{ "vercy": "1.0-draft", "publication": { "status": "research-draft", "adjudicationStatus": "unreviewed", "publishableCanonical": false, "generatedAt": "2026-09-12T11:30:16Z", "providers": [ "Codex" ], "breadth": "recalled by Codex without web access - no source was read", "missingProviders": [], "pass": 2, "cost": { "grok": { "seconds": 17.0, "error": "Reading additional input from stdin...\nOpenAI Codex v0.153.4\n--------\nworkdir: R:\\02_PROJECTS\\02_Meta_Models_Platforms\\Ver.cy\\current\\thing-registry-backlog\nmodel: gpt-6-astra\nprovider: openai\napproval: never\nsandbox: read-only\nreasoning effort: none\nreasoning summaries: none\nsession id: 01a09560-b6bc-7cd1-a955-c0cc068c40e9\n--------\nuser\nDescribe what is already known about one registered thing. Answer as JSON only, no prose around it.\n\nThing: Nagoya harp\nSense to describe: (none recorded)\nDomain code: PHY.OBJ\nAlso known as: (none)\n\n\nContext for this batch of 1001 things:\n# Batch 044: 1001 reg", "usd": 0.0, "recall": true }, "codex": { "seconds": 78.2, "error": "Reading additional input from stdin...\nOpenAI Codex v0.153.4\n--------\nworkdir: R:\\02_PROJECTS\\02_Meta_Models_Platforms\\Ver.cy\\current\\thing-registry-backlog\nmodel: gpt-6-astra\nprovider: openai\napproval: never\nsandbox: read-only\nreasoning effort: none\nreasoning summaries: none\nsession id: 01a09560-b6b2-7370-8398-aac8523982b7\n--------\nuser\nYou are drafting a Vercy meta-model for one registered thing. Answer as JSON only, no prose around it.\n\nThing: Nagoya harp\nRegistry id: vr.tr.nagoya-harp\nPlane / domain: PHY / PHY.OBJ\nRegistry definition: (none recorded)\nNames folded into this entry: (none)\n\n\n" } }, "enrichment": { "pass": 3, "engine": "claude", "producedAt": "2026-10-06T12:00:00Z", "ingestedAt": "2026-10-06T08:52:10+00:00", "fields": [ "agent_conduct", "ethics", "failure_modes_and_hazards", "owners", "visual_identification" ] }, "gate": { "passed": true, "version": "1.0", "at": "2026-10-07T10:10:25+00:00", "evidence": [ "completeness 1.00", "sense: Wikidata description", "2 live sources", "review by codex: pass" ] } }, "metaModel": { "id": "THING-Q1166068", "registryId": "vr.tr.nagoya-harp", "name": "Nagoya harp", "version": "0.1.0-research.1", "entryKind": "thing", "family": "Thing Registry", "domain": [ "PHY.OBJ" ], "status": "research-draft" }, "canonicalUrl": "https://ver.cy/models/thing/q1166068/", "model": { "registry_id": "vr.tr.nagoya-harp", "name": "Nagoya harp", "purpose": "Enable an agent to recognise a Nagoya harp, establish its string and key configuration, assess playability, and choose compatible tuning, performance and maintenance actions.", "definition": "A Nagoya harp, commonly called a taishōgoto, is a Japanese keyed box zither whose melody strings are stopped by a typewriter-like key mechanism and plucked with a plectrum.", "scope_statement": "This model owns the physical instrument kind registered as vr.tr.nagoya-harp in PHY / PHY.OBJ, provisionally identified with taishōgoto, including acoustic and electrically amplified variants; manufacturer models and individual instruments supply configuration evidence without becoming separate definitions of the kind.", "in_scope": [ "Identification through body, strings and mechanically operated pitch keys", "String allocation, tuning, register and playable pitch range", "Key-to-pitch mapping and compatibility with numbered notation", "Plucking, damping and variant-specific sound production", "Acoustic output, onboard amplification interfaces and power requirements", "String, key-action and body condition affecting playability" ], "out_of_scope": [ "Frame harps and their string-per-note playing systems", "Conventional koto construction and movable-bridge technique", "Independent models of manufacturers, product lines and individual inventory assets", "Musical compositions, scores and performance events", "External amplifiers, effects units and loudspeakers beyond connection requirements", "Purely electronic imitations pending a documented registry boundary decision" ], "distinguishing_features": [ "Look for strings extending along an elongated body with mechanical keys selecting speaking length; the word harp alone does not establish instrument identity.", "Check whether pitch selection and string excitation are separate actions: Suzuki describes pressing numbered keys with the left hand and plucking with the right. [Suzuki playing guide](https://www.suzuki-music.co.jp/product_category/taisho-harp/)", "Inspect what a pressed key actually does: stopping a string to select pitch distinguishes this mechanism from an autoharp-style bar that damps unwanted strings.", "Require evidence connecting the object to taishōgoto before treating a