{ "vercy": "1.0-draft", "publication": { "status": "research-draft", "adjudicationStatus": "unreviewed", "publishableCanonical": false, "generatedAt": "2026-09-12T11:27:20Z", "providers": [ "Codex" ], "breadth": "recalled by Codex without web access - no source was read", "missingProviders": [], "pass": 2, "cost": { "grok": { "seconds": 16.1, "error": "Reading additional input from stdin...\nOpenAI Codex v0.153.4\n--------\nworkdir: R:\\02_PROJECTS\\02_Meta_Models_Platforms\\Ver.cy\\current\\thing-registry-backlog\nmodel: gpt-6-astra\nprovider: openai\napproval: never\nsandbox: read-only\nreasoning effort: none\nreasoning summaries: none\nsession id: 01a0955e-0d2d-7790-92a5-581a83884b19\n--------\nuser\nDescribe what is already known about one registered thing. Answer as JSON only, no prose around it.\n\nThing: murga\nSense to describe: (none recorded)\nDomain code: INF.MED\nAlso known as: (none)\n\n\nContext for this batch of 1001 things:\n# Batch 044: 1001 registere", "usd": 0.0, "recall": true }, "codex": { "seconds": 76.7, "error": "Reading additional input from stdin...\nOpenAI Codex v0.153.4\n--------\nworkdir: R:\\02_PROJECTS\\02_Meta_Models_Platforms\\Ver.cy\\current\\thing-registry-backlog\nmodel: gpt-6-astra\nprovider: openai\napproval: never\nsandbox: read-only\nreasoning effort: none\nreasoning summaries: none\nsession id: 01a0955e-0d39-74a1-9976-b45e00777d7d\n--------\nuser\nYou are drafting a Vercy meta-model for one registered thing. Answer as JSON only, no prose around it.\n\nThing: murga\nRegistry id: vr.tr.murga\nPlane / domain: INF / INF.MED\nRegistry definition: (none recorded)\nNames folded into this entry: (none)\n\n\nContext for " } }, "enrichment": { "pass": 3, "engine": "claude", "producedAt": "2026-10-06T12:00:00Z", "ingestedAt": "2026-10-06T08:39:29+00:00", "fields": [ "agent_conduct", "ethics", "failure_modes_and_hazards", "owners", "visual_identification" ] }, "gate": { "passed": true, "version": "1.0", "at": "2026-10-07T10:10:26+00:00", "evidence": [ "completeness 1.00", "sense: Wikidata description", "2 live sources", "review by codex: pass" ] } }, "metaModel": { "id": "THING-Q1452181", "registryId": "vr.tr.murga", "name": "murga", "version": "0.1.0-research.1", "entryKind": "thing", "family": "Thing Registry", "domain": [ "INF.MED" ], "status": "research-draft" }, "canonicalUrl": "https://ver.cy/models/thing/q1452181/", "model": { "registry_id": "vr.tr.murga", "name": "murga", "purpose": "Enable an agent to recognise murga as a regional musical and theatrical performance form, describe its repertoire and conventions, and assess appropriate interpretation, adaptation and reuse.", "definition": "Murga is a collective carnival performance form combining song, percussion, theatrical presentation and often satirical commentary, with distinct traditions in Spain and parts of Latin America.", "scope_statement": "This model owns the expressive form provisionally associated with vr.tr.murga in INF.MED, including regional conventions and the identity of murga repertoire; performing groups, individual performances and recordings are related entities rather than interchangeable meanings of the entry.", "in_scope": [ "Regional murga traditions and evidence supporting classification", "Relationships among choral singing, percussion, dance and theatrical expression", "Repertoire structure, lyrics, humour and contextual interpretation", "Creative contributions, adaptations and repertoire versions", "Evidence and permissions needed to interpret, perform or reuse murga material" ], "out_of_scope": [ "Murga ensembles as organisations, including membership and governance", "Carnival festivals, competitions and individual performances as events", "Physical instruments, costumes and stage equipment", "Audio recordings, videos, scores and archival copies as separately identified objects", "Neighbouring carnival forms and general histories of carnival" ], "distinguishing_features": [ "Require an evidenced connection to a named murga tradition; carnival participation or percussion alone does not establish the classification.", "Distinguish regional configurations: Uruguayan educational material foregrounds choral parts and marcha camión, while Buenos Aires documentation identifies bombo con platillos, dress and local rhythmic distinctions. [Uruguay Ministry of Education and Culture](https://www.gub.uy/ministerio-educacion-cultura/comunicacion/noticias/actividades-museos-del-20-26-junio); [Buenos Aires cultural publication](https://buenosaires.gob.ar/areas/cultura/verano_09/pdf/Carnaval5.pdf).", "Check whether 'murga' names the expressive form, an ensemble or its production before assigning identity; a troupe name is not a genre identifier.", "Evaluate the combination of expressive practices against the identified tradition rather than treating every carnival song, chorus or dance procession as murga." ], "characteristics": [ { "name": "Regional tradition", "kind": "category", "unit_or_values": "Uruguayan; porteña; another documented tradition; hybrid; unresolved", "why_it_matters": "Determines which conventions support recognition without imposing one locality's rules on all murga." }, { "name": "Referent