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Research draft

art of sculpture

vr.tr.art-of-sculpture · ACT.ACT

Let an agent handle sculpture by technique, material, history, artists, conservation and safe practice, with sourced information.

Thing Registry Activities and processes

Research draft, second pass

A second pass drafted this model: the structure a model of this thing needs, and what is known about it in the world. The line under this one says how the second half was obtained - researched against sources, or recalled without web access, in which case nothing here was read anywhere and every claim is a lead to verify. Unreviewed either way.

written by Claude from model knowledge without web access - no source was read, every claim is a lead to verify

Researched by: Claude

Purpose and description

Let an agent handle sculpture by technique, material, history, artists, conservation and safe practice, with sourced information.

The art of making three-dimensional works by carving, modelling, casting, constructing or assembling materials such as stone, bronze, wood, clay, glass, bone and even sugar or ice, ranging from religious and public monuments to contemporary installations.

What it is for: Artistic expression, commemoration and decoration.

It can be explain sculptural techniques and materials; find information on sculptors and works; find classes and safe workshop practice; understand conservation and public art rules.

Distinguishing features

Three-dimensional art

Many techniques

Wide range of materials

Often public

What it looks like

Three-dimensional artworks in stone, metal, wood, clay, glass and other materials.

How it is recognised

Carved, modelled or cast forms

Plinths and public monuments

Reliefs project from a background

Related models

is a kind of - category

artistic creation

produces - work

sculpture

uses - technique

bronze casting

is displayed in - setting

museum and public space

In practice

Families and kinds

carving

modelling and casting

assemblage and installation

relief sculpture

religious and public sculpture

Standards and regulation

Copyright and moral rights of artists

Public art commissioning rules

Workshop health and safety rules

Failure modes and hazards

Tool injuries such as chainsaw carving accidents

Dust from stone and silica

Unsourced attributions

Also called

Sugar paintingchainsaw carvingglass sculptureBlaschka glass modelsbone carvingreligious sculpture as genrecolonial sculpture of GuatemalaAssyrian sculptureNepalese sculptureAlbanian sculptureMaya sculpturefemale nudity in Greek artancient Greek sculptureByzantine sculptureAztec sculptureInca sculpturesculpture of Costa Ricasculpture of Ancient EgyptRoman sculpturesculpture of BangladeshIberian sculptureEtruscan sculptureInuit sculptureCeltic sculptureRenaissance sculptureNeoclassical sculptureBaroque sculpturemedieval sculptureCanadian sculptureMacedonian sculptureSerbian sculptureFrench sculptureUkrainian sculptureAustrian sculptureSwiss sculptureRomanian sculptureLithuanian sculptureMontenegrin sculptureSyrian sculptureSpanish sculpture

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Where this came from

wikidata · CC0 1.0

Drafted structure

Bundle to layer to finding to question, as the second pass will find it: 4 bundles · 8 layers · 8 findings · 16 questions.

Technique Making sculpture.

Techniques differ.

Methods

Carving to casting.

Methods

Methods.

  1. How is this sculpture made, by carving, modelling, casting or assembly? definition
  2. Which tools are used? provenance

Materials

Materials.

Materials

Materials.

  1. Which material suits this project, and how durable is it? provenance
  2. How is it finished? action
Works Artists and history.

Attribution needs sources.

Artist

Sculptors.

Artist

Artists.

  1. Who made this sculpture, according to museum or catalogue records? provenance
  2. When and where? provenance

History

Periods.

History

History.

  1. How did sculpture develop in this period or region, according to art historians? provenance
  2. Which works are key examples? provenance
Practice Safe workshops.

Safety matters.

Safety

Tools and dust.

Safety

Workshop safety.

  1. Which protective equipment and dust controls are needed for this material? provenance
  2. Is there an injury needing emergency care? boundary

Classes

Learning.

Classes

Classes.

  1. Where can beginners take sculpture classes? provenance
  2. What materials are good for starting? action
Public Public art.

Public art needs care.

Conservation

Care of works.

Conservation

Conservation.

  1. How is this sculpture conserved, and who is responsible? provenance
  2. How can damage be reported? action

Contested

Contested monuments.

Contested

Contested monuments.

  1. What positions exist on this contested monument, and who holds them? provenance
  2. Is the summary balanced and attributed? boundary

What the second pass must settle

  • Should techniques be separate entries?
  • How should works and artists be linked?
  • How should contested monuments be handled?