{ "vercy": "1.0-draft", "publication": { "status": "research-draft", "adjudicationStatus": "unreviewed", "publishableCanonical": false, "generatedAt": "2026-09-12T09:54:07Z", "providers": [ "Codex" ], "breadth": "recalled by Codex without web access - no source was read", "missingProviders": [], "pass": 2, "cost": { "grok": { "seconds": 15.4, "error": "Reading additional input from stdin...\nOpenAI Codex v0.153.4\n--------\nworkdir: R:\\02_PROJECTS\\02_Meta_Models_Platforms\\Ver.cy\\current\\thing-registry-backlog\nmodel: gpt-6-astra\nprovider: openai\napproval: never\nsandbox: read-only\nreasoning effort: none\nreasoning summaries: none\nsession id: 01a09508-971a-7f12-930b-1dc63e5eb128\n--------\nuser\nDescribe what is already known about one registered thing. Answer as JSON only, no prose around it.\n\nThing: Fugdi\nSense to describe: (none recorded)\nDomain code: ACT.ACT\nAlso known as: (none)\n\n\nContext for this batch of 1001 things:\n# Batch 043: 1001 registere", "usd": 0.0, "recall": true }, "codex": { "seconds": 84.4, "error": "Reading additional input from stdin...\nOpenAI Codex v0.153.4\n--------\nworkdir: R:\\02_PROJECTS\\02_Meta_Models_Platforms\\Ver.cy\\current\\thing-registry-backlog\nmodel: gpt-6-astra\nprovider: openai\napproval: never\nsandbox: read-only\nreasoning effort: none\nreasoning summaries: none\nsession id: 01a09508-970f-7cb3-8dff-ab2cfa86a39e\n--------\nuser\nYou are drafting a Vercy meta-model for one registered thing. Answer as JSON only, no prose around it.\n\nThing: Fugdi\nRegistry id: vr.tr.fugdi\nPlane / domain: ACT / ACT.ACT\nRegistry definition: (none recorded)\nNames folded into this entry: (none)\n\n\nContext for " } }, "enrichment": { "pass": 3, "engine": "claude", "producedAt": "2026-10-06T12:00:00Z", "ingestedAt": "2026-10-06T08:46:39+00:00", "fields": [ "agent_conduct", "ethics", "failure_modes_and_hazards", "owners", "standards_and_regulation", "visual_identification" ] }, "gate": { "passed": true, "version": "1.0", "at": "2026-10-07T10:10:31+00:00", "evidence": [ "completeness 1.00", "sense: Wikidata description", "2 live sources", "review by codex: pass" ] } }, "metaModel": { "id": "THING-Q5507249", "registryId": "vr.tr.fugdi", "name": "Fugdi", "version": "0.1.0-research.1", "entryKind": "thing", "family": "Thing Registry", "domain": [ "ACT.ACT" ], "status": "research-draft" }, "canonicalUrl": "https://ver.cy/models/thing/q5507249/", "model": { "registry_id": "vr.tr.fugdi", "name": "Fugdi", "purpose": "Enable an agent to recognise, document and support Fugdi performances while preserving distinctions among local traditions, movement forms and contemporary adaptations.", "definition": "Fugdi is a participatory folk dance associated especially with women in Goa and the Konkan, performed with singing and rhythmic movement in circles or facing formations during festivals and community gatherings.", "scope_statement": "This model owns Fugdi as a performed dance practice under vr.tr.fugdi, including the evidence needed to identify its variants and judge appropriate participation, teaching and adaptation; it does not establish a single canonical choreography.", "in_scope": [ "Community and locality attribution of performances identified as Fugdi", "Formation, hand contact, turning patterns and movement sequences", "Relationships among singing, breath sounds, percussion and movement", "Occasion, participant roles and locally recognised performance conventions", "Named variants, teaching practices and changes made for public presentation" ], "out_of_scope": [ "Dhalo as a distinct dance and festival tradition", "Complete models of Ganesh Chaturthi, Shigmo and other hosting festivals", "Songs as independently authored or recorded musical works", "Pots, coconut shells, clothing and instruments as material objects", "General histories of Goan and Maharashtrian communities", "Similarly named games without evidence connecting them to this dance tradition" ], "distinguishing_features": [ "Require practitioner identification and locality evidence alongside movement resemblance; spinning or circular formation alone cannot establish Fugdi.", "Compare observed formation and hand contact with the claimed local variant: accounts describe both group circles and facing partners who turn while holding hands. [Fugdi overview](https://en.wikipedia.org/wiki/Fugdi)", "Distinguish Fugdi from Dhalo even when they share participants or an occasion; official cultural listings name them separately. [South Goa cultural overview](https://southgoa.nic.in/places-of-interest/)", "Check named prop variants against their actual technique: a Goa government performance report identifies