{ "model": { "rank": 5347, "code": "thing-q46805", "model_id": "vr.tr.romanesque-art", "name": "Romanesque art", "purpose": "Let an agent explain Romanesque art and architecture and their characteristics, identify works and regional schools with sources, support visiting and conservation, and describe history and influence.", "family": "Thing Registry", "category": "Information and virtual systems", "status": "research-draft", "kind": "thing", "plane": "INF", "domain": "INF.KNW", "industry": "", "version": "", "url": "/models/thing/q46805/", "tier": 2, "score": 68, "payload": { "layer": "wikidata", "aliases": [ "French Romanesque art", "Spanish Romanesque", "Romanesque art in Andorra", "Romanesque art in Galicia", "Romanesque art in the Czech Republic", "romanesque art in Portugal", "Romanesque art in Italy", "Romanesque art in Basque Country", "Romanesque sculptures in France", "Romanesque art in Cantabria", "Asturian Romanesque", "Romanesque art in Sierra de la Demanda", "Romanesque art in Aragon", "Romanesque Revival Architecture in the United Kingdom", "Romanesque Revival architecture in the United States", "Romanesque art in England", "Norman art of Sicily", "Repoblación art and architecture", "Romanesque sculpture", "Romanesque painting", "art of Romanesque illumination", "Mosan art", "Norman art", "Romanesque Revival architecture", "Romanesque painting in Catalonia", "Esglésies de repoblament de Mallorca", "Richardsonian Romanesque", "Norman Revival architecture" ], "aliasCount": 28, "merged": 28, "knownIn": 68, "facets": null, "markers": [], "lexicalClass": "", "senseRank": null, "alsoRegisteredAs": null, "source": { "dataset": "wikidata", "item": "Q46805", "url": "https://www.wikidata.org/wiki/Q46805", "license": "CC0 1.0" } }, "research": { "vercy": "1.0-draft", "publication": { "status": "research-draft", "adjudicationStatus": "unreviewed", "publishableCanonical": false, "generatedAt": "2026-09-12T02:02:12Z", "providers": [ "Claude" ], "breadth": "written by Claude from model knowledge without web access - no source was read, every claim is a lead to verify", "pass": 2, "wave": 2, "engine": "claude" }, "metaModel": { "id": "THING-Q46805", "registryId": "vr.tr.romanesque-art", "name": "Romanesque art", "version": "0.2.0-wave.2", "entryKind": "thing", "family": "Thing Registry", "domain": [ "INF.KNW" ], "status": "research-draft" }, "canonicalUrl": "https://ver.cy/models/thing/q46805/", "model": { "registry_id": "vr.tr.romanesque-art", "name": "Romanesque art", "purpose": "Let an agent explain Romanesque art and architecture and their characteristics, identify works and regional schools with sources, support visiting and conservation, and describe history and influence.", "definition": "The art of Western Europe from roughly 1000 to the rise of Gothic in the later twelfth century, characterised in architecture by round arches, thick walls, barrel and groin vaults and sculpted portals, and in sculpture, painting, manuscripts and metalwork by stylised figures and rich symbolism, with regional variants in France, Spain including Galicia, Portugal, Andorra, the Czech lands, Italy, Germany and England; Romanesque art is studied in art history and preserved in churches, monasteries and museums.", "what_it_is_for": "Western European art of the eleventh and twelfth centuries.", "affordances": [ "explain characteristics", "identify works and schools", "support visiting", "describe history" ], "distinguishing_features": [ "Round arch", "Massive construction", "Sculpted portals", "Regional schools" ], "appearance": "Round-arched buildings with thick walls, carved portals and stylised painting.", "visual_identification": [ "Round arches and massive walls", "Eleventh to twelfth centuries", "Gothic uses pointed arches and large windows" ], "physical_properties": [], "families_and_kinds": [ "Romanesque architecture", "Romanesque sculpture", "Romanesque painting and manuscripts", "regional Romanesque such as French, Spanish, Galician, Portuguese, Andorran and Czech", "metalwork and other arts" ], "related_models": [ { "relation": "is a kind of", "target": "medieval art", "why": "category" }, { "relation": "is related to", "target": "basilica", "why": "Romanesque church form" }, { "relation": "is related to", "target": "crypt", "why": "Romanesque crypts" }, { "relation": "is related to", "target": "bay", "why": "bays of Romanesque churches" } ], "identifiers": [], "standards_and_regulation": [ "Heritage protection for Romanesque monuments", "World Heritage listings", "Museum conservation