{ "vercy": "1.0-draft", "publication": { "status": "research-draft", "adjudicationStatus": "unreviewed", "publishableCanonical": false, "generatedAt": "2026-09-12T08:48:54Z", "providers": [ "Codex" ], "breadth": "recalled by Codex without web access - no source was read", "missingProviders": [], "pass": 2, "cost": { "grok": { "seconds": 21.3, "error": "Reading additional input from stdin...\nOpenAI Codex v0.153.4\n--------\nworkdir: R:\\02_PROJECTS\\02_Meta_Models_Platforms\\Ver.cy\\current\\thing-registry-backlog\nmodel: gpt-6-astra\nprovider: openai\napproval: never\nsandbox: read-only\nreasoning effort: none\nreasoning summaries: none\nsession id: 01a094cd-0183-7050-8b2b-986b85a41fd5\n--------\nuser\nDescribe what is already known about one registered thing. Answer as JSON only, no prose around it.\n\nThing: community art\nSense to describe: (none recorded)\nDomain code: INF.MED\nAlso known as: (none)\n\n\nContext for this batch of 1001 things:\n# Batch 043: 1001 r", "usd": 0.0, "recall": true }, "codex": { "seconds": 76.3, "error": "Reading additional input from stdin...\nOpenAI Codex v0.153.4\n--------\nworkdir: R:\\02_PROJECTS\\02_Meta_Models_Platforms\\Ver.cy\\current\\thing-registry-backlog\nmodel: gpt-6-astra\nprovider: openai\napproval: never\nsandbox: read-only\nreasoning effort: none\nreasoning summaries: none\nsession id: 01a094cd-0177-7313-b08e-d9f34bed319c\n--------\nuser\nYou are drafting a Vercy meta-model for one registered thing. Answer as JSON only, no prose around it.\n\nThing: community art\nRegistry id: vr.tr.community-art\nPlane / domain: INF / INF.MED\nRegistry definition: (none recorded)\nNames folded into this entry: (none" } }, "enrichment": { "pass": 3, "engine": "claude", "producedAt": "2026-10-06T12:00:00Z", "ingestedAt": "2026-10-06T08:40:34+00:00", "fields": [ "agent_conduct", "ethics", "failure_modes_and_hazards", "owners" ] }, "gate": { "passed": true, "version": "1.0", "at": "2026-10-07T10:10:29+00:00", "evidence": [ "completeness 1.00", "sense: Wikidata description", "2 live sources", "review by codex: pass" ] } }, "metaModel": { "id": "THING-Q2801695", "registryId": "vr.tr.community-art", "name": "community art", "version": "0.1.0-research.1", "entryKind": "thing", "family": "Thing Registry", "domain": [ "INF.MED" ], "status": "research-draft" }, "canonicalUrl": "https://ver.cy/models/thing/q2801695/", "model": { "registry_id": "vr.tr.community-art", "name": "community art", "purpose": "Enable an AI agent to recognise community art, assess its artistic and participatory state, and identify actions supported by the communities and rights holders involved.", "definition": "Community art is artistic practice developed with or by a community, in which participation, shared experience and the community's social or cultural context help shape the creative process and its outcomes.", "scope_statement": "This model owns community art as a creative practice or work whose identity materially depends on a specified community's involvement, relationships or self-expression, including how participation shapes artistic decisions and continued use.", "in_scope": [ "The community relationship that makes a practice or work community art", "Artistic intentions, forms and contributions shaped through community involvement", "Participation, representation and authority over creative decisions", "Relationships between the collaborative process, resulting works and their documentation", "Community-specific conditions for attribution, presentation, reuse and stewardship" ], "out_of_scope": [ "General administration of the organisation hosting the activity", "Complete biographies or demographic profiles of community members", "Public art whose only community connection is its location", "Clinical treatment and assessment within art therapy", "Detailed construction, structural safety and maintenance specifications for physical installations", "General copyright law and cultural heritage regimes, which require linked jurisdictional models" ], "distinguishing_features": [ "Record how community involvement or self-expression changes the work's identity; a local audience alone does not establish this connection.", "Distinguish participants' creative or interpretive influence from attendance, consultation or unpaid production labour.", "Identify who calls the practice community art and whether affected participants accept, qualify or contest that designation.", "Separate a community's artistic expression from an external artist's depiction of that community, while allowing disputed or mixed cases.", "Determine whether the relevant artistic entity is a collaborative process, a resulting work or both; a surviving object may not represent the whole practice." ], "characteristics": [ { "name": "Community basis", "kind": "category", "unit_or_values": "Place-based, shared identity, shared experience, shared practice, self-organised network, mixed or disputed; describe locally", "why_it_matters": "Establishes whose relationship to the art is constitutive without treating a community as homogeneous." }, { "name": "Community identification", "kind": "relation", "unit_or_values": "Links to participating groups and their own descriptions, with identification source and date", "why_it_matters": "Makes external labels distinguishable from participants' self-identification." }, { "name": "Creative influence", "kind": "category", "unit_or_values": "For each