level", "kind": "category", "unit_or_values": "Form; repertoire work; arrangement or expression; linked ensemble; linked performance; linked recording", "why_it_matters": "Prevents an ensemble, annual production and recording from being treated as the same thing." }, { "name": "Expressive configuration", "kind": "category", "unit_or_values": "Documented roles of chorus, solo voice, percussion, dance, dramatic speech and visual presentation", "why_it_matters": "Supports comparison of regional and experimental forms through their actual practices." }, { "name": "Section sequence", "kind": "relation", "unit_or_values": "Ordered links to locally named repertoire sections, with functions and version-specific positions", "why_it_matters": "Preserves dramatic and musical organisation when material is excerpted or rearranged." }, { "name": "Topical reference context", "kind": "relation", "unit_or_values": "Links to referenced events, people, expressions and relevant dates", "why_it_matters": "Makes humour and commentary interpretable without presenting performed assertions as verified facts." }, { "name": "Repertoire revision state", "kind": "state", "unit_or_values": "Draft; rehearsed; performed; revised; withdrawn; unknown, with dated evidence", "why_it_matters": "Allows an agent to select an appropriate version and identify obsolete material." }, { "name": "Creative derivation", "kind": "relation", "unit_or_values": "Links to source melodies, texts, arrangements and credited contributors", "why_it_matters": "Separates new contributions from reused material and supports attribution." }, { "name": "Proposed-use permission state", "kind": "state", "unit_or_values": "Documented permission; documented restriction; unresolved; assessed for a specified use", "why_it_matters": "Prevents permission for one performance or recording from being assumed to cover other uses." } ], "affordances": [ "Classify a candidate as murga within an evidenced regional tradition or flag the classification as unresolved.", "Compare repertoire and performance conventions across traditions without treating differences as defects.", "Trace lyric, musical and staging revisions across productions.", "Explain topical references and distinguish theatrical voices from factual reporting.", "Identify the credits, source material and permissions relevant to a proposed performance, adaptation or excerpt.", "Locate supporting scores, recordings and testimony while preserving their separate identities." ], "agent_conduct": { "may": [ "Describe the history and regional forms of murga from cited sources.", "Report performance dates, groups and contest results from organisers' publications." ], "must_not": [ "Present satirical lyrics as factual claims about real people.", "Copy and distribute a group's songs or recordings without the rights holders' permission.", "Mix up the Uruguayan, Argentine and Spanish traditions as if they were one.", "Mock or misrepresent the communities that keep the tradition." ], "requires_human": [ "Publishing recordings or images of identifiable performers or crowds." ] }, "ethics": { "considerations": [ "Murga is a voice for neighbourhoods and social critique; censoring or flattening it silences communities.", "Satire targets real people, so reporting it requires care about defamation and context." ], "affected_parties": [ "Performers and groups", "Neighbourhood communities", "People satirised" ] }, "owners": { "steward": "The public: the tradition is held in common by its communities; each group answers for its performances.", "master_systems": [] }, "visual_identification": [ "Groups in colourful costumes and painted faces singing in chorus with drums and cymbals.", "Performances take place on carnival stages or in street parades, often in a contest setting.", "The style varies by country, so the region of the performance helps settle which tradition is meant." ], "failure_modes_and_hazards": [ "Large carnival crowds create crowding risks around stages.", "Satirical content can lead to disputes or legal claims by people who feel defamed." ], "what_it_is_for": [ "Murga is performed during carnival celebrations in several parts of Latin America and Spain, with conventions that differ by region.", "Groups combine collective music and theatrical presentation for public entertainment, community participation and often satire about contemporary life.", "It is also encountered in competitions, rehearsals, recordings and cultural education." ], "standards_and_regulation": [ "The Berne Convention for the Protection of Literary and Artistic Works, administered by the World Intellectual Property Organization, provides a copyright framework for qualifying original murga lyrics, music and dramatic works.", "The Convention for the Safeguarding of the Intangible Cultural Heritage, adopted by UNESCO, provides a safeguarding framework where communities recognize murga practices as their cultural heritage." ] }, "sources": [ { "id": "wikidata", "title": "Wikidata item Q1452181: murga", "url": "https://www.wikidata.org/wiki/Q1452181", "url_status": "live", "what_it_supports": "identity and sense of the