{ "model": { "rank": 10590, "code": "thing-q603399", "model_id": "vr.tr.japanese-art", "name": "Japanese art", "purpose": "Let an agent explain Japanese art and its periods and forms, identify works, artists and styles with sources, support visiting collections and understanding techniques, and describe its history and global influence.", "family": "Thing Registry", "category": "Information and virtual systems", "status": "research-draft", "kind": "thing", "plane": "INF", "domain": "INF.KNW", "industry": "", "version": "", "url": "/models/thing/q603399/", "tier": 2, "score": 44, "payload": { "layer": "wikidata", "aliases": [ "Toba-e", "visual arts of Japan", "Japanese architecture", "Muromachi art", "Asuka and Nara art", "art of the Edo period", "Heian art", "Kamakura art", "Momoyama art", "Mavo", "performing arts in Japan", "Japanese contemporary art", "Nanban art", "Buddhist art in Japan", "wayō", "Wara art", "Japanese colonial architecture", "Japandi", "shuden-zukuri", "yatsumune-zukuri", "Japanese-Western Eclectic Architecture", "modern Japanese-style architecture", "Japanese castle architecture", "shoin-zukuri", "Shinden-zukuri", "architecture of Tokyo", "Giyōfū architecture", "Japanese Buddhist architecture", "kakezukuri", "Namban Boshi", "Wayō", "Ōbaku Zen architecture", "sukiya-zukuri", "Fujimura-style architecture", "Shitennō-ji style", "Daibutsuyō", "Setchūyō", "さやと" ], "aliasCount": 38, "merged": 38, "knownIn": 44, "facets": null, "markers": [], "lexicalClass": "", "senseRank": null, "alsoRegisteredAs": null, "source": { "dataset": "wikidata", "item": "Q603399", "url": "https://www.wikidata.org/wiki/Q603399", "license": "CC0 1.0" } }, "research": { "vercy": "1.0-draft", "publication": { "status": "research-draft", "adjudicationStatus": "unreviewed", "publishableCanonical": false, "generatedAt": "2026-09-12T01:22:46Z", "providers": [ "Claude" ], "breadth": "written by Claude from model knowledge without web access - no source was read, every claim is a lead to verify", "pass": 2, "wave": 2, "engine": "claude" }, "metaModel": { "id": "THING-Q603399", "registryId": "vr.tr.japanese-art", "name": "Japanese art", "version": "0.2.0-wave.2", "entryKind": "thing", "family": "Thing Registry", "domain": [ "INF.KNW" ], "status": "research-draft" }, "canonicalUrl": "https://ver.cy/models/thing/q603399/", "model": { "registry_id": "vr.tr.japanese-art", "name": "Japanese art", "purpose": "Let an agent explain Japanese art and its periods and forms, identify works, artists and styles with sources, support visiting collections and understanding techniques, and describe its history and global influence.", "definition": "The visual arts and architecture of Japan from prehistoric pottery and the Asuka and Nara periods through Heian, Kamakura, Muromachi and Edo art to modern and contemporary work, including painting, sculpture, calligraphy, ceramics, lacquer, textiles, prints such as ukiyo-e and comic Toba-e, gardens and architecture; Japanese art is studied in art history, preserved in museums and as designated cultural properties, and has influenced art worldwide.", "what_it_is_for": "The visual arts of Japan.", "affordances": [ "explain periods and forms", "identify works and artists", "support visiting collections", "describe history and influence" ], "distinguishing_features": [ "Period styles", "Diverse media", "Cultural property designation", "Global influence" ], "appearance": "Paintings, prints, sculpture, ceramics, gardens and buildings.", "visual_identification": [ "Visual arts and architecture of Japan", "Periods from Asuka to contemporary", "Chinese and Korean art are related but distinct traditions" ], "physical_properties": [], "families_and_kinds": [ "Asuka, Nara and Heian art", "Kamakura and Muromachi art", "Edo period art including ukiyo-e", "modern and contemporary Japanese art", "Japanese architecture and gardens" ], "related_models": [ { "relation": "is a kind of", "target": "art of the Earth", "why": "category" }, { "relation": "is related to", "target": "calligraphy", "why": "a Japanese art form" }, { "relation": "is related to", "target": "eave", "why": "features of Japanese architecture" }, { "relation": "is related to", "target": "Art Nouveau", "why": "a movement influenced by Japanese art" } ], "identifiers": [], "standards_and_regulation": [ "Cultural property designation laws in Japan", "Museum conservation standards", "Export controls on cultural property" ], "failure_modes_and_hazards": [ "Stereotyping Japanese