standards" ], "failure_modes_and_hazards": [ "Confusing Romanesque and Gothic", "Decay of frescoes and sculpture", "Over-restoration" ], "in_scope": [], "out_of_scope": [], "characteristics": [] }, "sources": [], "structure": { "bundles": [ { "id": "understand", "name": "Understand", "description": "What Romanesque art is.", "rationale": "Art history.", "layers": [ { "id": "style", "name": "Style", "description": "Characteristics.", "findings": [ { "id": "style-finding", "name": "Style", "description": "Style.", "questions": [ { "text": "What characterises Romanesque architecture, sculpture and painting, and how does it differ from earlier medieval and Gothic art?", "kind": "definition" }, { "text": "Which entry fits a specific art form?", "kind": "action" } ] } ] }, { "id": "regions", "name": "Regions", "description": "Regional schools.", "findings": [ { "id": "regions-finding", "name": "Regions", "description": "Regions.", "questions": [ { "text": "How do Romanesque styles differ across France, Spain including Galicia, Portugal, Andorra, the Czech lands and elsewhere, according to art historians?", "kind": "provenance" }, { "text": "Which entry fits a specific region?", "kind": "action" } ] } ] } ] }, { "id": "explore", "name": "Explore", "description": "Works and sites.", "rationale": "Practice.", "layers": [ { "id": "sites", "name": "Sites", "description": "Churches and monuments.", "findings": [ { "id": "sites-finding", "name": "Sites", "description": "Sites.", "questions": [ { "text": "Which Romanesque churches, monasteries and sites are notable, and which are World Heritage sites?", "kind": "provenance" }, { "text": "Which entry fits a specific site?", "kind": "action" } ] } ] }, { "id": "visit", "name": "Visit", "description": "Visiting.", "findings": [ { "id": "visit-finding", "name": "Visit", "description": "Visiting.", "questions": [ { "text": "How can Romanesque sites be visited, including pilgrimage routes?", "kind": "provenance" }, { "text": "Which entry fits a specific route?", "kind": "action" } ] } ] } ] }, { "id": "protect", "name": "Protect", "description": "Conservation.", "rationale": "Heritage.", "layers": [ { "id": "conserve", "name": "Conserve", "description": "Conserving Romanesque art.", "findings": [ { "id": "conserve-finding", "name": "Conserve", "description": "Conservation.", "questions": [ { "text": "How are Romanesque frescoes, sculpture and buildings conserved, and what debates exist about restoration, with positions attributed?", "kind": "provenance" }, { "text": "Is the presentation neutral?", "kind": "boundary" } ] } ] }, { "id": "museums", "name": "Museums", "description": "Museum collections.", "findings": [ { "id": "museums-finding", "name": "Museums", "description": "Museums.", "questions": [ { "text": "Which museums hold Romanesque art, including removed frescoes and sculpture?", "kind": "provenance" }, { "text": "Which entry fits a specific museum?", "kind": "action" } ] } ] } ] }, { "id": "learn", "name": "Learn", "description": "History and teaching.", "rationale": "Education.", "layers": [ { "id": "history", "name": "History", "description": "History and context.", "findings": [ { "id": "history-finding", "name": "History", "description": "History.", "questions": [ { "text": "How did Romanesque art arise from monastic reform, pilgrimage and feudal society, and how did it give way to Gothic?", "kind": "provenance" }, { "text": "Which references are standard?", "kind": "provenance" } ] } ] }, { "id": "teach", "name": "Teach", "description": "Teaching.", "findings": [ { "id": "teach-finding", "name": "Teach", "description": "Teaching.", "questions": [ { "text": "How can Romanesque art be taught in art history?", "kind": "action" }, { "text": "Which misconceptions arise?", "kind": "provenance" } ] } ] } ] } ] }, "openQuestions": [ "Should each regional school be a separate entry?", "How should heritage registers be linked?", "How should museum collections be linked?" ], "statistics": { "bundles": 4, "layers": 8, "findings": 8, "questions": 16 } }, "draft": { "generator": "vr.draft.v3", "status": "draft-generated", "researched": false, "archetype": "discipline or field of knowledge", "method": "Written from the archetype playbook - what this kind of thing needs beyond identity and provenance - and from the structure that recurred across 6,333 models already researched by two engines. Applied to this entry by rule. No source was read for this thing and no claim here is researched. This entry carries no facets of its own, so they were inferred from its domain - a guess about a