{ "vercy": "1.0-draft", "publication": { "status": "research-draft", "adjudicationStatus": "unreviewed", "publishableCanonical": false, "generatedAt": "2026-09-13T05:23:21Z", "providers": [ "Claude" ], "breadth": "written by Claude from model knowledge without web access - no source was read, every claim is a lead to verify", "pass": 2, "wave": 3, "engine": "claude", "enrichment": { "pass": 3, "engine": "claude", "producedAt": "2026-10-06T10:00:00Z", "ingestedAt": "2026-10-06T07:06:25+00:00", "fields": [ "agent_conduct", "ethics", "owners" ] }, "gate": { "passed": true, "version": "1.0", "at": "2026-10-06T19:51:54+00:00", "evidence": [ "completeness 1.00", "sense: Wikidata description", "2 live sources", "review by codex: pass" ] } }, "metaModel": { "id": "THING-Q128115", "registryId": "vr.tr.abstract-art", "name": "abstract art", "version": "0.2.0-wave.3", "entryKind": "thing", "family": "Thing Registry", "domain": [ "INF.KNW" ], "status": "research-draft" }, "canonicalUrl": "https://ver.cy/models/thing/q128115/", "model": { "registry_id": "vr.tr.abstract-art", "name": "abstract art", "purpose": "Let an agent explain abstract art and its development, relay movements, artists and theories from art historical sources with attribution, describe abstract sculpture and regional traditions, and distinguish abstract art from figurative art, decorative pattern and non-Western traditions that were never representational.", "definition": "Art that does not attempt to represent an accurate depiction of visual reality but uses shapes, colours, forms and gestural marks to achieve its effect, emerging in the early 20th century with artists such as Kandinsky, Malevich and Mondrian and developing through movements including Suprematism, De Stijl, concrete art, Abstract Expressionism and later tendencies, in painting and abstract sculpture, and practised worldwide including in regional traditions such as Palestinian abstract art; abstraction ranges from partial to complete and is debated in theory and criticism.", "what_it_is_for": "Not applicable; an art category.", "affordances": [ "explain the concept", "relay movements and artists", "describe sculpture and regions", "distinguish from figurative art" ], "distinguishing_features": [ "Non-representation", "Form and colour as content", "Many movements", "Theoretical debate" ], "appearance": "Works of shape, colour and form without recognisable subjects.", "visual_identification": [ "Non-representational art", "Suprematism, De Stijl, concrete art, Abstract Expressionism, abstract sculpture, Palestinian abstract art", "Figurative art depicts subjects; decorative pattern lacks the fine art frame; Islamic geometric art has its own tradition" ], "physical_properties": [ { "quantity": "early abstract works", "typical_range": "about 1910-1915", "unit": "period", "note": "Kandinsky, Malevich, af Klint" }, { "quantity": "Abstract Expressionism", "typical_range": "1940s-1950s", "unit": "period", "note": "New York" } ], "families_and_kinds": [ "early abstraction including Kandinsky, Malevich and Hilma af Klint", "geometric abstraction including Suprematism, De Stijl and concrete art", "Abstract Expressionism and lyrical abstraction", "abstract sculpture", "post-painterly, minimal and contemporary abstraction", "regional traditions such as Palestinian abstract art and groups such as the Allusive Abstractionists" ], "related_models": [ { "relation": "is a kind of", "target": "modern art", "why": "in registry terms" }, { "relation": "was pioneered by", "target": "Wassily Kandinsky", "why": "among others" }, { "relation": "includes", "target": "Abstract Expressionism", "why": "as a major movement" }, { "relation": "is contrasted with", "target": "figurative art", "why": "which depicts subjects" } ], "identifiers": [], "standards_and_regulation": [ "No regulation; museum and art market conventions" ], "failure_modes_and_hazards": [ "Treating abstraction as a single style", "Ignoring women and non-Western pioneers", "Presenting contested origins as settled", "Registry alias for landscape painting appears misfiled" ], "in_scope": [], "out_of_scope": [], "characteristics": [], "agent_conduct": { "may": [ "Describe abstract artworks and movements, attributing works to artists with sources.", "Explain the history of abstraction from early modernists onward." ], "must_not": [ "Attribute a work to an artist without evidence, especially for sale.", "Reproduce artworks in breach of copyright.", "Generate works in a living artist's style and present them as theirs." ], "requires_human": [ "Authenticating a work for sale or insurance." ] }, "ethics": { "considerations": [ "Misattribution and forgery defraud buyers and harm