decision: informed, consulted, contributing, jointly deciding, community deciding, disputed or unknown", "why_it_matters": "Shows where participation actually affects artistic choices." }, { "name": "Artistic form", "kind": "category", "unit_or_values": "Locally described forms, such as mural, performance, textile, sound work, storytelling, digital work or mixed practice", "why_it_matters": "Connects participation and stewardship to the particular creative activity." }, { "name": "Work-process relationship", "kind": "relation", "unit_or_values": "Links among participatory process, work, version, performance, physical instance and documentation", "why_it_matters": "Prevents a recording or physical artefact from being mistaken for the entire community art practice." }, { "name": "Participation continuity", "kind": "measurement", "unit_or_values": "Participant counts and return counts by defined period and counting method, where appropriate and consented", "why_it_matters": "Helps assess continuity without equating attendance with influence or collecting unnecessary identities." }, { "name": "Permission status", "kind": "state", "unit_or_values": "By contribution and intended use: permitted, conditional, declined, withdrawn where applicable, disputed or unknown", "why_it_matters": "Supports decisions about displaying, recording, adapting or redistributing contributions." }, { "name": "Practice lifecycle", "kind": "state", "unit_or_values": "Proposed, recruiting, co-developing, making, presenting, continuing, paused, concluded, being transformed or disputed", "why_it_matters": "Distinguishes completion of an object from continuation of the community process." } ], "affordances": [ "Assess a proposed community art designation against the recorded community relationship and creative influence.", "Identify whose participation or authority is missing before a specified artistic decision.", "Trace a community contribution into a work, revision, performance or documentary record.", "Determine whether a proposed display, recording or adaptation satisfies recorded permissions and community protocols.", "Prepare an accessible participation or stewardship action for review by the people authorised to decide.", "Compare participant-defined intentions with documented experiences while retaining dissent and uncertainty." ], "agent_conduct": { "may": [ "Describe community art projects, methods and history from reliable sources.", "Help organisers document a project with the participants' consent and credit." ], "must_not": [ "Publish images or stories of participants without their consent.", "Credit a project solely to a lead artist when the community made it together.", "Use a community's work in advertising or fundraising without its agreement.", "Present a community's culture or hardships in a demeaning or exploitative way." ], "requires_human": [ "Removing, selling or altering a work the community made, such as a mural." ] }, "ethics": { "considerations": [ "Participants, often from marginalised groups, deserve credit and control over how they are shown.", "Projects can be used to dress up decisions made without the community's say." ], "affected_parties": [ "Participants", "The wider community", "Artists and facilitators" ] }, "owners": { "steward": "The community and the organisers together; ownership of each work is agreed in the project.", "master_systems": [] }, "failure_modes_and_hazards": [ "Tokenistic projects can raise expectations and leave communities feeling used.", "Works in public space can be removed or painted over without consulting their makers." ], "what_it_is_for": [ "Community art is encountered in neighbourhood projects, cultural organisations, schools and shared public spaces.", "It enables participants to shape creative work around shared experiences, local concerns and cultural expression." ], "standards_and_regulation": [ "The Universal Declaration of Human Rights, adopted by the United Nations General Assembly, recognises participation in cultural life and protection of authors' moral and material interests." ], "facets_not_applicable": { "recognition": "Community art is defined by its participatory process and community relationships, which cannot be established from visual appearance alone." } }, "sources": [ { "id": "wikidata", "title": "Wikidata item Q2801695: community art", "url": "https://www.wikidata.org/wiki/Q2801695", "url_status": "live", "what_it_supports": "identity and sense of the item", "checked_by": "wikidata-api" }, { "id": "wikipedia-en", "title": "Wikipedia: Community art", "url": "https://en.wikipedia.org/wiki/Community_art", "url_status": "live", "what_it_supports": "general description of the item", "checked_by": "wikidata-api sitelink" } ], "structure": { "bundles": [ { "id": "community-and-artistic-identity", "name": "Community and artistic identity", "description": "Establishes which community relationship constitutes the art and where that claim is contested.", "rationale": "Community art cannot be recognised reliably from artistic medium, public location or audience size alone.", "layers": [ { "id": "community-definition", "name": "Community definition", "description": "Records how the relevant communities describe themselves and their relationship to the practice.", "findings": [ { "id": "situated-community-boundary", "name": "Situated community boundary", "description": "Record who identifies the community, the