similar keyed zither as this registered kind; Nagoya harp is an attested alternative name. [Taishōgoto overview](https://en.wikipedia.org/wiki/Taish%C5%8Dgoto)", "Do not require a hollow soundbox or five strings: Suzuki's electric Kohaku family includes solid bodies and differing string counts. [Suzuki Kohaku specifications](https://suzukimusic-global.com/products_single.php?parent_cate_cd=3&products_cate_cd=23&products_cd=233)" ], "characteristics": [ { "name": "Instrument-family identification", "kind": "relation", "unit_or_values": "Registry entry linked to documented taishōgoto identification, with evidence and confidence", "why_it_matters": "Prevents classification from an English trade name or visual resemblance alone." }, { "name": "String configuration", "kind": "category", "unit_or_values": "Per-string role, material, plain or wound construction, and key-controlled or independently sounding status", "why_it_matters": "Determines which strings change pitch together and which replacements are compatible." }, { "name": "String dimensions", "kind": "measurement", "unit_or_values": "Count; diameter in mm; speaking length in mm", "why_it_matters": "Supports identification and replacement selection without assuming one universal string set." }, { "name": "Open-string tuning", "kind": "measurement", "unit_or_values": "Pitch name with octave and frequency in Hz for each string; reference pitch in Hz", "why_it_matters": "Separates tuning targets from numbered key labels and avoids octave mistakes." }, { "name": "Key and pitch map", "kind": "relation", "unit_or_values": "Each key label linked to affected strings and sounding pitches", "why_it_matters": "Allows an agent to interpret notation and determine achievable notes." }, { "name": "Playable register", "kind": "measurement", "unit_or_values": "Lowest and highest sounding pitches with octave numbers; unavailable or unreliable notes", "why_it_matters": "Determines whether a part fits the instrument as configured." }, { "name": "Key-action condition", "kind": "state", "unit_or_values": "Free-returning, sticking, incomplete contact, buzzing, damaged, untested", "why_it_matters": "Distinguishes pitch-selection faults from open-string tuning errors." }, { "name": "Sound-production configuration", "kind": "category", "unit_or_values": "Acoustic, electroacoustic, solid-body electric; documented excitation method", "why_it_matters": "Determines how the instrument produces usable sound and what external equipment it needs." }, { "name": "Electrical requirements", "kind": "category", "unit_or_values": "Not applicable, passive, or powered; documented connector, supply voltage, polarity and battery type", "why_it_matters": "Supports compatible connections without inferring power requirements from an output socket." }, { "name": "Performance readiness", "kind": "state", "unit_or_values": "Ready, tuning required, restringing required, action service required, structural assessment required, untested", "why_it_matters": "Turns observed string, action and body condition into a bounded next action." } ], "affordances": [ "Identify a candidate instrument from its markings and key-to-string mechanism.", "Map numbered keys to sounding pitches and check whether a musical part fits.", "Tune individual strings against a documented configuration and pitch reference.", "Select a compatible pick, string set and damping arrangement.", "Connect an equipped variant to compatible amplification after checking its interface.", "Diagnose tuning, key-contact, string and output faults and determine whether servicing is needed." ], "agent_conduct": { "may": [ "Describe the Nagoya harp, its keyed mechanism and its place in Japanese music.", "Tune, record or teach it for a user who asks." ], "must_not": [ "Present a modern instrument as a historic one, or attribute it without evidence.", "Misrepresent its origin or the traditions of its players.", "Advise electrical changes to amplified models that bypass safety." ], "requires_human": [ "Restoring or selling an old or valuable instrument." ] }, "ethics": { "considerations": [ "It is part of living musical traditions in Japan and beyond.", "Collectors and players depend on honest description." ], "affected_parties": [ "Players and teachers", "Buyers and collectors" ] }, "owners": { "steward": "The person who owns and plays it.", "master_systems": [] }, "visual_identification": [ "A long narrow box zither with a row of typewriter-like keys above the strings.", "Played flat on a table or lap with a plectrum." ], "failure_modes_and_hazards": [ "String tension can snap strings toward the player's face." ], "what_it_is_for": [ "The Nagoya harp is used in Japanese music education, amateur music groups