whole domain applied to one thing.", "facetsInferred": true, "nextPass": "A researcher replaces this draft with a sourced specification. Treat every sentence below as a proposal to argue with.", "purpose": "Give an agent a durable, checkable way to recognise a Romanesque art, record what state it is in, and decide what may be done with it.", "whatItIs": "Let an agent explain Romanesque art and architecture and their characteristics, identify works and regional schools with sources, support visiting and conservation, and describe history and influence.", "characteristics": { "substance": "information", "origin": "conceptual", "agency": "inert" }, "whatYouCanDoWithIt": [ "read and interpreted" ], "distinguishingFeatures": [ "Names folded into this entry, which a task may need to split apart again: French Romanesque art, Spanish Romanesque, Romanesque art in Andorra, Romanesque art in Galicia, Romanesque art in the Czech Republic, romanesque art in Portugal, Romanesque art in Italy, Romanesque art in Basque Country, Romanesque sculptures in France, Romanesque art in Cantabria, Asturian Romanesque, Romanesque art in Sierra de la Demanda.", "28 finer distinctions are held as aliases rather than separate entries, because telling them apart needs a task that asks for it.", "Described in 68 Wikipedia languages, which is a measure of how widely the thing is known, not of how important it is." ], "openQuestionsForResearch": [ "Which of the bundles below does a real task actually need, and which are ceremony?", "What does this thing have that the facets do not capture at all?", "Which neighbouring kind is most often confused with a Romanesque art, and on what evidence are they told apart?" ], "whatItIsMadeOf": "content that has to be carried by something else", "physicalCharacter": [ "Does nothing on its own; everything it does, something else did to it.", "These come from the domain this entry sits in rather than from the entry itself, so treat them as a first guess about the whole domain applied to one thing." ], "whatCanBeDoneWithIt": [ "read it and act on what it says" ], "howItIsRecognised": [], "relatedModels": [ { "relation": "covers", "note": "Finer kinds folded into this entry because telling them apart needs a task that asks for it. Each is a model waiting to be split out when one does.", "targets": [ "French Romanesque art", "Spanish Romanesque", "Romanesque art in Andorra", "Romanesque art in Galicia", "Romanesque art in the Czech Republic", "romanesque art in Portugal", "Romanesque art in Italy", "Romanesque art in Basque Country", "Romanesque sculptures in France", "Romanesque art in Cantabria", "Asturian Romanesque", "Romanesque art in Sierra de la Demanda" ] } ], "standing": "Described in 68 Wikipedia languages, which measures how widely it is written about rather than how important or how common it is. 28 finer distinctions are held inside this entry as names rather than as separate models.", "structure": { "bundles": [ { "id": "identity-and-classification", "name": "Identity, naming and classification", "description": "How an agent tells one Romanesque art from another, and a Romanesque art from things that resemble it.", "rationale": "Recognition comes before every other claim. Without stable identity nothing else in the model can be trusted to be about the same thing twice.", "layers": [ { "id": "naming-and-identifiers", "name": "Names and identifiers", "description": "The names this thing goes by and the identifiers that survive translation and time.", "findings": [ { "id": "preferred-name-and-aliases", "name": "Preferred name, aliases and local names", "description": "Which name to use, which names mean the same thing, and which merely sound similar.", "questions": [ { "id": "preferred-name-and-aliases-q01", "text": "What identifies and describes the name of a Romanesque art, and in what units or vocabulary?", "kind": "definition", "answer_data": [ "identifiers", "types and classes", "values with units", "explicit unknowns" ] }, { "id": "preferred-name-and-aliases-q02", "text": "Who or what asserted this about the name of a Romanesque art, by which method, and when was it true?", "kind": "provenance", "answer_data": [ "authority", "method", "evidence", "event time", "knowledge time" ] }, { "id": "preferred-name-and-aliases-q03", "text": "What may an agent decide or do once the name of a Romanesque art is known, and what must it refuse?", "kind": "action", "answer_data": [ "permitted actions", "preconditions", "refusals", "escalation" ] } ] }, { "id": "stable-identifiers", "name": "Stable