basis of association and disagreements over inclusion without presuming a single representative voice.", "questions": [ { "text": "Which people or groups identify themselves as the community involved, and on what basis?", "kind": "definition", "id": "situated-community-boundary-q01" }, { "text": "Whose inclusion, exclusion or claimed representation is contested?", "kind": "boundary", "id": "situated-community-boundary-q02" } ] } ] }, { "id": "constitutive-artistic-relationship", "name": "Constitutive artistic relationship", "description": "Identifies how community involvement or expression shapes artistic identity.", "findings": [ { "id": "community-art-designation", "name": "Community art designation", "description": "Treat the designation as a claim supported by specific relationships and artistic decisions, with attribution and uncertainty.", "questions": [ { "text": "What would materially change about this practice or work if the community relationship were removed?", "kind": "definition", "id": "community-art-designation-q01" }, { "text": "Who describes it as community art, and what participant accounts support or challenge that description?", "kind": "provenance", "id": "community-art-designation-q02" } ] } ] } ] }, { "id": "participation-and-creative-power", "name": "Participation and creative power", "description": "Makes access, contribution and decision authority visible across the artistic process.", "rationale": "Participation can range from limited consultation to community control, with different implications for what an agent may propose or change.", "layers": [ { "id": "participation-pathways", "name": "Participation pathways", "description": "Records how people enter, contribute to and leave the practice.", "findings": [ { "id": "access-and-contribution-conditions", "name": "Access and contribution conditions", "description": "Describe recruitment, practical access, compensation and withdrawal conditions that shape whose contributions can be heard.", "questions": [ { "text": "How can people join, and which language, timing, cost, disability-access or eligibility conditions affect participation?", "kind": "boundary", "id": "access-and-contribution-conditions-q01" }, { "text": "What support, compensation and options to decline or leave are offered to contributors?", "kind": "action", "id": "access-and-contribution-conditions-q02" } ] } ] }, { "id": "artistic-decision-authority", "name": "Artistic decision authority", "description": "Locates control over themes, selection, editing and public presentation.", "findings": [ { "id": "decision-and-disagreement-record", "name": "Decision and disagreement record", "description": "Record authority for particular decisions and how disagreements between participants, artists, hosts and funders are handled.", "questions": [ { "text": "Who can propose, approve, revise or reject the subject matter, contributions and final presentation?", "kind": "action", "id": "decision-and-disagreement-record-q01" }, { "text": "Which recorded decisions show how community input changed the art or was declined?", "kind": "provenance", "id": "decision-and-disagreement-record-q02" } ] } ] } ] }, { "id": "collaborative-making-and-work-identity", "name": "Collaborative making and work identity", "description": "Connects the artistic process to its contributions, outputs and changing forms.", "rationale": "A workshop, collective work, later performance and documentary recording may be related without being interchangeable.", "layers": [ { "id": "making-process", "name": "Making process", "description": "Records the artistic methods through which community contributions become shared expression.", "findings": [ { "id": "contribution-transformation", "name": "Contribution transformation", "description": "Trace how stories, images, gestures, sounds or other contributions are selected and transformed, subject to agreed privacy limits.", "questions": [ { "text": "Which collaborative methods turn participants' contributions into artistic material?", "kind": "definition", "id": "contribution-transformation-q01" }, { "text": "Who selected, edited, combined or omitted contributions, and what record explains those choices?", "kind": "provenance", "id": "contribution-transformation-q02" } ] } ] }, { "id": "outputs-and-continuity", "name": "Outputs and continuity", "description": "Distinguishes the process, resulting works, versions, instances and documentary traces.", "findings": [ { "id": "work-and-documentation-boundaries", "name": "Work and documentation boundaries", "description": "Record which entities participants regard as the art and how later iterations maintain or change that identity.", "questions": [ { "text": "Is the artistic entity the participatory process, a resulting work, recurring enactments or a specified combination?", "kind": "boundary", "id": "work-and-documentation-boundaries-q01" }, { "text": "When does a revised mural, restaged performance or edited recording become a new version, a new work or documentation?", "kind": "boundary", "id": "work-and-documentation-boundaries-q02" } ] } ] } ] }, { "id": "consent-credit-and-circulation", "name": "Consent, credit and circulation", "description": "Records conditions for recognising contributors and taking community expression into new contexts.", "rationale": "Permission to participate does not by itself establish permission for every later use of a contribution