{ "vercy": "1.0-draft", "publication": { "status": "research-draft", "adjudicationStatus": "unreviewed", "publishableCanonical": false, "generatedAt": "2026-09-12T10:43:12Z", "providers": [ "Codex" ], "breadth": "recalled by Codex without web access - no source was read", "missingProviders": [], "pass": 2, "cost": { "grok": { "seconds": 15.8, "error": "Reading additional input from stdin...\nOpenAI Codex v0.153.4\n--------\nworkdir: R:\\02_PROJECTS\\02_Meta_Models_Platforms\\Ver.cy\\current\\thing-registry-backlog\nmodel: gpt-6-astra\nprovider: openai\napproval: never\nsandbox: read-only\nreasoning effort: none\nreasoning summaries: none\nsession id: 01a09535-b4e2-71e0-82ee-a7176980e298\n--------\nuser\nDescribe what is already known about one registered thing. Answer as JSON only, no prose around it.\n\nThing: Kanyarkali\nSense to describe: (none recorded)\nDomain code: ACT.ACT\nAlso known as: (none)\n\n\nContext for this batch of 1001 things:\n# Batch 043: 1001 regi", "usd": 0.0, "recall": true }, "codex": { "seconds": 73.2, "error": "Reading additional input from stdin...\nOpenAI Codex v0.153.4\n--------\nworkdir: R:\\02_PROJECTS\\02_Meta_Models_Platforms\\Ver.cy\\current\\thing-registry-backlog\nmodel: gpt-6-astra\nprovider: openai\napproval: never\nsandbox: read-only\nreasoning effort: none\nreasoning summaries: none\nsession id: 01a09535-b4f0-7f51-aed3-ec8ae04026c5\n--------\nuser\nYou are drafting a Vercy meta-model for one registered thing. Answer as JSON only, no prose around it.\n\nThing: Kanyarkali\nRegistry id: vr.tr.kanyarkali\nPlane / domain: ACT / ACT.ACT\nRegistry definition: (none recorded)\nNames folded into this entry: (none)\n\n\nCo" } }, "enrichment": { "pass": 3, "engine": "claude", "producedAt": "2026-10-06T12:00:00Z", "ingestedAt": "2026-10-06T08:45:55+00:00", "fields": [ "agent_conduct", "ethics", "failure_modes_and_hazards", "owners", "standards_and_regulation", "visual_identification" ] }, "gate": { "passed": true, "version": "1.0", "at": "2026-10-07T10:10:32+00:00", "evidence": [ "completeness 1.00", "sense: Wikidata description", "2 live sources", "review by codex: pass" ] } }, "metaModel": { "id": "THING-Q6365848", "registryId": "vr.tr.kanyarkali", "name": "Kanyarkali", "version": "0.1.0-research.1", "entryKind": "thing", "family": "Thing Registry", "domain": [ "ACT.ACT" ], "status": "research-draft" }, "canonicalUrl": "https://ver.cy/models/thing/q6365848/", "model": { "registry_id": "vr.tr.kanyarkali", "name": "Kanyarkali", "purpose": "Enable an agent to recognise Kanyarkali, document a locally grounded performance, assess its continuity and readiness, and identify appropriate conditions for teaching, staging or recording it.", "definition": "Kanyarkali is a traditional communal dance and dramatic performance of Kerala's Palakkad district, associated with Nair communities and temple festivals, combining group dancing, singing and enacted characters.", "scope_statement": "This model owns the performance practice registered as vr.tr.kanyarkali in ACT / ACT.ACT, including local identification, ritual context, dance and dramatic components, transmission and adaptation; individual performances instantiate the practice.", "in_scope": [ "Local names, practitioner attribution and evidence identifying a practice as Kanyarkali", "Relationships between temple observance, village participation and performance occasions", "Vattakali and Porattu components and their locally recognised sequencing", "Movement, songs, accompaniment, characterisation and rehearsal", "Continuity of repertoire and conditions for documentation or adaptation" ], "out_of_scope": [ "Kerala folk performance as a whole", "Independent traditions also called Vattakali or Porattu", "Kalaripayattu techniques and martial training outside Kanyarkali", "Temple administration and the complete festival programme", "Caste or tribal communities as social entities", "Recordings, song manuscripts and musical instruments as independently managed objects" ], "distinguishing_features": [ "Look for practitioner identification and a documented connection to the Palakkad tradition, especially Alathur and Chittur; a Kerala location alone is insufficient.", "Check how the performance combines or relates circular Vattakali dancing and Porattu dramatic episodes; an isolated circle dance or farce requires additional attribution.", "Record whether participants identify the occasion as a ritual offering, a demonstration or an adaptation; visual resemblance alone cannot establish ritual standing.", "Treat martial movement