identifiers and external keys", "description": "Identifiers that keep pointing at this kind of thing across systems and languages.", "questions": [ { "id": "stable-identifiers-q01", "text": "What identifies and describes an identifier for a Romanesque art, and in what units or vocabulary?", "kind": "definition", "answer_data": [ "identifiers", "types and classes", "values with units", "explicit unknowns" ] }, { "id": "stable-identifiers-q02", "text": "Who or what asserted this about an identifier for a Romanesque art, by which method, and when was it true?", "kind": "provenance", "answer_data": [ "authority", "method", "evidence", "event time", "knowledge time" ] }, { "id": "stable-identifiers-q03", "text": "What may an agent decide or do once an identifier for a Romanesque art is known, and what must it refuse?", "kind": "action", "answer_data": [ "permitted actions", "preconditions", "refusals", "escalation" ] } ] } ] }, { "id": "classification-and-granularity", "name": "Classification and granularity", "description": "Where a Romanesque art sits among kinds, and how finely a task needs to cut it.", "findings": [ { "id": "kind-and-parents", "name": "Kind, parents and neighbouring kinds", "description": "The classes this thing belongs to and the ones it is next to.", "questions": [ { "id": "kind-and-parents-q01", "text": "What identifies and describes the kind of a Romanesque art, and in what units or vocabulary?", "kind": "definition", "answer_data": [ "identifiers", "types and classes", "values with units", "explicit unknowns" ] }, { "id": "kind-and-parents-q02", "text": "Who or what asserted this about the kind of a Romanesque art, by which method, and when was it true?", "kind": "provenance", "answer_data": [ "authority", "method", "evidence", "event time", "knowledge time" ] }, { "id": "kind-and-parents-q03", "text": "What may an agent decide or do once the kind of a Romanesque art is known, and what must it refuse?", "kind": "action", "answer_data": [ "permitted actions", "preconditions", "refusals", "escalation" ] } ] }, { "id": "distinguishing-features", "name": "Distinguishing features", "description": "What separates a Romanesque art from the things most often confused with it.", "questions": [ { "id": "distinguishing-features-q01", "text": "What identifies and describes what distinguishes a Romanesque art, and in what units or vocabulary?", "kind": "definition", "answer_data": [ "identifiers", "types and classes", "values with units", "explicit unknowns" ] }, { "id": "distinguishing-features-q02", "text": "Who or what asserted this about what distinguishes a Romanesque art, by which method, and when was it true?", "kind": "provenance", "answer_data": [ "authority", "method", "evidence", "event time", "knowledge time" ] }, { "id": "distinguishing-features-q03", "text": "What may an agent decide or do once what distinguishes a Romanesque art is known, and what must it refuse?", "kind": "action", "answer_data": [ "permitted actions", "preconditions", "refusals", "escalation" ] } ] } ] } ] }, { "id": "state-and-lifecycle", "name": "State and lifecycle", "description": "The states a Romanesque art passes through and the events that move it between them.", "rationale": "Most decisions about a thing depend on what state it is in now, which is a claim with a time on it, not a property.", "layers": [ { "id": "lifecycle-stages", "name": "Lifecycle stages", "description": "From coming into existence to ceasing to be one of these.", "findings": [ { "id": "stages-and-transitions", "name": "Stages and transitions", "description": "The stages worth naming and what moves a Romanesque art between them.", "questions": [ { "id": "stages-and-transitions-q01", "text": "What identifies and describes the lifecycle of a Romanesque art, and in what units or vocabulary?", "kind": "definition", "answer_data": [ "identifiers", "types and classes", "values with units", "explicit unknowns" ] }, { "id": "stages-and-transitions-q02", "text": "Who or what asserted this about the lifecycle of a Romanesque art, by which method, and when was it true?", "kind": "provenance", "answer_data": [ "authority", "method", "evidence", "event time", "knowledge time" ] }, { "id": "stages-and-transitions-q03", "text": "What may an agent decide or do once the lifecycle of a Romanesque art is known, and what must it refuse?", "kind": "action", "answer_data": [ "permitted actions", "preconditions", "refusals", "escalation" ] } ] } ] }, { "id": "observations-and-status", "name": "Observations and current status", "description": "What is observed