art", "Misattribution and forgery", "Damage to fragile works" ], "in_scope": [], "out_of_scope": [], "characteristics": [] }, "sources": [], "structure": { "bundles": [ { "id": "understand", "name": "Understand", "description": "Periods and forms.", "rationale": "Art history.", "layers": [ { "id": "periods", "name": "Periods", "description": "Periods.", "findings": [ { "id": "periods-finding", "name": "Periods", "description": "Periods.", "questions": [ { "text": "What characterises Japanese art in the Asuka, Nara, Heian, Kamakura, Muromachi, Edo and modern periods, according to art historians?", "kind": "provenance" }, { "text": "Which entry fits a specific period?", "kind": "action" } ] } ] }, { "id": "forms", "name": "Forms", "description": "Forms and media.", "findings": [ { "id": "forms-finding", "name": "Forms", "description": "Forms.", "questions": [ { "text": "What are the main forms, from painting, prints such as ukiyo-e and Toba-e, and calligraphy to ceramics, lacquer, gardens and architecture?", "kind": "provenance" }, { "text": "Which entry fits a specific form?", "kind": "action" } ] } ] } ] }, { "id": "explore", "name": "Explore", "description": "Works, artists and collections.", "rationale": "Practice.", "layers": [ { "id": "artists", "name": "Artists", "description": "Artists and works.", "findings": [ { "id": "artists-finding", "name": "Artists", "description": "Artists.", "questions": [ { "text": "Who are the major artists and what are the key works of Japanese art?", "kind": "provenance" }, { "text": "Which entry fits a specific artist or work?", "kind": "action" } ] } ] }, { "id": "visit", "name": "Visit", "description": "Collections and sites.", "findings": [ { "id": "visit-finding", "name": "Visit", "description": "Visiting.", "questions": [ { "text": "Which museums, temples and sites hold important Japanese art, and what are designated cultural properties?", "kind": "provenance" }, { "text": "Which entry fits a specific institution?", "kind": "action" } ] } ] } ] }, { "id": "technique", "name": "Technique", "description": "Techniques and aesthetics.", "rationale": "Craft.", "layers": [ { "id": "techniques", "name": "Techniques", "description": "Techniques.", "findings": [ { "id": "techniques-finding", "name": "Techniques", "description": "Techniques.", "questions": [ { "text": "How are techniques such as woodblock printing, ink painting, lacquer and ceramics practised?", "kind": "provenance" }, { "text": "Which entry fits a specific technique?", "kind": "action" } ] } ] }, { "id": "aesthetics", "name": "Aesthetics", "description": "Aesthetic concepts.", "findings": [ { "id": "aesthetics-finding", "name": "Aesthetics", "description": "Aesthetics.", "questions": [ { "text": "What aesthetic concepts such as wabi-sabi and ma are discussed in relation to Japanese art, and how do scholars caution against oversimplification?", "kind": "provenance" }, { "text": "Is the presentation free of stereotypes?", "kind": "boundary" } ] } ] } ] }, { "id": "learn", "name": "Learn", "description": "Influence and teaching.", "rationale": "Education.", "layers": [ { "id": "influence", "name": "Influence", "description": "Global influence.", "findings": [ { "id": "influence-finding", "name": "Influence", "description": "Influence.", "questions": [ { "text": "How has Japanese art influenced Western art, from Japonisme and Art Nouveau to contemporary design?", "kind": "provenance" }, { "text": "Which references are standard?", "kind": "provenance" } ] } ] }, { "id": "teach", "name": "Teach", "description": "Teaching.", "findings": [ { "id": "teach-finding", "name": "Teach", "description": "Teaching.", "questions": [ { "text": "How can Japanese art be taught in art history?", "kind": "action" }, { "text": "Which misconceptions arise?", "kind": "provenance" } ] } ] } ] } ] }, "openQuestions": [ "Should each period be a separate entry?", "How should museum collections be linked?", "How should cultural property registers be linked?" ], "statistics": { "bundles": 4, "layers": 8, "findings": 8, "questions": 16 } }, "draft": { "generator": "vr.draft.v3", "status": "draft-generated", "researched": false, "archetype": "discipline or field of knowledge", "method": "Written from the archetype playbook - what this kind of thing needs beyond identity and provenance - and from the structure that recurred across 6,333 models already researched by two engines. Applied to this entry by rule. No source was read for this thing and no claim here is researched. This