as one identification clue requiring local context, rather than sufficient evidence that a performance is Kanyarkali." ], "characteristics": [ { "name": "Local designation", "kind": "category", "unit_or_values": "Recorded name and spelling, language, locality and attesting practitioner", "why_it_matters": "Supports identification without assuming every similar name denotes the same practice." }, { "name": "Practice affiliation", "kind": "relation", "unit_or_values": "Links to village, temple, performing group and teacher", "why_it_matters": "Locates claims about repertoire and observance within a particular tradition." }, { "name": "Occasion status", "kind": "category", "unit_or_values": "Ritual observance; demonstration; adapted presentation; locally specified other; unresolved", "why_it_matters": "Determines which expectations apply to an instance." }, { "name": "Component sequence", "kind": "relation", "unit_or_values": "Ordered Vattakali, Porattu and locally named segments, including repetitions and omissions", "why_it_matters": "Allows comparison without imposing one universal programme." }, { "name": "Performance extent", "kind": "measurement", "unit_or_values": "Number of nights; minutes per segment; actual start and end times", "why_it_matters": "Distinguishes a complete local cycle from an excerpt and supports scheduling." }, { "name": "Movement and accompaniment specification", "kind": "relation", "unit_or_values": "Links between step sequences, songs, rhythmic cues, instruments and teachers", "why_it_matters": "Records the coordination needed to rehearse a recognisable performance." }, { "name": "Repertoire continuity", "kind": "state", "unit_or_values": "Locally assessed as actively taught; intermittently performed; being revived; documented only; unknown", "why_it_matters": "Identifies where teaching or recovery work is needed." }, { "name": "Presentation readiness", "kind": "state", "unit_or_values": "Unassessed; rehearsing; locally approved for the specified occasion; deferred", "why_it_matters": "Connects preparation to a named occasion and an identifiable assessor." } ], "affordances": [ "Assess a candidate performance against local attribution and component evidence.", "Build a programme from the host tradition's sequence and occasion requirements.", "Identify rehearsal needs for particular movement, music and dramatic transitions.", "Compare village variants while preserving their distinct names and authorities.", "Prepare a contextualised recording or adaptation with documented permissions.", "Locate repertoire at risk of losing teachers, performers or usable documentation." ], "agent_conduct": { "may": [ "Describe Kanyarkali, its community and festival context from cited sources.", "Credit performing groups and communities." ], "must_not": [ "Misrepresent the tradition or its community associations.", "Record and publish performances without permission.", "Commercialize the tradition without the community's consent." ], "requires_human": [ "Publishing recordings of temple festival performances." ] }, "ethics": { "considerations": [ "Folk traditions are held by communities and linked to temples and caste history.", "Representation must respect the community and its sacred context." ], "affected_parties": [ "Performing communities", "Temple communities", "Audiences" ] }, "owners": { "steward": "The public: held in common by its communities in Palakkad.", "master_systems": [] }, "visual_identification": [ "Groups of men dance in a circle around a lamp at night, singing.", "Performances include comic characters in costume and masks." ], "failure_modes_and_hazards": [ "Loss of tradition as communities change.", "Misrepresentation in media." ], "standards_and_regulation": [ "Convention for the Safeguarding of the Intangible Cultural Heritage, 2003, UNESCO." ], "what_it_is_for": [ "Kanyarkali is performed in communal and temple festival settings in Kerala's Palakkad district, particularly among Nair communities.", "Its group dancing, singing and dramatic episodes support local celebration and the transmission of performance traditions between generations.", "It is also encountered in cultural documentation and teaching, where local performers provide context for repertoire and customary practice." ] }, "sources": [ { "id": "wikidata", "title": "Wikidata item Q6365848: Kanyarkali", "url": "https://www.wikidata.org/wiki/Q6365848", "url_status": "live", "what_it_supports": "identity and sense of the item", "checked_by": "wikidata-api" }, { "id": "wikipedia-en", "title": "Wikipedia: Kanyarkali", "url": "https://en.wikipedia.org/wiki/Kanyarkali", "url_status": "live", "what_it_supports": "general description of the item", "checked_by": "wikidata-api sitelink" } ], "structure": { "bundles": [ { "id": "identity-and-local-attribution", "name": "Identity and local attribution", "description": "Establish the practice's identity before assigning characteristics from neighbouring forms.", "rationale": "Names and shared performance elements cannot independently establish that an instance belongs to Kanyarkali.", "layers": [ { "id": "names-and-localities", "name": "Names and localities", "description": "Attach naming evidence to the places and people using it.", "findings": [ { "id": "attested-practice-identity", "name": "Attested practice identity", "description": "Kerala Tourism identifies Kanyarkali, also called Deshathukali, with Palakkad, particularly Alathur and Chittur. Record local attestations before extending that identification. [Kerala Tourism](https://www.keralatourism.org/artforms/kannyarkali-folk-art/7/)", "questions": [ { "text": "What name do practitioners use for this performance, and in which locality?", "kind": "definition", "id": "attested-practice-identity-q01" }, { "text": "Which practitioner account or documented performance supports its identification as Kanyarkali?", "kind": "provenance", "id": "attested-practice-identity-q02" } ] } ] }, { "id": "component-and-tradition-boundaries", "name": "Component and tradition boundaries", "description": "Distinguish the complete practice from shared components and related arts.", "findings": [ { "id": "whole-performance-attribution", "name": "Whole-performance attribution", "description": "Record whether an observed item is a complete local presentation, a component, a teaching exercise or an adaptation.", "questions": [ { "text": "Is the observed Vattakali or Porattu explicitly situated within a Kanyarkali programme?", "kind": "boundary", "id": "whole-performance-attribution-q01" }, { "text": "What evidence distinguishes this item from an independently practised circle dance or dramatic form?", "kind": "boundary", "id": "whole-performance-attribution-q02" } ] } ] } ] }, { "id": "ritual-occasion-and-local-authority", "name": "Ritual occasion and local authority", "description": "Describe the relationship between a performance, its host setting and locally applicable observances.", "rationale": "An agent needs the occasion's meaning and requirements to judge whether a proposed presentation is appropriate.", "layers": [ { "id": "offering-and-occasion", "name": "Offering and occasion", "description": "Identify devotional purpose and the status of the particular presentation.", "findings": [ { "id": "declared-ritual-standing", "name": "Declared ritual standing", "description": "Kerala Tourism describes Kanyarkali as a ritual offering associated with Bhagavathy; establish the dedication and standing of each instance locally. [Kerala Tourism](https://www.keralatourism.org/kerala-article/2022/kanyarkali-art-form/1170)", "questions": [ { "text": "To whom, if anyone, is this performance offered, and how do participants describe its purpose?", "kind": "definition", "id": "declared-ritual-standing-q01" }, { "text": "Which observances distinguish this occasion from a stage demonstration of Kanyarkali?", "kind": "boundary", "id": "declared-ritual-standing-q02" } ] } ] }, { "id": "host-requirements", "name": "Host requirements", "description": "Record who determines the programme and what must be prepared for its setting.", "findings": [ { "id": "locally-authorised-programme", "name": "Locally authorised programme", "description": "Identify the people responsible for confirming the date, performance area, participation conditions and any required preparations.", "questions": [ { "text": "Who can confirm the local requirements for this Kanyarkali occasion?", "kind": "provenance", "id": "locally-authorised-programme-q01" }, { "text": "What preparations must be completed before the host group considers the performance ready?", "kind": "action", "id": "locally-authorised-programme-q02" } ] } ] } ] }, { "id": "vattakali-and-porattu-programme", "name": "Vattakali and Porattu programme", "description": "Capture the arrangement of circular dancing and dramatic episodes.", "rationale": "Component order, duration and repertoire determine what a particular presentation contains and what an excerpt omits.", "layers": [ { "id": "nightly-architecture", "name": "Nightly architecture", "description": "Document the performed sequence