about a Romanesque art, how often and by whom.", "findings": [ { "id": "observation-record", "name": "Observation record", "description": "How an observation of a Romanesque art is recorded so that it can be superseded rather than overwritten.", "questions": [ { "id": "observation-record-q01", "text": "What identifies and describes an observation of a Romanesque art, and in what units or vocabulary?", "kind": "definition", "answer_data": [ "identifiers", "types and classes", "values with units", "explicit unknowns" ] }, { "id": "observation-record-q02", "text": "Who or what asserted this about an observation of a Romanesque art, by which method, and when was it true?", "kind": "provenance", "answer_data": [ "authority", "method", "evidence", "event time", "knowledge time" ] }, { "id": "observation-record-q03", "text": "What may an agent decide or do once an observation of a Romanesque art is known, and what must it refuse?", "kind": "action", "answer_data": [ "permitted actions", "preconditions", "refusals", "escalation" ] } ] } ] } ] }, { "id": "content-and-access", "name": "Content, encoding and access", "description": "What a Romanesque art says, how it is encoded and who may read it.", "rationale": "An informational thing carries content that can be copied, versioned and withheld, none of which its physical carrier explains.", "layers": [ { "id": "content-and-encoding", "name": "Content and encoding", "description": "The content itself, its format and its language.", "findings": [ { "id": "content-and-format", "name": "Content, format and language", "description": "What a Romanesque art contains and in what form it is held.", "questions": [ { "id": "content-and-format-q01", "text": "What identifies and describes the content of a Romanesque art, and in what units or vocabulary?", "kind": "definition", "answer_data": [ "identifiers", "types and classes", "values with units", "explicit unknowns" ] }, { "id": "content-and-format-q02", "text": "Who or what asserted this about the content of a Romanesque art, by which method, and when was it true?", "kind": "provenance", "answer_data": [ "authority", "method", "evidence", "event time", "knowledge time" ] }, { "id": "content-and-format-q03", "text": "What may an agent decide or do once the content of a Romanesque art is known, and what must it refuse?", "kind": "action", "answer_data": [ "permitted actions", "preconditions", "refusals", "escalation" ] } ] } ] }, { "id": "access-and-rights", "name": "Access, rights and retention", "description": "Who may read, copy or change it, and for how long it is kept.", "findings": [ { "id": "access-rules", "name": "Access rules and retention", "description": "The permissions attached to a Romanesque art and the period it survives.", "questions": [ { "id": "access-rules-q01", "text": "What identifies and describes access to a Romanesque art, and in what units or vocabulary?", "kind": "definition", "answer_data": [ "identifiers", "types and classes", "values with units", "explicit unknowns" ] }, { "id": "access-rules-q02", "text": "Who or what asserted this about access to a Romanesque art, by which method, and when was it true?", "kind": "provenance", "answer_data": [ "authority", "method", "evidence", "event time", "knowledge time" ] }, { "id": "access-rules-q03", "text": "What may an agent decide or do once access to a Romanesque art is known, and what must it refuse?", "kind": "action", "answer_data": [ "permitted actions", "preconditions", "refusals", "escalation" ] } ] } ] } ] }, { "id": "subject-and-method", "name": "Subject matter and method", "description": "What Romanesque art studies and how it establishes anything.", "rationale": "A field is identified by its questions and its methods, and those are what distinguish it from the fields next to it.", "layers": [ { "id": "subject", "name": "Subject matter", "description": "The questions it takes as its own.", "findings": [ { "id": "subject-record", "name": "Questions and objects of study", "description": "What it is about, stated so a neighbouring field can be told apart.", "questions": [ { "id": "subject-record-q01", "text": "What questions and objects does Romanesque art take as its own?", "kind": "definition" }, { "id": "subject-record-q02", "text": "Which questions does it share with a neighbouring field, and who claims them?", "kind": "boundary" } ] } ] }, { "id": "method", "name": "Method and evidence", "description": "How claims are established and what counts as evidence.", "findings": [ { "id": "method-record", "name": "Methods and standards