artists' reputations.", "Artists' rights extend to the style and integrity of their work." ], "affected_parties": [ "Artists and estates", "Collectors and buyers" ] }, "owners": { "steward": "The artist or rights holder for each work; the owner holds the physical piece.", "master_systems": [] } }, "sources": [ { "id": "wikidata", "title": "Wikidata item Q128115: abstract art", "url": "https://www.wikidata.org/wiki/Q128115", "url_status": "live", "what_it_supports": "identity and sense of the item", "checked_by": "wikidata-api" }, { "id": "wikipedia-en", "title": "Wikipedia: Abstract art", "url": "https://en.wikipedia.org/wiki/Abstract_art", "url_status": "live", "what_it_supports": "general description of the item", "checked_by": "wikidata-api sitelink" } ], "structure": { "bundles": [ { "id": "understand", "name": "Understand", "description": "What abstract art is.", "rationale": "Attribution.", "layers": [ { "id": "definition", "name": "Definition", "description": "Definition.", "findings": [ { "id": "definition-finding", "name": "Definition", "description": "Definition.", "questions": [ { "text": "What is abstract art, and how does it differ from figurative art and decorative pattern?", "kind": "definition" }, { "text": "Is the question about abstract art in general, a movement, an artist or a region?", "kind": "boundary" } ] } ] }, { "id": "kinds", "name": "Kinds", "description": "Kinds.", "findings": [ { "id": "kinds-finding", "name": "Kinds", "description": "Kinds.", "questions": [ { "text": "How do geometric, lyrical, expressionist and concrete abstraction and abstract sculpture differ?", "kind": "definition" }, { "text": "Which entry fits the specific kind?", "kind": "action" } ] } ] } ] }, { "id": "history", "name": "History", "description": "History.", "rationale": "Attribution.", "layers": [ { "id": "origins", "name": "Origins", "description": "Origins.", "findings": [ { "id": "origins-finding", "name": "Origins", "description": "Origins.", "questions": [ { "text": "How did abstraction emerge with Kandinsky, Malevich, Mondrian and af Klint, and what debates surround priority, with positions attributed?", "kind": "provenance" }, { "text": "Which references are standard?", "kind": "provenance" } ] } ] }, { "id": "movements", "name": "Movements", "description": "Movements.", "findings": [ { "id": "movements-finding", "name": "Movements", "description": "Movements.", "questions": [ { "text": "How did Suprematism, De Stijl, concrete art, Abstract Expressionism and later movements develop?", "kind": "provenance" }, { "text": "Which entry fits the specific movement?", "kind": "action" } ] } ] } ] }, { "id": "theory", "name": "Theory", "description": "Theory and criticism.", "rationale": "Attribution.", "layers": [ { "id": "theory", "name": "Theory", "description": "Theory.", "findings": [ { "id": "theory-finding", "name": "Theory", "description": "Theory.", "questions": [ { "text": "What theories of abstraction did artists and critics such as Kandinsky, Greenberg and others advance?", "kind": "provenance" }, { "text": "Which sources are cited?", "kind": "provenance" } ] } ] }, { "id": "reception", "name": "Reception", "description": "Reception.", "findings": [ { "id": "reception-finding", "name": "Reception", "description": "Reception.", "questions": [ { "text": "How has abstract art been received, contested and politicised, with positions attributed?", "kind": "provenance" }, { "text": "Is the presentation neutral?", "kind": "boundary" } ] } ] } ] }, { "id": "context", "name": "Context", "description": "World and today.", "rationale": "Context.", "layers": [ { "id": "world", "name": "World", "description": "Global abstraction.", "findings": [ { "id": "world-finding", "name": "World", "description": "World.", "questions": [ { "text": "How has abstraction developed in Latin America, the Middle East including Palestinian abstract art, Asia and Africa?", "kind": "provenance" }, { "text": "Which entry fits the specific regional tradition?", "kind": "action" } ] } ] }, { "id": "today", "name": "Today", "description": "Today.", "findings": [ { "id": "today-finding", "name": "Today", "description": "Today.", "questions": [ { "text": "What does contemporary abstraction look like, and how does the market treat it?", "kind": "provenance" }, { "text": "Which entry fits contemporary art?", "kind": "action" } ] } ] } ] } ] }, "openQuestions": [ "Should Abstract Expressionism and concrete art be separate primary entries?", "How should art historical sources be linked?", "The registry entry has merged aliases including a figurative genre; should they be reviewed?" ], "statistics": { "bundles": 4, "layers": 8, "findings": 8, "questions": 16 } }