item", "checked_by": "wikidata-api" }, { "id": "wikipedia-en", "title": "Wikipedia: Murga", "url": "https://en.wikipedia.org/wiki/Murga", "url_status": "live", "what_it_supports": "general description of the item", "checked_by": "wikidata-api sitelink" } ], "structure": { "bundles": [ { "id": "tradition-and-recognition", "name": "Tradition and recognition", "description": "Establish which meaning and regional practice support the murga designation.", "rationale": "The registry supplies no definition, and the name must not collapse regional forms or confuse a form with its performers.", "layers": [ { "id": "referent-boundary", "name": "Referent boundary", "description": "Resolve what a murga-labelled record denotes.", "findings": [ { "id": "form-versus-ensemble", "name": "Form versus ensemble", "description": "Record whether the label identifies an expressive form, a troupe or a particular repertoire work.", "questions": [ { "text": "Does the source use murga for a performance form, a named ensemble or a specific production?", "kind": "definition", "id": "form-versus-ensemble-q01" }, { "text": "Which related entities require separate identities and links?", "kind": "boundary", "id": "form-versus-ensemble-q02" } ] } ] }, { "id": "regional-recognition", "name": "Regional recognition", "description": "Ground classification in a named practice and evidence.", "findings": [ { "id": "tradition-evidence", "name": "Tradition evidence", "description": "Treat regional attribution as an evidenced claim, with room for hybrid or disputed classifications.", "questions": [ { "text": "Which locality and tradition do practitioners or reliable documentation associate with this material?", "kind": "provenance", "id": "tradition-evidence-q01" }, { "text": "Which musical, theatrical or movement conventions support that attribution?", "kind": "definition", "id": "tradition-evidence-q02" }, { "text": "What evidence distinguishes this example from neighbouring carnival forms?", "kind": "boundary", "id": "tradition-evidence-q03" } ] } ] } ] }, { "id": "musical-and-embodied-language", "name": "Musical and embodied language", "description": "Describe the expressive relationships through which a murga example is realised.", "rationale": "Recognition depends on how voice, rhythm, movement and presentation combine, with different emphasis across traditions.", "layers": [ { "id": "voices-and-percussion", "name": "Voices and percussion", "description": "Capture locally meaningful vocal and rhythmic roles.", "findings": [ { "id": "musical-role-configuration", "name": "Musical role configuration", "description": "Document chorus organisation, solo roles, percussion and named rhythms without prescribing a universal ensemble size.", "questions": [ { "text": "Which vocal parts and percussion roles are documented for this tradition and version?", "kind": "definition", "id": "musical-role-configuration-q01" }, { "text": "Which rhythmic names and patterns do practitioners use, and where are they evidenced?", "kind": "provenance", "id": "musical-role-configuration-q02" }, { "text": "How many simultaneous vocal parts and instrumental roles does this arrangement require?", "kind": "measurement", "id": "musical-role-configuration-q03" } ] } ] }, { "id": "movement-and-visual-expression", "name": "Movement and visual expression", "description": "Represent choreography and visual signs as parts of expression.", "findings": [ { "id": "embodied-performance-cues", "name": "Embodied performance cues", "description": "Record how dance, gesture, costume and makeup contribute to a particular murga realisation.", "questions": [ { "text": "Which movements and visual motifs carry meanings that the music or text alone would omit?", "kind": "definition", "id": "embodied-performance-cues-q01" }, { "text": "Which cues belong to the regional practice, the troupe's identity or this production alone?", "kind": "boundary", "id": "embodied-performance-cues-q02" }, { "text": "What expressive changes would follow from adapting the material to a stationary stage or a moving procession?", "kind": "action", "id": "embodied-performance-cues-q03" } ] } ] } ] }, { "id": "repertoire-and-dramaturgy", "name": "Repertoire and dramaturgy", "description": "Represent the internal organisation and interpretive context of murga material.", "rationale": "A song excerpt can lose its function, speaker and topical meaning when separated from its surrounding production.", "layers": [ { "id": "section-architecture", "name": "Section architecture", "description": "Identify locally named sections and their relationships.", "findings": [ { "id": "section-functions-and-order", "name": "Section functions and order", "description": "Record section labels, transitions and functions as documented for the selected tradition and work.", "questions": [ { "text": "What are the locally used names and functions of this work's sections?", "kind": "definition", "id": "section-functions-and-order-q01" }, { "text": "Which sections or transitions must accompany an excerpt to preserve its intended meaning?", "kind": "action", "id": "section-functions-and-order-q02" } ] } ] }, { "id": "satire-and-context", "name": "Satire and