Kotti Fugdi as a coconut-shell dance. [Goa cultural roadshow report](https://dip.goa.gov.in/goa60-roadshow-at-mysuru-karnataka-receives-overwhelming-response-from-visitors/)", "Treat participant gender and instrumental accompaniment as contextual evidence, not absolute exclusion tests; published descriptions report exceptions to women-only, unaccompanied performance. [Fugdi overview](https://en.wikipedia.org/wiki/Fugdi)" ], "characteristics": [ { "name": "Locally recognised variant", "kind": "category", "unit_or_values": "Practitioner-supplied name, spelling, locality and unresolved classification", "why_it_matters": "Prevents one familiar version from defining every performance." }, { "name": "Practice affiliation", "kind": "relation", "unit_or_values": "Links to performers, teachers, community and locality", "why_it_matters": "Locates the authority behind identification and performance conventions." }, { "name": "Formation and contact", "kind": "category", "unit_or_values": "Facing pair, circle, other documented formation; handhold and contact changes", "why_it_matters": "Makes movement comparison and coordinated participation possible." }, { "name": "Turning progression", "kind": "measurement", "unit_or_values": "Turns per minute by segment, direction and segment duration in seconds", "why_it_matters": "Records observed pacing without inventing a universal required speed." }, { "name": "Rhythmic support", "kind": "category", "unit_or_values": "Singing, breath vocalisation, clapping, object percussion, instruments or documented combination", "why_it_matters": "Distinguishes how each performance coordinates sound and movement." }, { "name": "Performance setting", "kind": "category", "unit_or_values": "Ritual, social gathering, teaching, staged presentation or competition; locally specified occasion", "why_it_matters": "Determines which conventions and expectations apply." }, { "name": "Adaptation status", "kind": "state", "unit_or_values": "Locally transmitted version, declared adaptation, reconstruction or uncertain", "why_it_matters": "Separates documented practice from changes introduced for a particular presentation." }, { "name": "Fugdi prop use", "kind": "relation", "unit_or_values": "Named variant linked to object, grip, movement function and sound-producing technique", "why_it_matters": "Explains what props contribute rather than treating them as decoration." } ], "affordances": [ "Assess a candidate performance against locally attributed Fugdi evidence.", "Compare variants through formation, movement, sound and occasion.", "Annotate a recording with movement phases and coordination cues.", "Prepare a teaching outline grounded in a named practitioner's version.", "Identify staging changes and seek local guidance on their acceptability.", "Document repertoire and transmission gaps for targeted follow-up research." ], "agent_conduct": { "may": [ "Describe Fugdi, its songs and its festival context from cited sources.", "Credit the women's groups that perform it." ], "must_not": [ "Record or publish images of women performers without consent.", "Commercialize the tradition without the community's consent.", "Misrepresent the dance or its religious context." ], "requires_human": [ "Publishing recordings of community performances." ] }, "ethics": { "considerations": [ "Fugdi is a space for women's expression in their communities.", "Respect for religious festival contexts matters." ], "affected_parties": [ "Women performers", "Goan and Konkan communities" ] }, "owners": { "steward": "The public: held in common by its communities.", "master_systems": [] }, "visual_identification": [ "Women dance in circles or facing lines, spinning and singing, often in traditional saris.", "Performed at festivals such as Ganesh Chaturthi." ], "failure_modes_and_hazards": [ "Dizziness and falls from rapid spinning.", "Loss of tradition." ], "standards_and_regulation": [ "Convention for the Safeguarding of the Intangible Cultural Heritage, 2003, UNESCO." ], "what_it_is_for": [ "Fugdi is performed at festivals and community gatherings in Goa and the Konkan, especially among groups of women.", "Its singing and coordinated movement support shared celebration and the transmission of local performance traditions.", "It also appears in cultural presentations, where staged adaptations may differ from community practice." ] }, "sources": [ { "id": "wikidata", "title": "Wikidata item Q5507249: Fugdi", "url": "https://www.wikidata.org/wiki/Q5507249", "url_status": "live", "what_it_supports": "identity and sense of the item", "checked_by": "wikidata-api" }, { "id": "wikipedia-en", "title": "Wikipedia: Fugdi", "url": "https://en.wikipedia.org/wiki/Fugdi", "url_status": "live", "what_it_supports": "general description of the item", "checked_by": "wikidata-api sitelink" } ], "structure": { "bundles": [ { "id": "fugdi-identity-and-variants", "name": "Fugdi identity and variants", "description": "Establish what a particular use of the name Fugdi denotes.", "rationale": "The registry has no definition, and regional terminology must not silently become a universal classification.", "layers": [ { "id": "local-identification", "name": "Local identification", "description": "Connect the dance name to people and places that recognise the practice.", "findings": [ { "id": "attributed-fugdi-identification", "name": "Attributed Fugdi identification", "description": "Record who identifies the performance as Fugdi and the observable evidence supporting that identification.", "questions": [ { "text": "What do performers call this dance in their own language, and what do they consider essential to recognising it?", "kind": "definition", "id": "attributed-fugdi-identification-q01" }, { "text": "Which practitioner account or documented performance supports its identification as Fugdi in this locality?", "kind": "provenance", "id": "attributed-fugdi-identification-q02" } ] } ] }, { "id": "variant-boundaries", "name": "Variant boundaries", "description": "Resolve relationships among local names without creating additional registry things.", "findings": [ { "id": "named-form-relationships", "name": "Named form relationships", "description": "Distinguish spelling differences, Fugdi variants and neighbouring practices; Kalashi Fugdi appears by name in an official festival programme. [Goa festival notice](https://dip.goa.gov.in/tribal-folk-dance-festival-on-november-15/)", "questions": [ { "text": "Which locally used names denote the same form, and which imply a different movement or prop technique?", "kind": "boundary", "id": "named-form-relationships-q01" }, { "text": "How do practitioners distinguish Fugdi from Dhalo and other dances performed at the same gathering?", "kind": "boundary", "id": "named-form-relationships-q02" } ] } ] } ] }, { "id": "turning-and-coordination", "name": "Turning and coordination", "description": "Describe how dancers organise space, contact and motion in a specific Fugdi version.", "rationale": "A dance model must support recognition and instruction through observable action, not only cultural labels.", "layers": [ { "id": "formation-and-handholds", "name": "Formation and handholds", "description": "Capture dancer arrangement and the contact through which movement is coordinated.", "findings": [ { "id": "spatial-movement-pattern", "name": "Spatial movement pattern", "description": "Document starting positions, grips, footwork, turning direction and formation changes from an attributed example.", "questions": [ { "text": "How are dancers arranged, where do they make contact, and around what point or path do they turn?", "kind": "measurement", "id": "spatial-movement-pattern-q01" }, { "text": "Which changes of grip, posture or formation would make practitioners identify a different Fugdi variant?", "kind": "boundary", "id": "spatial-movement-pattern-q02" } ] } ] }, { "id": "pace-and-transitions", "name": "Pace and transitions", "description": "Record how performers begin, sustain, change and end a movement sequence.", "findings": [ { "id": "turning-sequence-cues", "name": "Turning sequence cues", "description": "Identify audible or bodily cues for pacing and transitions, including how partners coordinate stopping.", "questions": [ { "text": "How do turn rate and step pattern change across the observed sequence?", "kind": "measurement", "id": "turning-sequence-cues-q01" }, { "text": "What cues should a learner follow to enter, change pace and stop with the other dancers?", "kind": "action", "id": "turning-sequence-cues-q02" } ] } ] } ] }, { "id": "voice-rhythm-and-props", "name": "Voice, rhythm and props", "description": "Explain how sound and handled objects participate in Fugdi movement.", "rationale": "Sound production and prop technique can distinguish versions that otherwise share turning movements.", "layers": [ { "id": "vocal-movement-coupling", "name": "Vocal and movement coupling", "description": "Capture the relationship between vocal phrases and dance timing.", "findings": [ { "id": "performed-sound-sequence", "name": "Performed sound sequence", "description": "Record singing, breath sounds, clapping and accompaniment as observed features rather than requirements imposed on every variant.", "questions": [ { "text": "Which sounds mark the pulse or signal a movement change, and