entry carries no facets of its own, so they were inferred from its domain - a guess about a whole domain applied to one thing.", "facetsInferred": true, "nextPass": "A researcher replaces this draft with a sourced specification. Treat every sentence below as a proposal to argue with.", "purpose": "Give an agent a durable, checkable way to recognise a Japanese art, record what state it is in, and decide what may be done with it.", "whatItIs": "Let an agent explain Japanese art and its periods and forms, identify works, artists and styles with sources, support visiting collections and understanding techniques, and describe its history and global influence.", "characteristics": { "substance": "information", "origin": "conceptual", "agency": "inert" }, "whatYouCanDoWithIt": [ "read and interpreted" ], "distinguishingFeatures": [ "Names folded into this entry, which a task may need to split apart again: Toba-e, visual arts of Japan, Japanese architecture, Muromachi art, Asuka and Nara art, art of the Edo period, Heian art, Kamakura art, Momoyama art, Mavo, performing arts in Japan, Japanese contemporary art.", "38 finer distinctions are held as aliases rather than separate entries, because telling them apart needs a task that asks for it.", "Described in 44 Wikipedia languages, which is a measure of how widely the thing is known, not of how important it is." ], "openQuestionsForResearch": [ "Which of the bundles below does a real task actually need, and which are ceremony?", "What does this thing have that the facets do not capture at all?", "Which neighbouring kind is most often confused with a Japanese art, and on what evidence are they told apart?" ], "whatItIsMadeOf": "content that has to be carried by something else", "physicalCharacter": [ "Does nothing on its own; everything it does, something else did to it.", "These come from the domain this entry sits in rather than from the entry itself, so treat them as a first guess about the whole domain applied to one thing." ], "whatCanBeDoneWithIt": [ "read it and act on what it says" ], "howItIsRecognised": [], "relatedModels": [ { "relation": "covers", "note": "Finer kinds folded into this entry because telling them apart needs a task that asks for it. Each is a model waiting to be split out when one does.", "targets": [ "Toba-e", "visual arts of Japan", "Japanese architecture", "Muromachi art", "Asuka and Nara art", "art of the Edo period", "Heian art", "Kamakura art", "Momoyama art", "Mavo", "performing arts in Japan", "Japanese contemporary art" ] } ], "standing": "Described in 44 Wikipedia languages, which measures how widely it is written about rather than how important or how common it is. 38 finer distinctions are held inside this entry as names rather than as separate models.", "structure": { "bundles": [ { "id": "identity-and-classification", "name": "Identity, naming and classification", "description": "How an agent tells one Japanese art from another, and a Japanese art from things that resemble it.", "rationale": "Recognition comes before every other claim. Without stable identity nothing else in the model can be trusted to be about the same thing twice.", "layers": [ { "id": "naming-and-identifiers", "name": "Names and identifiers", "description": "The names this thing goes by and the identifiers that survive translation and time.", "findings": [ { "id": "preferred-name-and-aliases", "name": "Preferred name, aliases and local names", "description": "Which name to use, which names mean the same thing, and which merely sound similar.", "questions": [ { "id": "preferred-name-and-aliases-q01", "text": "What identifies and describes the name of a Japanese art, and in what units or vocabulary?", "kind": "definition", "answer_data": [ "identifiers", "types and classes", "values with units", "explicit unknowns" ] }, { "id": "preferred-name-and-aliases-q02", "text": "Who or what asserted this about the name of a Japanese art, by which method, and when was it true?", "kind": "provenance", "answer_data": [ "authority", "method", "evidence", "event time", "knowledge time" ] }, { "id": "preferred-name-and-aliases-q03", "text": "What may an agent decide or do once the name of a Japanese art is known, and what must it refuse?", "kind": "action", "answer_data": [ "permitted actions", "preconditions", "refusals", "escalation" ] } ] }, { "id": "stable-identifiers", "name": "Stable identifiers and external keys", "description": "Identifiers that keep pointing at this kind of thing across