context", "description": "Capture the evidence needed to interpret humour and commentary where present.", "findings": [ { "id": "performed-voices-and-references", "name": "Performed voices and references", "description": "Distinguish characters, parody and topical references from the positions or factual claims of identifiable creators.", "questions": [ { "text": "Who speaks or sings each passage, and what marks it as character speech, parody or direct address?", "kind": "definition", "id": "performed-voices-and-references-q01" }, { "text": "Which dated events, idioms or public debates are needed to understand the passage?", "kind": "provenance", "id": "performed-voices-and-references-q02" }, { "text": "Which interpretations remain uncertain because contemporary context or practitioner explanation is missing?", "kind": "boundary", "id": "performed-voices-and-references-q03" } ] } ] } ] }, { "id": "creation-and-version-lineage", "name": "Creation and version lineage", "description": "Trace creative contributions and changes in murga repertoire.", "rationale": "A troupe's continuing identity must be distinguished from successive productions, arrangements and performance revisions.", "layers": [ { "id": "contributions-and-borrowing", "name": "Contributions and borrowing", "description": "Identify who contributed each expressive component and its source material.", "findings": [ { "id": "text-music-and-staging-lineage", "name": "Text, music and staging lineage", "description": "Separate lyric writing, composition, arrangement, choreography and staging contributions, including documented borrowing.", "questions": [ { "text": "Who is credited for the lyrics, melodies, arrangements and staging, and by which source?", "kind": "provenance", "id": "text-music-and-staging-lineage-q01" }, { "text": "Which passages reuse or transform an earlier melody, lyric or routine?", "kind": "provenance", "id": "text-music-and-staging-lineage-q02" }, { "text": "Does a credit describe an individual contribution, collective authorship or an unresolved attribution?", "kind": "boundary", "id": "text-music-and-staging-lineage-q03" } ] } ] }, { "id": "production-and-expression-identity", "name": "Production and expression identity", "description": "Distinguish a repertoire work from its revisions and recorded realisations.", "findings": [ { "id": "revision-continuity", "name": "Revision continuity", "description": "Track changes to lyrics, section order, musical settings and staging while leaving work-identity judgements explicit.", "questions": [ { "text": "What changed between the documented rehearsal, performance and later versions?", "kind": "provenance", "id": "revision-continuity-q01" }, { "text": "Does the evidence support treating the change as a revision, a new arrangement or a distinct work?", "kind": "boundary", "id": "revision-continuity-q02" }, { "text": "Which version should an agent use for the requested season, performance or quotation?", "kind": "action", "id": "revision-continuity-q03" } ] } ] } ] }, { "id": "evidence-and-reuse", "name": "Evidence and reuse", "description": "Connect murga descriptions to inspectable evidence and assess proposed uses of specific material.", "rationale": "Embodied expression may be incompletely documented, and a production can combine contributions with different permissions.", "layers": [ { "id": "documentation-coverage", "name": "Documentation coverage", "description": "Assess which aspects of the murga work each source can establish.", "findings": [ { "id": "source-coverage-and-gaps", "name": "Source coverage and gaps", "description": "Link lyrics, scores, audiovisual records and practitioner accounts to the particular features they document.", "questions": [ { "text": "Which source establishes the words, vocal arrangement, percussion, movement and visual presentation?", "kind": "provenance", "id": "source-coverage-and-gaps-q01" }, { "text": "What is missing or altered because the surviving evidence is audio-only, excerpted, edited or undated?", "kind": "boundary", "id": "source-coverage-and-gaps-q02" } ] } ] }, { "id": "use-specific-permissions", "name": "Use-specific permissions", "description": "Assess permission evidence for a defined action and version.", "findings": [ { "id": "performance-adaptation-and-recording-use", "name": "Performance, adaptation and recording use", "description": "Keep permissions for lyrics, underlying music, arrangements and particular recordings distinct.", "questions": [ { "text": "Is the proposed action a live performance, lyric translation, musical adaptation, recording distribution or excerpt publication?", "kind": "action", "id": "performance-adaptation-and-recording-use-q01" }, { "text": "Which documented permissions or restrictions apply to each component involved in that action?", "kind": "provenance", "id": "performance-adaptation-and-recording-use-q02" }, { "text": "What attribution and unresolved permission checks must accompany the proposed use?", "kind": "action", "id": "performance-adaptation-and-recording-use-q03" } ] } ] } ] }, { "id": "evidence-and-external-alignment", "name": "Evidence and external alignment", "description": "What the world already