at both segment and occasion levels.", "findings": [ { "id": "observed-component-order", "name": "Observed component order", "description": "Kerala Tourism describes nights beginning with circular Vattakali followed by Porattu performances. Treat this as a documented pattern to check against local programmes. [Kerala Tourism](https://www.keralatourism.org/artforms/kannyarkali-folk-art/7/)", "questions": [ { "text": "What is the actual order of Vattakali and Porattu segments on each night?", "kind": "measurement", "id": "observed-component-order-q01" }, { "text": "Which omissions or rearrangements would make this an excerpt or adaptation according to its practitioners?", "kind": "boundary", "id": "observed-component-order-q02" } ] } ] }, { "id": "porattu-repertoire-and-portrayal", "name": "Porattu repertoire and portrayal", "description": "Identify episodes, characters and the interpretation of social portrayals.", "findings": [ { "id": "episode-specific-context", "name": "Episode-specific context", "description": "Porattu includes farcical portrayals of social groups and customs. Record each episode's theatrical framing without treating its characterisations as factual descriptions of those groups. [Kerala Tourism](https://www.keralatourism.org/artforms/kannyarkali-folk-art/7/)", "questions": [ { "text": "Which named episodes and characters are performed, and who supplied their texts or explanations?", "kind": "provenance", "id": "episode-specific-context-q01" }, { "text": "How should a programme note explain this episode's humour, social references and contested portrayals?", "kind": "action", "id": "episode-specific-context-q02" } ] } ] } ] }, { "id": "movement-music-and-performance-cues", "name": "Movement, music and performance cues", "description": "Connect bodily execution with the sound and cues that organise the performance.", "rationale": "A repertoire list cannot establish whether dancers, singers and instrumentalists can execute its coordinated sequences.", "layers": [ { "id": "movement-vocabulary", "name": "Movement vocabulary", "description": "Document locally taught steps, formations and transitions.", "findings": [ { "id": "recognisable-movement-execution", "name": "Recognisable movement execution", "description": "Record demonstrations and practitioner assessments of Kanyarkali movement, distinguishing performance technique from claims about martial origins.", "questions": [ { "text": "Which step sequences, formations and transitions does the teacher identify for this segment?", "kind": "definition", "id": "recognisable-movement-execution-q01" }, { "text": "What observable errors in timing, spacing or execution require further rehearsal?", "kind": "action", "id": "recognisable-movement-execution-q02" } ] } ] }, { "id": "song-and-accompaniment", "name": "Song and accompaniment", "description": "Relate musical material to the segments it supports.", "findings": [ { "id": "segment-musical-coordination", "name": "Segment musical coordination", "description": "Record song versions, language, accompaniment and transition cues for each segment, allowing locally documented differences.", "questions": [ { "text": "Which song version and instrumental parts accompany each Vattakali or Porattu segment?", "kind": "provenance", "id": "segment-musical-coordination-q01" }, { "text": "How do performers signal entrances, changes of pace and endings?", "kind": "definition", "id": "segment-musical-coordination-q02" } ] } ] } ] }, { "id": "transmission-and-contextualised-reuse", "name": "Transmission and contextualised reuse", "description": "Track how repertoire remains teachable and how it moves into recordings or new settings.", "rationale": "Continuity depends on practical teaching capacity and clear attribution when performances are shortened, relocated or recorded.", "layers": [ { "id": "teaching-and-repertoire-continuity", "name": "Teaching and repertoire continuity", "description": "Assess who can teach, perform and explain particular parts of the practice.", "findings": [ { "id": "repertoire-specific-teaching-capacity", "name": "Repertoire-specific teaching capacity", "description": "Assess continuity separately for Vattakali sequences, Porattu roles, songs and accompaniment rather than assigning one unsupported status to the whole tradition.", "questions": [ { "text": "Who currently teaches each component, and what evidence documents that teaching relationship?", "kind": "provenance", "id": "repertoire-specific-teaching-capacity-q01" }, { "text": "Which components lack enough