and solo or ensemble performance.", "Its keys select melody pitches while a plectrum excites the strings, supporting accessible melodic playing with accompaniment that depends on the instrument configuration." ], "facets_not_applicable": { "interfaces": "No instrument-specific standard, law or official classification is identified here as generally applicable to the acoustic Nagoya harp." } }, "sources": [ { "id": "wikidata", "title": "Wikidata item Q1166068: Nagoya harp", "url": "https://www.wikidata.org/wiki/Q1166068", "url_status": "live", "what_it_supports": "identity and sense of the item", "checked_by": "wikidata-api" }, { "id": "wikipedia-en", "title": "Wikipedia: Taishōgoto", "url": "https://en.wikipedia.org/wiki/Taish%C5%8Dgoto", "url_status": "live", "what_it_supports": "general description of the item", "checked_by": "wikidata-api sitelink" } ], "structure": { "bundles": [ { "id": "identity-and-family-boundary", "name": "Identity and family boundary", "description": "Establish what the registry name denotes and how a candidate instrument belongs to it.", "rationale": "An English name containing harp and similarities to other keyed zithers can produce false matches.", "layers": [ { "id": "names-and-identification", "name": "Names and identification", "description": "Connect the registered name to documented instrument terminology.", "findings": [ { "id": "nagoya-harp-name-link", "name": "Nagoya harp name link", "description": "Record evidence for using Nagoya harp and taishōgoto for the same instrument kind, while preserving the registry identifier.", "questions": [ { "text": "Which authoritative catalogue or maker record explicitly connects Nagoya harp with taishōgoto?", "kind": "provenance", "id": "nagoya-harp-name-link-q01" }, { "text": "Which markings and construction observations support that identification for the candidate?", "kind": "definition", "id": "nagoya-harp-name-link-q02" } ] } ] }, { "id": "mechanical-family-boundary", "name": "Mechanical family boundary", "description": "Separate instrument membership from resemblance, regional naming and product branding.", "findings": [ { "id": "keyed-string-membership", "name": "Keyed string membership", "description": "Use the pitch-selection mechanism and documented lineage to assess membership; treat ambiguous derivatives as unresolved.", "questions": [ { "text": "Do the keys stop vibrating strings, damp selected strings, or trigger electronic tones?", "kind": "definition", "id": "keyed-string-membership-q01" }, { "text": "What evidence places this variant within taishōgoto rather than a neighbouring keyed-zither kind?", "kind": "boundary", "id": "keyed-string-membership-q02" } ] } ] } ] }, { "id": "strings-and-pitch-selection", "name": "Strings and pitch selection", "description": "Describe how strings, supports and key contacts cooperate to produce selectable notes.", "rationale": "String roles and key coverage determine both musical capability and the correct diagnosis of mechanical faults.", "layers": [ { "id": "string-layout", "name": "String layout", "description": "Identify individual strings and their relationship to the key mechanism.", "findings": [ { "id": "string-role-map", "name": "String role map", "description": "Record melody, octave reinforcement and any independently sounding bass or drone roles from the actual configuration.", "questions": [ { "text": "How many strings are fitted, and what role and construction does each have?", "kind": "measurement", "id": "string-role-map-q01" }, { "text": "Which strings are stopped by the keys, and which remain independent?", "kind": "definition", "id": "string-role-map-q02" } ] } ] }, { "id": "key-contact-geometry", "name": "Key contact geometry", "description": "Describe the route from a pressed button to a changed speaking length.", "findings": [ { "id": "key-operation-and-return", "name": "Key operation and return", "description": "Record key coverage, contact behaviour and release behaviour as evidence for reliable pitch selection.", "questions": [ { "text": "Where does each key contact the strings, and which speaking lengths result?", "kind": "measurement", "id": "key-operation-and-return-q01" }, { "text": "Does every key engage cleanly and return without leaving a string partially stopped?", "kind": "action", "id": "key-operation-and-return-q02" } ] } ] } ] }, { "id": "tuning-register-and-notation", "name": "Tuning, register and notation", "description": "Connect string tuning and key labels to actual sounding pitches.", "rationale": "A numbered key is insufficient to establish octave, register or compatibility with a particular part.", "layers": [ { "id": "tuning-targets", "name": "Tuning targets", "description": "Establish