who produces them?", "kind": "measurement", "id": "performed-sound-sequence-q01" }, { "text": "Which words, refrains or vocal gestures belong to this version, and who explains their meaning?", "kind": "provenance", "id": "performed-sound-sequence-q02" } ] } ] }, { "id": "prop-dependent-technique", "name": "Prop-dependent technique", "description": "Describe the functional relationship between a named Fugdi form and its handled objects.", "findings": [ { "id": "prop-action-and-substitution", "name": "Prop action and substitution", "description": "Establish how an object changes grip, movement or rhythm and whether replacing it changes the recognised form.", "questions": [ { "text": "In the documented pot or coconut-shell variant, how is the object held and used during the movement?", "kind": "measurement", "id": "prop-action-and-substitution-q01" }, { "text": "What substitutions do practitioners accept for teaching or staging, and what technique must those substitutions preserve?", "kind": "action", "id": "prop-action-and-substitution-q02" } ] } ] } ] }, { "id": "occasion-and-participation", "name": "Occasion and participation", "description": "Locate Fugdi within the gathering and social relationships that give a performance its meaning.", "rationale": "The same named dance can carry different expectations in ritual, community and public settings.", "layers": [ { "id": "occasion-specific-function", "name": "Occasion-specific function", "description": "Identify why Fugdi is performed at this point in a particular occasion.", "findings": [ { "id": "placement-and-meaning", "name": "Placement and meaning", "description": "Record the locally explained relationship between Fugdi and the surrounding event without equating the dance with the whole festival.", "questions": [ { "text": "What occasion hosts this performance, and what significance do participants assign to dancing Fugdi there?", "kind": "definition", "id": "placement-and-meaning-q01" }, { "text": "Which opening, placement or closing conventions belong to this occasion rather than to Fugdi generally?", "kind": "boundary", "id": "placement-and-meaning-q02" } ] } ] }, { "id": "participant-roles", "name": "Participant roles", "description": "Capture locally applicable expectations for joining, leading and observing the dance.", "findings": [ { "id": "participation-conventions", "name": "Participation conventions", "description": "Document actual participation and practitioner explanations without deriving universal eligibility rules from common descriptions.", "questions": [ { "text": "Who dances, leads the vocal or movement cues, and teaches newcomers in this setting?", "kind": "provenance", "id": "participation-conventions-q01" }, { "text": "What should an organiser establish with the hosts before inviting newcomers to participate or recording the performance?", "kind": "action", "id": "participation-conventions-q02" } ] } ] } ] }, { "id": "transmission-and-stage-adaptation", "name": "Transmission and stage adaptation", "description": "Track how Fugdi is learned, documented and changed for new performance settings.", "rationale": "A usable model must distinguish inherited practice from instructional simplification and presentation choices.", "layers": [ { "id": "learning-and-repertoire", "name": "Learning and repertoire", "description": "Connect teachable sequences and songs to identifiable knowledge holders.", "findings": [ { "id": "attributed-teaching-version", "name": "Attributed teaching version", "description": "Preserve which teacher or group supplies a version and which parts remain incompletely documented.", "questions": [ { "text": "From whom did the performers learn this movement sequence and its associated sounds or songs?", "kind": "provenance", "id": "attributed-teaching-version-q01" }, { "text": "Which movements and coordination cues does that teacher expect a beginner to learn first?", "kind": "action", "id": "attributed-teaching-version-q02" } ] } ] }, { "id": "public-presentation-changes", "name": "Public presentation changes", "description": "Compare staged or competitive Fugdi with an explicitly identified reference practice.", "findings": [ { "id": "declared-performance-adaptations", "name": "Declared performance adaptations", "description": "Record changes in duration, formation, sound, costume or judging expectations; official tourism reporting documents Fugdi competitions. [Goa Deepotsav report](https://goatourism.gov.in/goa-deepotsav-2025-lights-up-porvorim-saligao-and-mapusa-with-cultural-splendour/)", "questions": [ { "text": "What has changed from the group's reference version to suit a stage, time limit or