" ] } ] } ] } ] } ] }, "statistics": { "bundles": 6, "layers": 12, "findings": 14, "questions": 38 } } } }