evidence-backed open-string pitches for the identified variant.", "findings": [ { "id": "variant-specific-tuning", "name": "Variant-specific tuning", "description": "Record tuning per string with its source; avoid transferring a soprano or five-string setup to every instrument.", "questions": [ { "text": "What pitch and octave does the applicable manual prescribe for each open string?", "kind": "provenance", "id": "variant-specific-tuning-q01" }, { "text": "How far does each measured open-string pitch deviate from its target in cents?", "kind": "measurement", "id": "variant-specific-tuning-q02" } ] } ] }, { "id": "notation-to-sound", "name": "Notation to sound", "description": "Resolve the relationship between numbered notation, key labels and playable register.", "findings": [ { "id": "numbered-score-compatibility", "name": "Numbered score compatibility", "description": "Store the applicable notation convention and verify its pitch mapping before assigning a score.", "questions": [ { "text": "What sounding pitch and octave correspond to each numbered key and accidental?", "kind": "definition", "id": "numbered-score-compatibility-q01" }, { "text": "Can this configuration play the requested part without unavailable notes or unintended octave changes?", "kind": "action", "id": "numbered-score-compatibility-q02" } ] } ] } ] }, { "id": "excitation-damping-and-output", "name": "Excitation, damping and output", "description": "Describe how the player starts and stops vibration and how that vibration reaches listeners.", "rationale": "Pitch selection alone does not explain articulation, bass control or amplification needs.", "layers": [ { "id": "playing-and-damping", "name": "Playing and damping", "description": "Record the supported excitation method and selective control of sustained strings.", "findings": [ { "id": "articulation-and-string-selection", "name": "Articulation and string selection", "description": "Relate pick strokes and damping to the strings actually sounded; record specialised techniques only for documented variants.", "questions": [ { "text": "Which strings should a normal stroke engage, and how are independent bass strings included or avoided?", "kind": "action", "id": "articulation-and-string-selection-q01" }, { "text": "What damper or playing action stops unwanted sustain, and which strings does it affect?", "kind": "definition", "id": "articulation-and-string-selection-q02" } ] } ] }, { "id": "sound-path", "name": "Sound path", "description": "Distinguish body resonance from pickup output and powered processing.", "findings": [ { "id": "amplification-dependencies", "name": "Amplification dependencies", "description": "Record whether useful output depends on a resonant body, external amplification or onboard power, using the variant's documentation.", "questions": [ { "text": "What sound is available acoustically, and what components produce the electrical output?", "kind": "definition", "id": "amplification-dependencies-q01" }, { "text": "Which documented cable, input and power arrangement permits operation of this variant?", "kind": "action", "id": "amplification-dependencies-q02" } ] } ] } ] }, { "id": "playability-and-service", "name": "Playability and service", "description": "Evaluate faults and select maintenance appropriate to the string and key mechanism.", "rationale": "A tuned open string can still produce unreliable keyed notes, while an incompatible replacement can alter mechanical loading.", "layers": [ { "id": "fault-localisation", "name": "Fault localisation", "description": "Separate string tuning, stopped-note contact and electrical-output faults.", "findings": [ { "id": "open-versus-keyed-note-test", "name": "Open versus keyed note test", "description": "Compare open and keyed notes to identify whether a fault follows a string, a key position or the output path.", "questions": [ { "text": "Does pitch error, buzzing or weak sound affect an open string, particular keys, or only amplified output?", "kind": "measurement", "id": "open-versus-keyed-note-test-q01" }, { "text": "Which non-invasive comparison can isolate the fault before adjustment or disassembly?", "kind": "action", "id": "open-versus-keyed-note-test-q02" } ] } ] }, { "id": "compatible-servicing", "name": "Compatible servicing", "description": "Establish replacement compatibility and structural readiness before restoring tension or altering the action.", "findings": [ { "id": "string-and-action-service-boundary", "name": "String and action service boundary", "description": "Base restringing and action work on model-specific instructions and observations of anchors, bridge, body and key contacts.", "questions": [ { "text": "Which replacement string specification and