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Research draft

caricature

vr.tr.caricature · INF.MED

Let an agent explain caricature, relay history, techniques, political uses and harmful stereotypes from art history and media studies sources with debates attributed, describe the named forms including racist caricature as historical context without reproducing it, and distinguish caricature from portrait likeness, comic strips, parody in text and hate speech as a legal category.

Thing Registry Information and virtual systems

Research draft, second pass

A second pass drafted this model: the structure a model of this thing needs, and what is known about it in the world. The line under this one says how the second half was obtained - researched against sources, or recalled without web access, in which case nothing here was read anywhere and every claim is a lead to verify. Unreviewed either way.

written by Claude from model knowledge without web access - no source was read, every claim is a lead to verify

Researched by: Claude

Purpose and description

Let an agent explain caricature, relay history, techniques, political uses and harmful stereotypes from art history and media studies sources with debates attributed, describe the named forms including racist caricature as historical context without reproducing it, and distinguish caricature from portrait likeness, comic strips, parody in text and hate speech as a legal category.

A portrait or depiction that exaggerates distinctive features of a person or type for humorous, satirical or critical effect, in drawings, sculpture and photographic caricature, central to political cartoons and journalistic cartooning, with traditions such as the satirical prints of James Gillray and Honore Daumier and Japanese Ponchi-e, Meiji-era Western-style cartoons; caricature has also been used for racist and xenophobic propaganda, as in the John Chinaman stereotype of Chinese people in 19th-century Western media, which historians study as anti-Chinese racism. Debates about satire, offence and free expression, including violence against cartoonists, are attributed, and the model does not reproduce hateful caricatures.

What it is for: Exaggerated depiction for humour or critique.

It can be explain techniques and history; relay political cartoon traditions; describe named forms including harmful stereotypes neutrally; present free expression debates with attribution.

Distinguishing features

Exaggeration

Satirical intent

Recognisable subjects

Potential to harm

What it looks like

Drawings or images with exaggerated heads, features or postures, often with captions.

Physical character

Gillray active: late 18th century note - London

Daumier imprisoned for caricature: 1832 year - Gargantua print

Japan Punch magazine: from 1862 note - origin of Ponchi-e

How it is recognised

Exaggerated satirical depiction

Photographic caricature, John Chinaman, journalistic cartoon, political cartoon, graphic humour, Ponchi-e

Portraits seek likeness; comic strips tell sequential stories; textual parody imitates writing; hate speech is a legal category

Related models

is a kind of - in registry terms, and humour

portrait

includes -

political cartoon

includes -

Ponchi-e

is contrasted with -

hate speech

In practice

Families and kinds

political caricature

social caricature

caricature portraits at fairs

photographic and digital caricature

racist and propaganda caricature as historical category

Standards and regulation

Free expression and defamation laws

Hate speech laws in some countries

Editorial standards

Failure modes and hazards

Reproducing hateful caricatures

Partisan framing of cartoon controversies

Unattributed claims about offence

Also called

photographic caricatureJohn ChinamanJournalistic Cartoonpolitical cartoongraphic humourPonchi-eBambocciata

Where this came from

wikidata · CC0 1.0

Drafted structure

Bundle to layer to finding to question, as the second pass will find it: 4 bundles · 8 layers · 8 findings · 16 questions.

Understand What caricature is.

Attribution.

Definition

Definition.

Definition

Definition.

  1. What is caricature, and how does it differ from portraits, comic strips, textual parody and hate speech? definition
  2. Is someone being threatened or harassed over a cartoon, in which case contact police, and is the request to create hateful caricature, which this model does not do? boundary

Forms

Named forms.

Forms

Forms.

  1. What are photographic caricature, journalistic and political cartoons, graphic humour and Ponchi-e, and what was the John Chinaman stereotype historically? definition
  2. Which entry fits the specific form? action
History History.

Sources.

Europe

European caricature.

Europe

Europe.

  1. How did Gillray, Cruikshank and Daumier shape political caricature? provenance
  2. Which references are standard? provenance

Japan

Ponchi-e.

Japan

Japan.

  1. How did Japan Punch influence Meiji-era cartoons? provenance
  2. Which sources are cited? provenance
Harm Stereotypes and propaganda.

Attribution.

Racism

Racist caricature.

Racism

Racism.

  1. How do historians analyse racist caricatures such as anti-Chinese imagery, without reproducing them? provenance
  2. Which entry fits Chinese Exclusion Act? action

Propaganda

Propaganda.

Propaganda

Propaganda.

  1. How was caricature used in wartime and antisemitic propaganda, as historians document? provenance
  2. Is the presentation neutral and free of reproduction? boundary
Context Free expression.

Attribution.

Controversies

Cartoon controversies.

Controversies

Controversies.

  1. What debates followed controversies such as the 2005 Jyllands-Posten cartoons and the 2015 Charlie Hebdo attack, with positions attributed? provenance
  2. Which entry fits freedom of the press? action

Craft

Technique.

Craft

Craft.

  1. How do caricaturists choose features to exaggerate? provenance
  2. Which entry fits cartooning? action

What the second pass must settle

  • Should the John Chinaman alias be moved to an entry on anti-Chinese stereotypes with historical context?
  • Should Ponchi-e be a separate entry?
  • How should cartoon controversies be presented?