or a person's likeness.", "layers": [ { "id": "contributor-recognition", "name": "Contributor recognition", "description": "Separates contribution, attribution preferences, claimed authorship and documented rights.", "findings": [ { "id": "credit-and-rights-claims", "name": "Credit and rights claims", "description": "Record individual and collective credit arrangements without inferring legal ownership from participation or public recognition.", "questions": [ { "text": "How should individuals, facilitators and collectives be credited, including anonymous or unnamed contributions?", "kind": "action", "id": "credit-and-rights-claims-q01" }, { "text": "Which agreements support authorship or rights claims, and which claims remain unresolved?", "kind": "provenance", "id": "credit-and-rights-claims-q02" } ] } ] }, { "id": "contextual-use-permissions", "name": "Contextual use permissions", "description": "Connects intended uses to contribution-specific permissions and community protocols.", "findings": [ { "id": "presentation-and-reuse-conditions", "name": "Presentation and reuse conditions", "description": "Record conditions for public display, recording, online distribution, commercial use and adaptation, including sensitive community material.", "questions": [ { "text": "Which permissions and community protocols apply to the proposed audience, medium and purpose of use?", "kind": "action", "id": "presentation-and-reuse-conditions-q01" }, { "text": "What further agreement is required when a contribution moves from a local activity to publication, sale or adaptation?", "kind": "action", "id": "presentation-and-reuse-conditions-q02" } ] } ] } ] }, { "id": "community-value-and-stewardship", "name": "Community value and stewardship", "description": "Connects participant-defined intentions and experiences to decisions about continuation, care and closure.", "rationale": "The condition of community art includes relationships and negotiated responsibilities as well as the condition of any surviving work.", "layers": [ { "id": "intentions-and-experiences", "name": "Intentions and experiences", "description": "Records artistic and community aims alongside evidence of varied participant experiences.", "findings": [ { "id": "participant-defined-assessment", "name": "Participant-defined assessment", "description": "Distinguish intended benefits from reported experiences and demonstrated outcomes, preserving negative and dissenting accounts.", "questions": [ { "text": "What artistic or community changes do participants want, and who chose those aims?", "kind": "provenance", "id": "participant-defined-assessment-q01" }, { "text": "What consented evidence can assess those aims while distinguishing participation counts from influence, belonging or other claimed outcomes?", "kind": "measurement", "id": "participant-defined-assessment-q02" } ] } ] }, { "id": "afterlife-and-care", "name": "Afterlife and care", "description": "Records responsibilities and authority as the work persists, changes or ends.", "findings": [ { "id": "continuation-transformation-and-retirement", "name": "Continuation, transformation and retirement", "description": "Identify who can care for, reactivate, relocate, alter, archive or retire the work when participants or local circumstances change.", "questions": [ { "text": "Who has accepted responsibility and authority for maintenance, reactivation or archival custody after the original activity ends?", "kind": "action", "id": "continuation-transformation-and-retirement-q01" }, { "text": "What consultation and permission are required before relocation, alteration, removal or use by a later community?", "kind": "action", "id": "continuation-transformation-and-retirement-q02" } ] } ] } ] }, { "id": "evidence-and-external-alignment", "name": "Evidence and external alignment", "description": "What the world already says about this thing, gathered so the model can be checked against it.", "rationale": "A model that cannot be lined up against existing standards, identifiers and practice cannot be adopted by anyone who already uses them.", "layers": [ { "id": "reported-evidence", "name": "Reported evidence", "description": "Findings from the breadth pass, kept separate from the structural claims.", "findings": [ { "id": "evidence-confidence-notes", "name": "Check these first", "description": "Recalled without web access and unsourced; every item is a lead to verify.", "evidence": [ "No sense is recorded; this description interprets community art as a participatory artistic practice rather than any artwork depicting or located in a community.", "The listed kinds are recognised forms of practice, not a standardised or exhaustive taxonomy; no universal identifier scheme is asserted.", "Regional terminology, collective authorship arrangements and claims of social benefit require context-specific checking." ], "questions": [ { "id": "evidence-confidence-notes-q01", "text": "Which of these check these first hold for the sense of community art this model covers, and on what evidence?", "kind": "provenance" } ] }, { "id": "evidence-kinds", "name": "Kinds and varieties", "description": "Recalled without web access and unsourced; every item is a lead to verify.", "evidence": [ "Community mural projects", "Community theatre", "Community music-making", "Participatory filmmaking", "Community-based dance", "Collaborative textile arts" ], "questions": [ { "id": "evidence-kinds-q01", "text": "Which of these kinds and varieties hold for the sense of community art this model covers, and on what evidence?", "kind": "provenance" } ] }, { "id": "evidence-standards-and-regulation", "name": "Standards and regulation", "description": "Recalled without web access and unsourced; every item is a lead to verify.", "evidence": [ "Berne Convention for the Protection of Literary and Artistic Works, administered by WIPO: provides an international copyright framework relevant to eligible works produced through community art; ownership and permissions depend on applicable national law." ], "questions": [ { "id": "evidence-standards-and-regulation-q01", "text": "Which of these standards and regulation hold for the sense of community art this model covers, and on what evidence?", "kind": "provenance" } ] }, { "id": "evidence-real-world-use", "name": "Real-world use", "description": "Recalled without web access and unsourced; every item is a lead to verify.", "evidence": [ "Expressing local identities, histories and collective memories", "Creating opportunities for shared artistic learning and participation", "Supporting dialogue across social or cultural differences", "Contributing to neighbourhood public spaces through collaborative creative projects", "Enabling communities to articulate concerns and advocate for change" ], "questions": [ { "id": "evidence-real-world-use-q01", "text": "Which of these real-world use hold for the sense of community art this model covers, and on what evidence?", "kind": "provenance" } ] }, { "id": "evidence-failure-modes-and-hazards", "name": "Failure modes and hazards", "description": "Recalled without web access and unsourced; every item is a lead to verify.", "evidence": [ "Token participation when organisers retain control while presenting the work as community-led", "Exclusion of less visible community members or treatment of a diverse community as having one voice", "Disputes over authorship, copyright, attribution and control of the resulting work", "Disclosure or exploitation of participants' personal stories, images or cultural knowledge without adequate consent", "Loss of trust when funding ends, commitments go unmet or promised social benefits are unsupported" ], "questions": [ { "id": "evidence-failure-modes-and-hazards-q01", "text": "Which of these failure modes and hazards hold for the sense of community art this model covers, and on what evidence?", "kind": "provenance" } ] }, { "id": "evidence-regional-variation", "name": "Regional variation", "description": "Recalled without web access and unsourced; every item is a lead to verify.", "evidence": [ "In Britain, community arts has a historical association with collective participation, cultural democracy and social activism.", "In the United States, overlapping practices are often described as community-based arts or community-engaged arts.", "In Australia, community arts and cultural development is an established framing that connects artistic participation with community cultural life." ], "questions": [ { "id": "evidence-regional-variation-q01", "text": "Which of these regional variation hold for the sense of community art this model covers, and on what evidence?", "kind": "provenance" } ] }, { "id": "evidence-neighbours", "name": "Neighbouring kinds and how to tell them apart", "description": "Recalled without web access and unsourced; every item is a lead to verify.", "evidence": [ { "name": "Public art", "difference": "Public art is characterised by its public setting or accessibility; community art requires community involvement in shaping the practice and need not be publicly installed." }, { "name": "Participatory art", "difference": "Participatory art involves participants in making or activating a work; community art additionally centres a community and its shared context." }, { "name": "Socially engaged art", "difference": "Socially engaged art makes social relationships or issues central to artistic practice; community art specifically develops with or by a community, although the categories overlap." }, { "name": "Art therapy", "difference": "Art therapy uses artistic activity within a therapeutic practice; community art does not inherently involve a clinical relationship or treatment." } ], "questions": [ { "id": "evidence-neighbours-q01", "text": "Which of these neighbouring kinds and how to tell them apart hold for the sense of community art this model covers, and on what evidence?", "kind": "provenance" } ] } ] } ] } ] }, "openQuestions": [ "Does the registry intend community art to include art made for a community with little community influence, or require a stronger constitutive relationship?", "Does an existing Vercy world model already cover this concept, and how should this entry link to participatory art, socially engaged art and public art without duplicating them?", "Which distinctions between work, expression, instance, event and documentation are useful for community art processes whose participants do not identify a discrete finished work?", "How should the model recognise changing community membership and disputed representation when permission or stewardship decisions recur over time?", "Which researched sources and community-authored accounts can substantiate these proposed distinctions across different cultural settings?" ], "statistics": { "bundles": 6, "layers": 11, "findings": 17, "questions": 27 } }