systems and languages.", "questions": [ { "id": "stable-identifiers-q01", "text": "What identifies and describes an identifier for a Japanese art, and in what units or vocabulary?", "kind": "definition", "answer_data": [ "identifiers", "types and classes", "values with units", "explicit unknowns" ] }, { "id": "stable-identifiers-q02", "text": "Who or what asserted this about an identifier for a Japanese art, by which method, and when was it true?", "kind": "provenance", "answer_data": [ "authority", "method", "evidence", "event time", "knowledge time" ] }, { "id": "stable-identifiers-q03", "text": "What may an agent decide or do once an identifier for a Japanese art is known, and what must it refuse?", "kind": "action", "answer_data": [ "permitted actions", "preconditions", "refusals", "escalation" ] } ] } ] }, { "id": "classification-and-granularity", "name": "Classification and granularity", "description": "Where a Japanese art sits among kinds, and how finely a task needs to cut it.", "findings": [ { "id": "kind-and-parents", "name": "Kind, parents and neighbouring kinds", "description": "The classes this thing belongs to and the ones it is next to.", "questions": [ { "id": "kind-and-parents-q01", "text": "What identifies and describes the kind of a Japanese art, and in what units or vocabulary?", "kind": "definition", "answer_data": [ "identifiers", "types and classes", "values with units", "explicit unknowns" ] }, { "id": "kind-and-parents-q02", "text": "Who or what asserted this about the kind of a Japanese art, by which method, and when was it true?", "kind": "provenance", "answer_data": [ "authority", "method", "evidence", "event time", "knowledge time" ] }, { "id": "kind-and-parents-q03", "text": "What may an agent decide or do once the kind of a Japanese art is known, and what must it refuse?", "kind": "action", "answer_data": [ "permitted actions", "preconditions", "refusals", "escalation" ] } ] }, { "id": "distinguishing-features", "name": "Distinguishing features", "description": "What separates a Japanese art from the things most often confused with it.", "questions": [ { "id": "distinguishing-features-q01", "text": "What identifies and describes what distinguishes a Japanese art, and in what units or vocabulary?", "kind": "definition", "answer_data": [ "identifiers", "types and classes", "values with units", "explicit unknowns" ] }, { "id": "distinguishing-features-q02", "text": "Who or what asserted this about what distinguishes a Japanese art, by which method, and when was it true?", "kind": "provenance", "answer_data": [ "authority", "method", "evidence", "event time", "knowledge time" ] }, { "id": "distinguishing-features-q03", "text": "What may an agent decide or do once what distinguishes a Japanese art is known, and what must it refuse?", "kind": "action", "answer_data": [ "permitted actions", "preconditions", "refusals", "escalation" ] } ] } ] } ] }, { "id": "state-and-lifecycle", "name": "State and lifecycle", "description": "The states a Japanese art passes through and the events that move it between them.", "rationale": "Most decisions about a thing depend on what state it is in now, which is a claim with a time on it, not a property.", "layers": [ { "id": "lifecycle-stages", "name": "Lifecycle stages", "description": "From coming into existence to ceasing to be one of these.", "findings": [ { "id": "stages-and-transitions", "name": "Stages and transitions", "description": "The stages worth naming and what moves a Japanese art between them.", "questions": [ { "id": "stages-and-transitions-q01", "text": "What identifies and describes the lifecycle of a Japanese art, and in what units or vocabulary?", "kind": "definition", "answer_data": [ "identifiers", "types and classes", "values with units", "explicit unknowns" ] }, { "id": "stages-and-transitions-q02", "text": "Who or what asserted this about the lifecycle of a Japanese art, by which method, and when was it true?", "kind": "provenance", "answer_data": [ "authority", "method", "evidence", "event time", "knowledge time" ] }, { "id": "stages-and-transitions-q03", "text": "What may an agent decide or do once the lifecycle of a Japanese art is known, and what must it refuse?", "kind": "action", "answer_data": [ "permitted actions", "preconditions", "refusals", "escalation" ] } ] } ] }, { "id": "observations-and-status", "name": "Observations and current status", "description": "What is observed about a Japanese art, how often and by whom.", "findings": [ { "id": "observation-record", "name": "Observation record", "description": "How an observation of a Japanese art is recorded so that it can be superseded rather than overwritten.", "questions": [ { "id": "observation-record-q01", "text": "What identifies and describes an observation of a Japanese art, and in what units or vocabulary?", "kind": "definition", "answer_data": [ "identifiers", "types and classes", "values with units", "explicit unknowns" ] }, { "id": "observation-record-q02", "text": "Who or what asserted this about an observation of a Japanese art, by which method, and when was it true?", "kind": "provenance", "answer_data": [ "authority", "method", "evidence", "event time", "knowledge time" ] }, { "id": "observation-record-q03", "text": "What may an agent decide or do once an observation of a Japanese art is known, and what must it refuse?", "kind": "action", "answer_data": [ "permitted actions", "preconditions", "refusals", "escalation" ] } ] } ] } ] }, { "id": "content-and-access", "name": "Content, encoding and access", "description": "What a Japanese art says, how it is encoded and who may read it.", "rationale": "An informational thing carries content that can be copied, versioned and withheld, none of which its physical carrier explains.", "layers": [ { "id": "content-and-encoding", "name": "Content and encoding", "description": "The content itself, its format and its language.", "findings": [ { "id": "content-and-format", "name": "Content, format and language", "description": "What a Japanese art contains and in what form it is held.", "questions": [ { "id": "content-and-format-q01", "text": "What identifies and describes the content of a Japanese art, and in what units or vocabulary?", "kind": "definition", "answer_data": [ "identifiers", "types and classes", "values with units", "explicit unknowns" ] }, { "id": "content-and-format-q02", "text": "Who or what asserted this about the content of a Japanese art, by which method, and when was it true?", "kind": "provenance", "answer_data": [ "authority", "method", "evidence", "event time", "knowledge time" ] }, { "id": "content-and-format-q03", "text": "What may an agent decide or do once the content of a Japanese art is known, and what must it refuse?", "kind": "action", "answer_data": [ "permitted actions", "preconditions", "refusals", "escalation" ] } ] } ] }, { "id": "access-and-rights", "name": "Access, rights and retention", "description": "Who may read, copy or change it, and for how long it is kept.", "findings": [ { "id": "access-rules", "name": "Access rules and retention", "description": "The permissions attached to a Japanese art and the period it survives.", "questions": [ { "id": "access-rules-q01", "text": "What identifies and describes access to a Japanese art, and in what units or vocabulary?", "kind": "definition", "answer_data": [ "identifiers", "types and classes", "values with units", "explicit unknowns" ] }, { "id": "access-rules-q02", "text": "Who or what asserted this about access to a Japanese art, by which method, and when was it true?", "kind": "provenance", "answer_data": [ "authority", "method", "evidence", "event time", "knowledge time" ] }, { "id": "access-rules-q03", "text": "What may an agent decide or do once access to a Japanese art is known, and what must it refuse?", "kind": "action", "answer_data": [ "permitted actions", "preconditions", "refusals", "escalation" ] } ] } ] } ] }, { "id": "subject-and-method", "name": "Subject matter and method", "description": "What Japanese art studies and how it establishes anything.", "rationale": "A field is identified by its questions and its methods, and those are what distinguish it from the fields next to it.", "layers": [ { "id": "subject", "name": "Subject matter", "description": "The questions it takes as its own.", "findings": [ { "id": "subject-record", "name": "Questions and objects of study", "description": "What it is about, stated so a neighbouring field can be told apart.", "questions": [ { "id": "subject-record-q01", "text": "What questions and objects does Japanese art take as its own?", "kind": "definition" }, { "id": "subject-record-q02", "text": "Which questions does it share with a neighbouring field, and who claims them?", "kind": "boundary" } ] } ] }, { "id": "method", "name": "Method and evidence", "description": "How claims are established and what counts as evidence.", "findings": [ { "id": "method-record", "name": "Methods and standards of evidence", "description": "The methods