competition?", "kind": "boundary", "id": "declared-performance-adaptations-q01" }, { "text": "How should the presentation credit its source tradition and describe adaptations according to the participating practitioners?", "kind": "action", "id": "declared-performance-adaptations-q02" } ] } ] } ] }, { "id": "evidence-and-external-alignment", "name": "Evidence and external alignment", "description": "What the world already says about this thing, gathered so the model can be checked against it.", "rationale": "A model that cannot be lined up against existing standards, identifiers and practice cannot be adopted by anyone who already uses them.", "layers": [ { "id": "reported-evidence", "name": "Reported evidence", "description": "Findings from the breadth pass, kept separate from the structural claims.", "findings": [ { "id": "evidence-confidence-notes", "name": "Check these first", "description": "Recalled without web access and unsourced; every item is a lead to verify.", "evidence": [ "The definition identifies a dance tradition, not an abstract concept.", "Circle and facing-row formations are broad distinctions rather than a complete taxonomy of locally named varieties.", "Community-specific names, ritual associations and geographical boundaries should be checked with practitioners or specialist ethnographic accounts." ], "questions": [ { "id": "evidence-confidence-notes-q01", "text": "Which of these check these first hold for the sense of Fugdi this model covers, and on what evidence?", "kind": "provenance" } ] }, { "id": "evidence-kinds", "name": "Kinds and varieties", "description": "Recalled without web access and unsourced; every item is a lead to verify.", "evidence": [ "Circle formations", "Facing-row formations" ], "questions": [ { "id": "evidence-kinds-q01", "text": "Which of these kinds and varieties hold for the sense of Fugdi this model covers, and on what evidence?", "kind": "provenance" } ] }, { "id": "evidence-real-world-use", "name": "Real-world use", "description": "Recalled without web access and unsourced; every item is a lead to verify.", "evidence": [ "Celebration during Ganesh Chaturthi", "Women's communal recreation and social gatherings", "Transmission of local songs and dance traditions", "Presentation at cultural festivals and staged folk performances" ], "questions": [ { "id": "evidence-real-world-use-q01", "text": "Which of these real-world use hold for the sense of Fugdi this model covers, and on what evidence?", "kind": "provenance" } ] }, { "id": "evidence-regional-variation", "name": "Regional variation", "description": "Recalled without web access and unsourced; every item is a lead to verify.", "evidence": [ "Goan traditions include differences in songs, formations and occasions among local communities.", "Related traditions occur in the Konkan of Maharashtra, where the name is also rendered as phugadi or phugdi." ], "questions": [ { "id": "evidence-regional-variation-q01", "text": "Which of these regional variation hold for the sense of Fugdi this model covers, and on what evidence?", "kind": "provenance" } ] }, { "id": "evidence-neighbours", "name": "Neighbouring kinds and how to tell them apart", "description": "Recalled without web access and unsourced; every item is a lead to verify.", "evidence": [ { "name": "Dhalo", "difference": "Dhalo is a distinct Goan women's song-and-dance tradition with its own ritual occasions and characteristic facing-row performances; formation alone does not distinguish it from Fugdi." }, { "name": "Garba", "difference": "Garba belongs primarily to Gujarati devotional and festive traditions, especially Navratri; circular group movement alone does not make a dance Fugdi." } ], "questions": [ { "id": "evidence-neighbours-q01", "text": "Which of these neighbouring kinds and how to tell them apart hold for the sense of Fugdi this model covers, and on what evidence?", "kind": "provenance" } ] } ] } ] } ] }, "openQuestions": [ "What geographic and linguistic coverage was intended by vr.tr.fugdi, and how should similarly named competitive games be distinguished from the dance?", "Which regional variant names are synonyms, and which denote techniques that practitioners consistently distinguish?", "Which formation, sound and movement features are essential within each documented lineage, rather than merely frequent?", "How do participation and accompaniment conventions vary by community, occasion and historical period?", "Which accounts of Fugdi's origins and ritual meanings have practitioner or archival support beyond repeated tourism summaries?" ], "statistics": { "bundles": 6, "layers": 11, "findings": 15, "questions": 25 } }