of evidence", "description": "The methods used and what they are taken to establish.", "questions": [ { "id": "method-record-q01", "text": "By what methods does Romanesque art establish claims, and what counts as sufficient evidence?", "kind": "provenance" }, { "id": "method-record-q02", "text": "What kind of claim can this field not settle, and where should an agent look instead?", "kind": "action" } ] } ] } ] }, { "id": "institutions-and-classification", "name": "Institutions and classification", "description": "Where Romanesque art is practised and how catalogues place it.", "rationale": "The institutional footprint is the evidence that a field exists as a field rather than as a topic.", "layers": [ { "id": "institutions", "name": "Institutional markers", "description": "Societies, journals, degrees and departments.", "findings": [ { "id": "institution-record", "name": "Bodies and venues", "description": "Where the field organises itself.", "questions": [ { "id": "institution-record-q01", "text": "Which societies, journals or degrees mark Romanesque art as an established field?", "kind": "provenance" }, { "id": "institution-record-q02", "text": "What would show that it is emerging or dissolving rather than established?", "kind": "boundary" } ] } ] }, { "id": "classification", "name": "Classification schemes", "description": "Where library and research classifications put it.", "findings": [ { "id": "classification-record", "name": "Codes and their disagreements", "description": "The classification codes that place it, and where they differ.", "questions": [ { "id": "classification-record-q01", "text": "Which classification schemes place Romanesque art, under what codes?", "kind": "definition" }, { "id": "classification-record-q02", "text": "Where do those schemes disagree about its scope?", "kind": "boundary" } ] } ] } ] }, { "id": "provenance-and-evidence", "name": "Provenance, evidence and time", "description": "Where every claim about a Romanesque art came from and when it held.", "rationale": "A claim without a source and a time cannot be superseded, only overwritten, and an agent that overwrites loses the ability to explain itself.", "layers": [ { "id": "source-and-authority", "name": "Source and authority", "description": "Who said it, on what evidence, and how strongly.", "findings": [ { "id": "claim-provenance", "name": "Claim provenance and confidence", "description": "The authority behind each claim about a Romanesque art and how confident it is.", "questions": [ { "id": "claim-provenance-q01", "text": "What identifies and describes a claim about a Romanesque art, and in what units or vocabulary?", "kind": "definition", "answer_data": [ "identifiers", "types and classes", "values with units", "explicit unknowns" ] }, { "id": "claim-provenance-q02", "text": "Who or what asserted this about a claim about a Romanesque art, by which method, and when was it true?", "kind": "provenance", "answer_data": [ "authority", "method", "evidence", "event time", "knowledge time" ] }, { "id": "claim-provenance-q03", "text": "What may an agent decide or do once a claim about a Romanesque art is known, and what must it refuse?", "kind": "action", "answer_data": [ "permitted actions", "preconditions", "refusals", "escalation" ] } ] } ] }, { "id": "time-and-versions", "name": "Time, versions and supersession", "description": "When a claim was true, when it was learnt, and what replaced it.", "findings": [ { "id": "validity-and-supersession", "name": "Validity period and supersession", "description": "How an old claim about a Romanesque art is retired without being erased.", "questions": [ { "id": "validity-and-supersession-q01", "text": "What identifies and describes the validity of a claim about a Romanesque art, and in what units or vocabulary?", "kind": "definition", "answer_data": [ "identifiers", "types and classes", "values with units", "explicit unknowns" ] }, { "id": "validity-and-supersession-q02", "text": "Who or what asserted this about the validity of a claim about a Romanesque art, by which method, and when was it true?", "kind": "provenance", "answer_data": [ "authority", "method", "evidence", "event time", "knowledge time" ] }, { "id": "validity-and-supersession-q03", "text": "What may an agent decide or do once the validity of a claim about a Romanesque art is known, and what must it refuse?", "kind": "action", "answer_data": [ "permitted actions", "preconditions", "refusals", "escalation" ] } ] } ] } ] } ] }, "statistics": { "bundles": 6, "layers": 12, "findings": 14, "questions": 38 } } } }