says about this thing, gathered so the model can be checked against it.", "rationale": "A model that cannot be lined up against existing standards, identifiers and practice cannot be adopted by anyone who already uses them.", "layers": [ { "id": "reported-evidence", "name": "Reported evidence", "description": "Findings from the breadth pass, kept separate from the structural claims.", "findings": [ { "id": "evidence-confidence-notes", "name": "Check these first", "description": "Recalled without web access and unsourced; every item is a lead to verify.", "evidence": [ "The missing sense leaves ambiguity because murga can name both a performance form and a performing ensemble.", "Regional instrumentation, ensemble size and competition rules should be checked against the specific locality and period.", "These statements are recalled knowledge, not findings verified against sources during this response." ], "questions": [ { "id": "evidence-confidence-notes-q01", "text": "Which of these check these first hold for the sense of murga this model covers, and on what evidence?", "kind": "provenance" } ] }, { "id": "evidence-kinds", "name": "Kinds and varieties", "description": "Recalled without web access and unsourced; every item is a lead to verify.", "evidence": [ "Uruguayan murga", "Porteño murga", "Canarian murga" ], "questions": [ { "id": "evidence-kinds-q01", "text": "Which of these kinds and varieties hold for the sense of murga this model covers, and on what evidence?", "kind": "provenance" } ] }, { "id": "evidence-real-world-use", "name": "Real-world use", "description": "Recalled without web access and unsourced; every item is a lead to verify.", "evidence": [ "Carnival performances and competitions", "Political and social satire through ensemble performance", "Neighbourhood cultural participation and collective identity", "Stage performances outside the carnival season" ], "questions": [ { "id": "evidence-real-world-use-q01", "text": "Which of these real-world use hold for the sense of murga this model covers, and on what evidence?", "kind": "provenance" } ] }, { "id": "evidence-failure-modes-and-hazards", "name": "Failure modes and hazards", "description": "Recalled without web access and unsourced; every item is a lead to verify.", "evidence": [ "Treating regional traditions as interchangeable can misrepresent their musical, choreographic and theatrical conventions.", "Confusing the performance form with a named troupe or an individual production creates catalogue and attribution errors." ], "questions": [ { "id": "evidence-failure-modes-and-hazards-q01", "text": "Which of these failure modes and hazards hold for the sense of murga this model covers, and on what evidence?", "kind": "provenance" } ] }, { "id": "evidence-regional-variation", "name": "Regional variation", "description": "Recalled without web access and unsourced; every item is a lead to verify.", "evidence": [ "In Uruguay, murga prominently features ensemble choral singing, theatrical makeup and a percussion section conventionally using bombo, cymbals and snare drum.", "In Buenos Aires, murga porteña gives particular prominence to street procession, dance and percussion.", "In the Canary Islands, carnival murgas are associated with ensemble singing and satirical lyrics, including organised competitions." ], "questions": [ { "id": "evidence-regional-variation-q01", "text": "Which of these regional variation hold for the sense of murga this model covers, and on what evidence?", "kind": "provenance" } ] }, { "id": "evidence-neighbours", "name": "Neighbouring kinds and how to tell them apart", "description": "Recalled without web access and unsourced; every item is a lead to verify.", "evidence": [ { "name": "Carnival", "difference": "Carnival is the broader festive occasion; murga is one performance tradition presented within it." }, { "name": "Chirigota", "difference": "Chirigota is a distinct carnival ensemble tradition particularly associated with Cádiz; shared satirical singing does not make it synonymous with murga." }, { "name": "Murga troupe", "difference": "A troupe is the performing group; murga as a creative form is the tradition its performances instantiate." } ], "questions": [ { "id": "evidence-neighbours-q01", "text": "Which of these neighbouring kinds and how to tell them apart hold for the sense of murga this model covers, and on what evidence?", "kind": "provenance" } ] } ] } ] } ] }, "openQuestions": [ "Does the originating registry record intend murga broadly as a performance form, or a particular regional musical genre?", "Which additional regional traditions must be represented, and what practitioner-supported boundaries distinguish them?", "Which section names, rhythmic conventions and expressive roles are characteristic of each tradition rather than requirements of a particular competition or period?", "How do practitioners distinguish a new repertoire work from a revised seasonal production or arrangement?", "Does an existing Vercy world model already cover this concept and therefore require linking rather than a separate publication?" ], "statistics": { "bundles": 6, "layers": 11, "findings": 16, "questions": 33 } }