installation procedure apply to each string position?", "kind": "provenance", "id": "string-and-action-service-boundary-q01" }, { "text": "Do loose anchors, displaced supports, body damage or bent key parts require specialist assessment before tuning or playing?", "kind": "action", "id": "string-and-action-service-boundary-q02" } ] } ] } ] }, { "id": "evidence-and-external-alignment", "name": "Evidence and external alignment", "description": "What the world already says about this thing, gathered so the model can be checked against it.", "rationale": "A model that cannot be lined up against existing standards, identifiers and practice cannot be adopted by anyone who already uses them.", "layers": [ { "id": "reported-evidence", "name": "Reported evidence", "description": "Findings from the breadth pass, kept separate from the structural claims.", "findings": [ { "id": "evidence-confidence-notes", "name": "Check these first", "description": "Recalled without web access and unsourced; every item is a lead to verify.", "evidence": [ "The identification of 'Nagoya harp' with taishōgoto is based on recall and should be checked against the registry's intended referent.", "String counts, tuning, compass and dimensions vary by instrument and are omitted pending verification." ], "questions": [ { "id": "evidence-confidence-notes-q01", "text": "Which of these check these first hold for the sense of Nagoya harp this model covers, and on what evidence?", "kind": "provenance" } ] }, { "id": "evidence-kinds", "name": "Kinds and varieties", "description": "Recalled without web access and unsourced; every item is a lead to verify.", "evidence": [ "Acoustic taishōgoto", "Electric taishōgoto" ], "questions": [ { "id": "evidence-kinds-q01", "text": "Which of these kinds and varieties hold for the sense of Nagoya harp this model covers, and on what evidence?", "kind": "provenance" } ] }, { "id": "evidence-real-world-use", "name": "Real-world use", "description": "Recalled without web access and unsourced; every item is a lead to verify.", "evidence": [ "Solo melody playing", "Ensemble performance", "Amateur music-making and instrumental instruction" ], "questions": [ { "id": "evidence-real-world-use-q01", "text": "Which of these real-world use hold for the sense of Nagoya harp this model covers, and on what evidence?", "kind": "provenance" } ] }, { "id": "evidence-failure-modes-and-hazards", "name": "Failure modes and hazards", "description": "Recalled without web access and unsourced; every item is a lead to verify.", "evidence": [ "Strings can break or lose tuning.", "Worn or misaligned key mechanisms can cause buzzing or unreliable note production." ], "questions": [ { "id": "evidence-failure-modes-and-hazards-q01", "text": "Which of these failure modes and hazards hold for the sense of Nagoya harp this model covers, and on what evidence?", "kind": "provenance" } ] }, { "id": "evidence-neighbours", "name": "Neighbouring kinds and how to tell them apart", "description": "Recalled without web access and unsourced; every item is a lead to verify.", "evidence": [ { "name": "Koto", "difference": "A koto uses individually positioned bridges and direct manipulation of its strings; a Nagoya harp uses keys to stop melody strings." }, { "name": "Harp", "difference": "A harp has strings running away from its soundboard in a plane; a Nagoya harp has strings running along its soundbox and is structurally a zither." }, { "name": "Autoharp", "difference": "An autoharp's buttons operate bars that damp unwanted strings to select chords; a Nagoya harp's keys stop strings to select melody pitches." } ], "questions": [ { "id": "evidence-neighbours-q01", "text": "Which of these neighbouring kinds and how to tell them apart hold for the sense of Nagoya harp this model covers, and on what evidence?", "kind": "provenance" } ] } ] } ] } ] }, "openQuestions": [ "Does an authoritative primary source confirm that this registry entry covers the whole taishōgoto family under the English name Nagoya harp?", "Where should registry boundaries fall for regional keyed-zither derivatives, bowed variants and electronic instruments using a taishōgoto-style interface?", "Which historical and contemporary configurations establish the range of string counts, key counts, tunings and registers without treating one manufacturer's products as universal?", "Which notation conventions vary between makers or teaching traditions, especially in octave marking and accidental representation?", "What documented service tolerances, storage limits and applicable electrical requirements exist for particular variants, and which remain unspecified?" ], "statistics": { "bundles": 6, "layers": 11, "findings": 15, "questions": 25 } }