trained participants for the next intended performance?", "kind": "action", "id": "repertoire-specific-teaching-capacity-q02" } ] } ] }, { "id": "adaptation-and-recording-context", "name": "Adaptation and recording context", "description": "Make changes of setting, duration and audience explicit.", "findings": [ { "id": "traceable-performance-adaptation", "name": "Traceable performance adaptation", "description": "Link a recording or adapted presentation to its source repertoire, contributors, permissions and declared changes.", "questions": [ { "text": "Which ritual, musical or dramatic elements were changed for this presentation, and who explained the changes?", "kind": "provenance", "id": "traceable-performance-adaptation-q01" }, { "text": "What permissions, credits and contextual notes are needed for the intended recording or reuse?", "kind": "action", "id": "traceable-performance-adaptation-q02" } ] } ] } ] }, { "id": "evidence-and-external-alignment", "name": "Evidence and external alignment", "description": "What the world already says about this thing, gathered so the model can be checked against it.", "rationale": "A model that cannot be lined up against existing standards, identifiers and practice cannot be adopted by anyone who already uses them.", "layers": [ { "id": "reported-evidence", "name": "Reported evidence", "description": "Findings from the breadth pass, kept separate from the structural claims.", "findings": [ { "id": "evidence-confidence-notes", "name": "Check these first", "description": "Recalled without web access and unsourced; every item is a lead to verify.", "evidence": [ "Check the spelling variants Kaniyarkali and Kanniyarkali, and the scope of the alternative name Desathukali.", "Verify locally how circular group dancing and dramatic or comic enactments are named and organised.", "Community participation, ritual associations and festival timing should be checked against village-specific accounts." ], "questions": [ { "id": "evidence-confidence-notes-q01", "text": "Which of these check these first hold for the sense of Kanyarkali this model covers, and on what evidence?", "kind": "provenance" } ] }, { "id": "evidence-real-world-use", "name": "Real-world use", "description": "Recalled without web access and unsourced; every item is a lead to verify.", "evidence": [ "Performance during local temple festivals.", "Transmission of community songs, movement traditions and dramatic roles." ], "questions": [ { "id": "evidence-real-world-use-q01", "text": "Which of these real-world use hold for the sense of Kanyarkali this model covers, and on what evidence?", "kind": "provenance" } ] }, { "id": "evidence-regional-variation", "name": "Regional variation", "description": "Recalled without web access and unsourced; every item is a lead to verify.", "evidence": [ "The tradition is particularly associated with Palakkad district in Kerala; individual villages maintain local performance practices." ], "questions": [ { "id": "evidence-regional-variation-q01", "text": "Which of these regional variation hold for the sense of Kanyarkali this model covers, and on what evidence?", "kind": "provenance" } ] }, { "id": "evidence-neighbours", "name": "Neighbouring kinds and how to tell them apart", "description": "Recalled without web access and unsourced; every item is a lead to verify.", "evidence": [ { "name": "Kathakali", "difference": "Kathakali is a classical dance-drama tradition with codified gesture, elaborate makeup and established dramatic repertories; Kanyarkali is a local communal festival tradition." } ], "questions": [ { "id": "evidence-neighbours-q01", "text": "Which of these neighbouring kinds and how to tell them apart hold for the sense of Kanyarkali this model covers, and on what evidence?", "kind": "provenance" } ] } ] } ] } ] }, "openQuestions": [ "Which local spellings and uses of Deshathukali denote precisely the same practice as this registry entry?", "How do village traditions differ in night counts, named nightly programmes and the sequencing or interleaving of Vattakali and Porattu?", "What do practitioners and historical evidence establish about martial origins, and which accounts remain retrospective explanations?", "How do participation and teaching roles vary by locality, community, gender and contemporary presentation setting?", "Where do practitioners draw the boundary between Kanyarkali's Porattu components and independently named Porattu or Porattukali traditions?" ], "statistics": { "bundles": 6, "layers": 11, "findings": 14, "questions": 24 } }