used and what they are taken to establish.", "questions": [ { "id": "method-record-q01", "text": "By what methods does Japanese art establish claims, and what counts as sufficient evidence?", "kind": "provenance" }, { "id": "method-record-q02", "text": "What kind of claim can this field not settle, and where should an agent look instead?", "kind": "action" } ] } ] } ] }, { "id": "institutions-and-classification", "name": "Institutions and classification", "description": "Where Japanese art is practised and how catalogues place it.", "rationale": "The institutional footprint is the evidence that a field exists as a field rather than as a topic.", "layers": [ { "id": "institutions", "name": "Institutional markers", "description": "Societies, journals, degrees and departments.", "findings": [ { "id": "institution-record", "name": "Bodies and venues", "description": "Where the field organises itself.", "questions": [ { "id": "institution-record-q01", "text": "Which societies, journals or degrees mark Japanese art as an established field?", "kind": "provenance" }, { "id": "institution-record-q02", "text": "What would show that it is emerging or dissolving rather than established?", "kind": "boundary" } ] } ] }, { "id": "classification", "name": "Classification schemes", "description": "Where library and research classifications put it.", "findings": [ { "id": "classification-record", "name": "Codes and their disagreements", "description": "The classification codes that place it, and where they differ.", "questions": [ { "id": "classification-record-q01", "text": "Which classification schemes place Japanese art, under what codes?", "kind": "definition" }, { "id": "classification-record-q02", "text": "Where do those schemes disagree about its scope?", "kind": "boundary" } ] } ] } ] }, { "id": "provenance-and-evidence", "name": "Provenance, evidence and time", "description": "Where every claim about a Japanese art came from and when it held.", "rationale": "A claim without a source and a time cannot be superseded, only overwritten, and an agent that overwrites loses the ability to explain itself.", "layers": [ { "id": "source-and-authority", "name": "Source and authority", "description": "Who said it, on what evidence, and how strongly.", "findings": [ { "id": "claim-provenance", "name": "Claim provenance and confidence", "description": "The authority behind each claim about a Japanese art and how confident it is.", "questions": [ { "id": "claim-provenance-q01", "text": "What identifies and describes a claim about a Japanese art, and in what units or vocabulary?", "kind": "definition", "answer_data": [ "identifiers", "types and classes", "values with units", "explicit unknowns" ] }, { "id": "claim-provenance-q02", "text": "Who or what asserted this about a claim about a Japanese art, by which method, and when was it true?", "kind": "provenance", "answer_data": [ "authority", "method", "evidence", "event time", "knowledge time" ] }, { "id": "claim-provenance-q03", "text": "What may an agent decide or do once a claim about a Japanese art is known, and what must it refuse?", "kind": "action", "answer_data": [ "permitted actions", "preconditions", "refusals", "escalation" ] } ] } ] }, { "id": "time-and-versions", "name": "Time, versions and supersession", "description": "When a claim was true, when it was learnt, and what replaced it.", "findings": [ { "id": "validity-and-supersession", "name": "Validity period and supersession", "description": "How an old claim about a Japanese art is retired without being erased.", "questions": [ { "id": "validity-and-supersession-q01", "text": "What identifies and describes the validity of a claim about a Japanese art, and in what units or vocabulary?", "kind": "definition", "answer_data": [ "identifiers", "types and classes", "values with units", "explicit unknowns" ] }, { "id": "validity-and-supersession-q02", "text": "Who or what asserted this about the validity of a claim about a Japanese art, by which method, and when was it true?", "kind": "provenance", "answer_data": [ "authority", "method", "evidence", "event time", "knowledge time" ] }, { "id": "validity-and-supersession-q03", "text": "What may an agent decide or do once the validity of a claim about a Japanese art is known, and what must it refuse?", "kind": "action", "answer_data": [ "permitted actions", "preconditions", "refusals", "escalation" ] } ] } ] } ] } ] }, "statistics": { "bundles": 6, "layers": 12, "findings": 14, "questions": 38 } } } }